Country
Billboard Chart News August 14, 2017
Multi-Platinum = 2,000,000 plus units
Platinum = 1-million units
Gold = 500,000 units
Note: For ALBUM certifications the RIAA base their figures on the number of units SHIPPED
together with, track sales and on demand audio/ video stream units and NOT
based purely on traditional retail sales.
1,500
on-demand audio and/or video song streams = 10 track sales = 1 album
sale.
150
on-demand streams = 1 track download
Platinum singles:
Kelsea
Ballerini Dibs released July 20, 2015 certified Gold on
April 6, 2016 | certified Platinum August 8, 2017 1 Million units
Gold singles:
Russell
Dickerson Yours
released July 23, 2015 | Gold August 8, 2017 0.5 Million units
Thomas
Rhett Craving You released March 27, 2017 | Gold August
14, 2017 0.5 Million units
In
Brief: Billboard Country Charts (Chart issue week of August 26, 2017)
Country Album
Chart ** No.1 (1 week)
Hot Country
Songs ** No.1 (27 weeks) ** “Body Like A Back
Road” Sam Hunt
Country Airplay
** No.1 (3 weeks) “Do I Make You Wanna” Billy Currington
Country Digital
Songs ** No.1 (27 non-consecutive weeks) ** “Body Like A Back Road” Sam Hunt
Billboard Top 200 / Country
Album Chart News (Chart issue week of August 26,
2017)
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Kendrick Lamar’s DAMN. returned to No.1 on
the Billboard Top 200 Album Chart
(BB200), notching its fourth total week atop the tally. Lamar’s DAMN. climbed
2-1 on the latest Billboard 200, clocking a fourth non-consecutive week at No.
1, and its first since the May 20-dated tally. The set earned just under 47,000 equivalent album units (down
less than 1%) in the week ending Aug. 10, according to Nielsen Music. Of that
sum, 11,398 were in traditional album
sales. The bulk of DAMN.’s figure came from SEA units -- 31,000.
At No. 2 on the Billboard 200 was Brett Eldredge’s SELF-TITLED album, which bowed in the
runner-up slot with 45,000 units (36,195 in traditional album sales).
It was the highest charting album yet for the country singer, surpassing the
No.3 peak of his ILLINOIS album in 2015. In total, the new album marked his
fourth charting effort; he also visited the list with the 2016 Christmas album GLOW (peaking at No. 29) and his debut
album BRING YOU BACK (No. 11 in
2013).
Brett
Eldredge is the fourth country album to debut at No. 2 in 2017,
following Zac Brown Band’s Welcome Home (June 3), Chris Stapleton’s From A
Room: Volume 1 (May 27) and Brantley Gilbert’s The Devil Don’t Sleep (Feb. 18).
So
far, however, no country albums has hit No. 1 in 2017 (all those No. 2-debuting
sets peaked in the runner-up slot). The last country album to be No.1 was Jason
Aldean’s THEY DON’T KNOW, when it bowed at No.1 on the Oct. 1, 2016 chart. (It
spent one week at No. 1.)
With
36,000 copies sold, Eldredge’s new album was also the top selling album of
the week, and debuted at No.1 on the Top Album Sales chart.
Top
Country Albums now ranks the most popular country albums of the week, as
compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an
album = 1 track equivalent album (TEA)
“sale”
1,500 on demand song streams from
an album to one streaming equivalent album (SEA) “sale”.
Nielsen
Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to
billboard biz ), exclusively comprising
Nielsen’s sales data.
Brett Eldredge notched his second No.1 on Billboard’s Top Country Albums chart
(dated Aug. 26), as his self-titled third full-length (Atlantic/Warner Music
Nashville) arrived at the summit, earning 45,000 equivalent albums in its
launch week, ending Aug. 10, according to Nielsen Music. With 36,195 copies sold, Eldredge’s new
set is also the top-selling album of the week across all genres and therefore debuted
at No.1 on the Top Album Sales chart.
“We always celebrate and relish these special moments, because they don’t come along every day. I’m so proud of this album. Thanks to everyone who has busted their tail to get this music out there, and thanks to the fans for buying and streaming and coming to the shows. This is for you.”
On the all-genre Billboard 200, Eldredge earns his highest arrival and rank (No. 2), besting his 2015 album Illinois, which opened and peaked at No.3.
Illinois
was Eldredge’s first Top Country Albums No.1, launching atop the chart dated
Oct. 3, 2015, with 44,000 in first-week sales.
CHART HISTORY:
GLOW (Atlantic Nashville) his 2016 holiday set
released October 28, 2016 debuted at #29 Billboard 200 (#2 Country) selling 14,080 copies. As of Jan 3, 2017 it had sold 94,800 copies and was the second best Top
Selling Country Christmas Album last year.
ILLINOIS (Atlantic Records
Nashville) released on September 11, 2015 debuted at #3 on the Billboard 200 (#1
Country) selling 43,670
copies. Its
lead single, "Lose My Mind", was released to country radio on May 4,
2015.
BRING YOU BACK (Atlantic Nashville)
released on August 6, 2013 debuted at #11
on the Billboard 200 (#2 Country)
selling copies 21,000
copies. The
album included singles "Raymond",
"Don't Ya", "Beat of the Music" and "Mean to Me". "Don't Ya", "Beat of the Music" and the Country
Airplay No.1 "Mean to Me".
Promoting
the album Atlantic/WMN's Eldredge appeared on NBC-TV's "TODAY" (Aug 7)
for its CITI CONCERT SERIES. To start, show host HODA KOTB led Eldredge into
the sea of fans to snap a few selfies before his performances. Watch the moment
here. ELDREDGE then took the stage to perform "Somethin' I'm Good At"
and "The Long Way" from his newly-released self-titled album. Eldredge
is definitely here to stay, according to the streets of Nashville. Along with
the launch of his self-titled album, Eldredge also celebrated mosaic
installations promoting the project. Eldredge teamed up with artist Jim Bachor
to fill in potholes across the city with his logo, lyrics from his new song,
"No Stopping You," and a mural of his pup, Edgar.
“I’ve
got my name, my dog, and my lyrics all over Nashville, and it’s there to stay,”
said Eldredge. “It’s crazy. I used to wander those streets as a kid dreaming
about making music, and now it has really come true."
Critical
reception for Brett Eldredge’s self-titled Brett Eldredge:
12
Tracks/ Time: 41:50 Amazon UK - UK iTunes - Amazon.com
Allmusic: (Rating: 4 STARS) ….One of the appealing things about Brett
Eldredge -- maybe his chief attribute, really -- is his easy touch. Eldredge
never pushes a lyric or melody, a signature that nicely melds with the cool
soul undercurrents that run throughout his music.... If anything, Brett
Eldredge showcases the singer's softer side more than its predecessors...His
love songs may not be quite as incisive, but they're well-crafted, from their
melodies to their sumptuous productions, which borrow as much from soft rock as
they do from modern R&B or country. Such fusions sound as appealing on the
sunny pop tunes as they do on the ballads, and that is why Brett Eldredge
succeeds: It's a smooth, easygoing good time.
Roughstock (Rating: Positive) The rising star delivers 12 new tracks which showcase growth in every
phase while remaining true to the artist fans have come to love.....For all of
his crooner tendencies, Brett still knows his way around some crowd-pleasing,
radio-ready fare
like “Love Someone,” “Heartbreaker” and “Superhero.” the first
pair are conventional in that they feel like they could’ve been hits in any era
from 1980 to now while “Superhero” is defiantly different....These songs
perfectly sum up Brett Eldredge as both an album and an artist. They show off
uplifting, spirited personality juxtaposed with emotive balladeer. As his
career evolves, Brett Eldredge has figured out what makes his music get even
better and better: Personal vulnerability mixed with passionate performances.
Sounds Like Nashville (Rating: Very Positive) ....The burgeoning superstar flexes his
songwriting muscles, co-writing all 12 of the album’s tracks....One of the most
unique songs on the album comes in the form of “Brother.” While the CMA New
Artist of the Year winner typically pours his heart out to a female love
interest, “Brother” finds him calling out to a longtime friend, reminiscing
about special childhood memories...Charming, emotional and diverse are descriptions
that suit Brett Eldredge, but predictable certainly isn’t with its eclectic mix
of sounds, proving that Eldredge has grown as an artist. Like any strong
project, Eldredge can create an upbeat, crowd-participation song, but knows how
to pull at the heartstrings at the same time. Fans already in love with the
singer are bound to feel the same about the album and those new to his work
will no doubt be converted with just one listen.
Your Life In A Song Katie Hutchinson (Rating: Very
Positive) The vulnerable masterpiece, is
not overproduced or cluttered. It is as it should be; honest, simple and raw…
Between the somber tones, hard-hitting lyrics and shadows of hope, Brett is
admitting he is ready to be more settled and let love back in....I could go on
forever and pick every single track apart to give you my opinion… but I
honestly think, that this is one of those albums that needs to be experienced
for oneself.
There is not a single song
on this body of work, that I don’t LOVE… Brett and his team have officially
outdone themselves. Now, if you’ll excuse me…. I’m going to go and put this
12-track masterpiece on repeat…LOUDLY!
Chris Stapleton with TRAVELLER (MERCURY/
UMGN) fell slipped 1-2 (38-36 Billboard 200) selling 6,553
copies (up 2%, 119-week total 2,036,500).
Stapleton’s
follow-up, From a Room: Volume 1 (Mercury/Universal
Music Group Nashville) fell 2-5 (40-45
BB200) selling 8,324
copies (down 10%; 14-week total 482,600).
Luke Combs with THIS ONE’S FOR YOU (River House/Columbia Nashville/Sony Music
Nashville) held at #3 (#42-40 BB200)
selling 4,555 copies (down 3%; 10-week
total 84,587).
TRIBUTE Glen Campbell, who died Aug. 8 after a
long, well-chronicled battle with Alzheimer’s disease, re-entered Top Country
Albums at No.4 with 20 GREATEST HITS (Capitol Nashville),
up 2,009% to 11,000 units (5,177 pure sales). The package spent a prior week on the April 8, 2000,
chart at No.71 and, more than 17 years later, becomes Campbell’s 21st top 10 on
the list.
Glen
Campbell’s sublime version of Jimmy Webb’s “Wichita Lineman” was his
top-selling track in the week that he died. It sold 11K copies. The single rose
to No. 3 on the Hot 100 and was a 1968 Grammy nominee for Record of the Year.
The rest of Campbell’s top five tracks in the week of his death: “Rhinestone
Cowboy” (10K), “Gentle on My Mind” (8K), “By the Time I Get to Phoenix” (5K)
and “Galveston” (5K).
Glen Campbell
Music Sales Soar Following His Passing
Digital
activity led the way, with a more than 4,000 percent increase in digital album
sales, led by "20 Greatest Hits," "Adios," "Greatest
Hits," "Icon," and "All The Best."
On Country
Catalog Albums 20 GREATEST HITS re-entered at #1, Greatest Hits (Capitol
Nashville) re-entered at #2 and Icon: Glen Campbell re-entered at #9.
Campbell
moved 28,000 albums during this time, an increase of 833% from the prior week. Digital track sales increased 2,000%.
CAMPBELL's
passing also triggered 8.8 million
streams, which included 4.3 million
audio and 4.5 million video streams.
And, there were solid airplay increases, too, as radio and special programming
honoured the Country Music Hall Of Famer; CAMPBELL's tunes saw a 450% increase
in airplay spins, which NIELSEN said led to a more than 1,000% increase in projected airplay audience. Interest in CAMPBELL
was also widespread on social media, with substantial gains in FACEBOOK likes
and comments; nearly 5,000 new TWITTER followers; and more than one million views of his WIKIPEDIA page.
Dylan Scott with Dylan Scott (Deluxe)(Curb)
moved 44-7 (#56 Re-entry BB200) selling
5,098 copies (16-week total 41,600)
with this expanded version.
Keith Urban with RIPCORD (Hit Red/Capitol Nashville)
fell 6-8 (#53-57 BB200) selling 3,626 copies
(down 0.8%; 66-week total 639,300).
Brett Young with self-titled debut (BMLG) fell 7-9
(#57-59 BB200) selling 3,399 copies (down 1%; 26-week
total 117,900).
Florida Georgia Line with DIG YOUR ROOTS (BMLG) fell 8-10
(#60 non-mover BB200) selling 1,707 copies (up 14%; 50-week total 414,500).
Outside the
Top 10
Jon Pardi with California Sunrise fell 9-11 (63-66 BB200) selling 1,979 copies (up 8%; 60-week total 171,500).
Kane Brown with
self-titled KANE BROWN (Zone 4/RCA
Nashville) climbed 11-10 (#78- BB200) selling
2,586 copies
(36-week total 178,700).
Lady Antebellum with HEART BREAK (Capitol Nashville/Universal Music Group Nashville), fell
11-15 (85-112
Billboard 200) selling 4,224 copies (down 21%; 9-week total 113,384).
The 26-year-old country and Americana artist Tyler Childers with his 10-track debut set PURGATORY (Hickman Holler | Thirty Tigers) made a debut at No.17 (#120 BB200) selling 5,529 copies.
It also made a bow on Americana/Folk Albums at No. 4, earning 6,000 equivalent
album units in its first week. It the 5th best selling country release this
frame.
The album, co-produced by Grammy Award winners Sturgill
Simpson and David Ferguson, is a
semiautobiographical sketch of Childers’ growth from wayward youth to happily
married man, told in the tradition of a Southern gothic novel with a classic
noir antihero who may just be irredeemable. Purgatory is a chiaroscuro painting
with darkness framing light in high relief. There’s catharsis and redemption.
Sin and temptation. Murder and deceit. Demons and angels. Moonshine and
cocaine. So much moonshine and cocaine. All played out on the large, colorful
canvas of Eastern Kentucky.
Critical
reception for Tyler Childers’ Purgatory:
10 Tracks/ Time: 37:21 Amazon UK - Amazon.com
Saving Country Music (Rating: 1.3/4 Guns Up
(8/10)…You do get a sense similar to the
Brent Cobb album from last year that despite being consistent throughout and
delivering some really excellent songs, this isn’t one of those records sticks
to your bones eternally. It lacks a cohesive expression, and originality in
musical approach. But it does put Tyler Childers in the place he belongs right
here right now, which is alongside a stellar group of new, if not young artist
who are giving hope to the future of country music and happiness to our ears in
the here and now.
Wide Open Country (Rating: Positive)…Tyler Childers wears his eastern Kentucky
roots with pride on his debut album Purgatory (out Aug. 4). The Lawrence County
native pays tribute to his homeland, taking cues from the washed-in-the-blood
ballads that have emanated from Appalachian hollers for centuries.....But while
Childers’ music is rooted in tradition, his lyrics speak to the experience of
the modern American, particularly those in the rural areas similar to where
Childers was raised. With Purgatory, Childers joins the ranks of Sturgill
Simpson, Angaleena Presley and Kelsey Waldon as a Kentucky export doing the
Bluegrass State proud. The rest of the country music- loving nation should be
lining up to give thanks.
Various Artists with Now That's What I Call Country Volume 10 (Universal Music Group) fell
14-18 (#119-122 Billboard 200)
selling 6,028 copies (down 0.5%; 9-week total 82,316).
Miranda Lambert with THE WEIGHT OF THESE WINGS (Vanner/ RCA Nashville/Sony Music
Nashville) fell 16-19 (134-132
BB200) selling 2,202 copies (down 7%; 38-week
total 378,800).
Outside the Top 25
In
his third frame Lucas Hoge with DIRTY SOUTH (Rebel Engine) fell 5-27 selling another 4,819 copies (down 51%; 3-week total 21,833). It was the weeks
best-selling country album.
In his second
week Joe
Nichols with his 12-track NEVER GETS OLD (Red Bow Records) fell
of the top 50 selling 1,820 copies (down 62%,
2-week total 6,647)
FALLING
SHORT of Top 50:
On the Country Album Sales list (pure sales;
old methodology)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
Sam Hunt with “Body Like a Back Road”
led Hot Country Songs for a record-extending 27th week. It also topped
Country Digital Song Sales for a record stretching 27th week (37,000 downloads
sold, down 8%) and Country Streaming Songs for a (second-best) 27th frame (15.6
million U.S. streams, down 3%).
Hot County
Songs
** No.1 (27
weeks) ** “Body Like A Back Road” Sam
Hunt
**
Airplay Gainer” No.15 “Unforgettable” Thomas
Rhett
** Digital
Gainer ** No.23 “Somethin' I'm Good At” Brett
Eldredge
** Streaming Gainer ** No.34 “Like I Loved You” Brett Young
** Streaming Gainer ** No.34 “Like I Loved You” Brett Young
After setting
the record last week for largest audience lead for a No.1, Billy Currington with
“Do
I Make You Wanna” (Mercury) led Billboard’s Country Airplay chart for a
third straight week, declining 11% to 42.1 million audience impressions in its 38th week on the tally.
In Currington’s
second week at No.1 on the Country Airplay chart dated Aug. 19, the audience
haul for “Wanna” for the week was the second-largest of 2017 (behind Luke
Combs’ “Hurricane” at No.1 on the May 27 chart with 47.6 million). Further, the
9.49 million audience lead of “Wanna” over the No.2 song the list (Cole
Swindell’s “Flatliner,” 37.9 million) was the largest since the chart began
using audience measurement in January 2005.
Currington, who
has banked 11 Country Airplay No.1s, earned his second three-week leader,
following “Good Directions,” which
tripled up at No.1 starting on the chart dated May 26, 2007. “Wanna” is the
first three-week chart-topper by any artist since Sam Hunt’s “Body Like a Back Road” (MCA), which
began its reign on May 6. No song has led Country Airplay longer since Thomas
Rhett’s “Die a Happy Man” dominated
the first six weeks of 2016.
Jon Pardi with “Heartache on the Dance Floor”
(Capitol Nashville) reached the top 10 on
Hot Country Songs and Country Airplay, rising 12-9 on both surveys and increasing 13% to 28.1 million in audience
on the latter list. “Heartache” is his third top 10 on Country Airplay. Pardi’s
previous two singles, “Dirt on My Boots”
and “Head Over Boots,” topped Country
Airplay.
Country
Airplay
***
No.1 (3 weeks) *** "Do I Make You Wanna” Billy Currington 42.142 million audience (-5.325 million) / 7,292 radio
plays (-876)
**
Most Increased Audience/ Most Added ** No. 23 “Unforgettable” Thomas Rhett
** Hot
Shot Debut ** No.58 “I Should Go To Church Sometime” Tyler Farr
Debut
No.59 “Sway” Danielle Bradbery
Debut
No.60 “For The First Time” Darius Rucker
Billboard Country Digital
Singles Chart
(Chart issue week of August 26, 2017)
Sam Hunt with “Body Like a Back Road”
(MCA Nashville) held at No.1 (#6-8 Digital
Songs; 37,000 sales; down 8%; 28-week total 1,508,000)
leading the chart for a 27th non-consecutive week.
It
was seven places behind Luis Fonsi & Daddy Yankee featuring Justin Bieber with
"Despacito" which extended its record rule on the Digital
Song Sales chart to 15 weeks at No.1, with 82,000 downloads sold (down 3%) in
the week ending Aug. 10, according to Nielsen Music.
Kane Brown feat. Lauren Alaina with
“What
If’s” climbed 3-2 (#27-21 Digital Songs; 19,000 sales;
13-week total 236,000).
Dustin Lynch with “Small Town Boy rose 4-3 (#30-29 Digital
Songs; 16,000 sales; 24-week total 293,000).
Midland with “Drinkin’
Problem” rose 8-4 (#41-38 Digital Songs; 12,000 sales; 17-week
total 256,000).
Thomas Rhett with “Unforgettable” (Valory) fell
2-5 (#10-39 Digital Songs; 12,000
sales; 2-week total 42,000).
Brett Young with “In Case You Didn’t Know”
held at #6 (#38-40 Digital
Songs; 12,000 sales; 45-week total 849,000)
Jon Pardi with “Heartache
On The Dance Floor” (Capitol Nashville) rose 9-7 (#44-41 Digital
Songs; 12,000 sales; 8-week total 127,000).
Thomas Rhett feat. Maren Morris with “Craving
You” fell 5-9 (#34-46 Digital Songs; 11,000 sales; 19-week
total 328,000).
Following his
death Glen
Campbell with his signature tune “Wichita
Lineman” was new at #10 (#47 Digital Songs; 11,000
sales) with a historical total of 352,000. The late country great also charted at #12 with “Rhinestone Cowboy” 10,000
sales (Total 364,000) and at #20 with
“Gentle
On My Mind” (8,000 sales; total 248,000)
Outside
the Top 10
Keith Urban with “The Fighter,” featuring Carrie Underwood (Hit Red/Capitol
Nashville), fell 7-11 (#39-49 Digital Songs; 10,000 sales; 32-week total 747,000).
Country Aircheck MEDIABASE
Chart
14
Aug 2017
Cole Swindell Is #1 With
'Flatliner'
Chart Chat
Congrats to Cole
Swindell, Kristen Williams, Chris Palmer, Katie Bright and the WMN promotion team on securing this
week’s No.1 with “Flatliner.” The song is Swindell’s seventh-consecutive No.1
single. Songwriters are Jaron Boyer, Matt Bronleewe and Swindell. This marks
Swindell's seventh consecutive career chart-topper.
"‘Flatliner” (Warner Bros./WMN) logged 8,306 radio spins (+604) and 52.148 million audience impressions (+3.07 million) with 24189 Total Points from 156 tracking stations for the tracking week August 6 August to August 12, 2017 and published chart August 14th 2017
 |
| BMLG Records Staffers celebrate Florida Georgia Line's "Smooth" Most Added on Mediabase |
Florida Georgia Line Is Most-Added With 'Smooth'
Kudos to Matthew Hargis and BMLG
Records team on securing 47 adds for
Florida Georgia Line’s “Smooth”. The
song topped the "Most Added" board this chart week.
Mediabase
Adds (Selective)
Artist/Title (Label) TW Total
Historic Adds
FLORIDA
GEORGIA LINE/Smooth (BMLGR) 47 72
CHASE
RICE/Three Chords & The Truth (Broken Bow) 42 44
ZAC
BROWN BAND/Roots (SouthernGrnd/Elektra/WAR) 42 52
THOMAS
RHETT/Unforgettable (Valory) 26 145
BRANTLEY
GILBERT/The Ones That Like Me (Valory) 19 100
LITTLE
BIG TOWN/When Someone Stops Loving You (Capitol) 16 74
WALKER
HAYES/You Broke Up With Me (Monument/Arista) 10 75
CHRIS
STAPLETON/Broken Halos (Mercury) 9 84
BRETT
ELDREDGE/The Long Way (Atlantic/WMN) 8 12
BRETT
YOUNG/Like I Loved You (BMLGR) 7 106
CHRIS
YOUNG/Losing Sleep (RCA) 7 120
AARON
WATSON/Outta Style (Big) 6 109
CHRIS
JANSON/Fix A Drink (Warner Bros./WAR) 6 157
DARIUS
RUCKER/For The First Time (Capitol) 6 46
DIERKS
BENTLEY/What The Hell Did I Say (Capitol) 6 70
KELSEA
BALLERINI/Legends (Black River) 6 95
LAUREN
ALAINA/Doin' Fine (19/Interscope/Mercury) 5 84
LEE
BRICE/Boy (Curb)
5 86
RUSSELL
DICKERSON/Yours (Triple Tigers/Sony) 5 134
FIONA
CULLEY/Act Like A Lady (Marro/In2une) 1 6
For a detailed report check out Country Aircheck Weekly Issue 563 - Aug 14, 2017 [PDF File] Magazine View
For the very latest up to the minute Mediabase Chart (Past 7 Days) go here - www.mediabase.com
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #8
Event
Venue City/State: Florida Georgia Line, Backstreet Boys, Nelly, Chris Lane Wrigley Field Chicago, Ill.
Dates:
Aug. 12, 2017 Gross Sales: $3,387,468 Attend:
42,387/ 42,387
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$120, $34.75
Promoters: Live Nation
Rank
Artist: #10
Event
Venue City/State: George Strait T-Mobile Arena Las Vegas, Nev.
Dates:
April 7-8, 2017 Gross Sales: $2,913,383 Attend:
32,893/ 33,616
Shows/
Sellouts: 2/0 (723 unsold tickets) Prices: $200, $75
Promoters: Messina Touring Group/AEG Presents
Rank
Artist: #44
Event
Venue City/State: Sam Hunt, Maren Morris, Chris Janson
Shoreline Amphitheatre Mountain
View, Calif.
Dates:
Aug. 11, 2017 Gross Sales: $777,433 Attend:
21,284/ 21,284
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$65.50, $26
Promoters: Live Nation
Rank
Artist: #88
Event
Venue City/State: Lyle Lovett Chicago Theatre Chicago, Ill.
Dates:
July 29, 2017 Gross Sales: $139,954 Attend:
2,024/ 2,500
Shows/
Sellouts: 1/0 (476 unsold tickets) ** Prices: $76, $61.50, $46
Promoters: Jam Productions
Latest Billboard Boxscore Chart
No comments:
Post a Comment
Note: only a member of this blog may post a comment.