In
Brief: Billboard Country Charts (Chart issue week of September 9, 2017)
Country Album
Chart ** No.1 (3 non-consecutive weeks) THIS ONE’S FOR YOU Luke Combs
Hot Country
Songs ** No.1 (29 weeks) ** “Body Like A Back
Road” Sam Hunt
Country Airplay
** No.1 (1 week) "No Such Thing As A Broken
Heart” Old Dominion
Country Digital
Songs ** No.1 (29 non-consecutive weeks) ** “Body Like A Back Road” Sam Hunt
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Rock
band Brand New nabbed its first No.1
album on the Billboard Top 200 Album Chart
(BB200) as SCIENCE FICTION started
atop the tally with 58,000 equivalent
album units earned in the week ending Aug. 24, according to Nielsen Music. Of
that sum, 54,543
were in
traditional album sales. The set was released Aug. 18 through the band's own Procrastinate!
Music Traitors label, and is the first album from the band in nearly eight
years. Science Fiction is the third rock album to lead the Billboard 200
in 2017, following Arcade Fire's EVERYTHING NOW (Aug. 19) and Linkin Park's ONE
MORE LIGHT (June 10).
Top
Country Albums now ranks the most popular country albums of the week, as
compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an
album = 1 track equivalent album (TEA)
“sale”
1,500 on demand song streams from
an album to one streaming equivalent album (SEA) “sale”.
Nielsen
Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to
billboard biz ), exclusively comprising
Nielsen’s sales data.
Based
on multi-metric album consumption in its 12th week, Luke Combs with THIS ONE’S FOR YOU (River House/ Columbia Nashville/Sony Music
Nashville) held the #1 slot and led Billboard Top Country Albums for a third
frame (#36-32; Billboard 200; selling 5,060 copies (up 1%; 12-week total 94,632). The title first reigned upon
its June 24 debut.
Chris Stapleton with TRAVELLER (MERCURY/
UMGN) held at #2
(38-41 Billboard 200) selling 5,911 copies
(up 4%, 121-week total 2,048,100). Stapleton’s From a Room: Volume 1 (Mercury/Universal
Music Group Nashville) fell 6-9 (48-67
BB200) selling 6,206 copies
(down 17%; 16-week total 496,300).
Keith Urban with RIPCORD (Hit Red/Capitol Nashville)
rose 7-4 (#52-51 BB200) selling 4,318 copies
(up 20%; 68-week total 647,200).
Brett Young with self-titled debut (BMLG) rose 8-5
(#53-54 BB200) selling 3,497 copies (down 3%; 28-week
total 125,000).
Kane Brown with
self-titled KANE BROWN (Zone 4/RCA
Nashville) climbed 10-6 (#62-59 BB200) selling
2,771 copies
(up 6%; 38-week total 184,100).
Jon Pardi with CALIFORNIA SUNRISE climbed 11-7
(65 BB200) selling 2,029 copies (up 15%; 62-week
total 175,300).
Florida Georgia Line with DIG YOUR ROOTS (BMLG) rose 9-8
(#61-65 BB200) selling 1,470 copies (down 6%; 52-week total 417,500).
Thomas Rhett with TANGLED UP (Valory | BMLG) rounded out the top 10 (12-10) selling 1,591 copies
(100-week total 592,700).
Josh Abbott Band with UNTIL MY VOICE GOES OUT (Pretty Damn Thing | Thirty Tigers) made a
debut at No.22 (#141 BB200) selling 4,674 copies.
The set is the group’s first since 2015’s FRONT ROW SEAT, which debuted and peaked at No. 9 on the list with sales of 12,766 copies. The Josh Abbott Band are described as “the latest generation of Texas country torchbearers making inroads into the mainstream”
Critical
reception for The
Josh Abbott Band’s Until My Voice
Goes Out:
The Country Note - In stark contrast
to the dark emotional cloud of Front Row Seat, Until My Voice Goes Out oozes
with hope. “This album is about appreciating the moment and your family and
your friends, and living life the right way,” Abbott said in a press release.
“It’s really all about finding clarity and focusing on what’s important.” These
words could not ring more true as during the process of creating this album,
Abbott found out that he and his now fiancée Taylor Parnell were expecting (the
two welcomed their baby daughter in May), and his father suffering a stroke in
February, passing away a few weeks later
Country Standard Time (Rating: Positive) Josh Abbott Band opens its album "Until My Voice Goes Out"
with the title track, which features the unique combination of stately strings
along with plucked banjo. In one respect, it's a love song about the desire for
a specific woman. Couched within this plea, though, is a sincere wish for a
life lived to the fullest.....The songs are so good however, they fully deserve
to be gussied up this way. If Abbott's voice ever does go out after singing
songs like these, it'll be vocal effort well spent.
Various Artists with Now That's What I Call Country Volume 10 (Universal Music Group) rounded
out the top 25 (23-25; 140-160 Billboard 200) selling 5,000
copies (down 6%; 11-week total 92,616).
Outside the Top 25
Miranda Lambert with THE WEIGHT OF THESE WINGS (Vanner/ RCA Nashville/Sony Music
Nashville) fell 21-28 (133-176
BB200) selling 1,729 copies (down 24%; 40-week
total 382,800).
Shelby Lynne & Allison
Moorer with NOT DARK YET (Silver Cross | Thirty Tigers) made a debut at No.39 (#11 Country Album Sales) selling 3,683 copies.
The
two learned music and ambition from their parents, who both wanted to pursue
music professionally. “Our parents taught us how to be individuals and
artists,” Ms. Moorer said. “But not how to make money or have healthy
relationships,” her sister added.
Critical
reception for Shelby Lynne & Allison Moorer’s Not Dark Yet:
10
Tracks/Time: 37:13 Folk-Rock Amazon UK
- UK iTunes - Amazon.com
NPR.org
- By including songs learned long ago
from their parents' records — the Louvin Brothers' "Every Time You
Leave," Merle Haggard's "Silver Wings," Jessi Colter's "I'm
Looking For Blue Eyes" — Moore and Lynne invoke their history of singing
together from the time they could talk. But to dwell only on the naturalness
and familiarity they've cultivated as singing partners who happen to share some
genes is to overlook some of their partnership's most compelling qualities.
Their version of sibling harmony isn't frictionless — it's born of a deep
empathy that embraces individuality, that makes room for the approaches to expression
they've each developed over the course of almost five decades.
Rollingstone
(Rating: 3.1/2 STARS) This long-gestating
duet LP shows a shared sensibility and two perfectly matched voices. Their
reading of Nirvana's "Lithium" connects Kurt Cobain's "Sunday
Morning" to Johnny Cash's, and to their own history. But the title track
is the crown jewel, showing the river-deep musicality of a latter-day Dylan
croaker when it's parsed by immaculate, blood-kin harmony.
The Guardian
(Rating: 4 STARS) ...Their voices
interweave majestically on cover versions that stretch with surprising ease
from bluegrass to grunge. Country stars such as the Louvin Brothers and Merle
Haggard are an easy fit for the Alabama-born pair. Less expected is the
gothic croon of Nick Cave’s Into My Arms, while the Killers’ My List and Nirvana’s Lithium are reframed from rock anthems to piano ballads. The one original, Is It Too Much, addresses the scars left by their father’s murder of their mother and subsequent suicide; a delicate, harrowing piece.
gothic croon of Nick Cave’s Into My Arms, while the Killers’ My List and Nirvana’s Lithium are reframed from rock anthems to piano ballads. The one original, Is It Too Much, addresses the scars left by their father’s murder of their mother and subsequent suicide; a delicate, harrowing piece.
Slant Magazine (Rating: 4 STARS) ....Throughout
Not Dark Yet, Lynne and Moorer carry each other, channeling heartache through
songs of pain and transcendence. Every note of it feels true to who they are
and where they've been.
Allmusic (Rating: 3.1/2 STARS) ...These two walk and stumble through that dark
night, leaning together as the lyrics pour down like a river of tears. The
song's question may never be answered, but its utterance is enough to guarantee
another step for each. Not Dark Yet is a beacon, a glimmer of the possible.
It's a stark, beautiful recording that hopefully proves something to both Lynne
and Moorer: That what's here is a new beginning and that there is much more to
explore.
Country Standard Time (Rating: Positive) ...The song that stands out most strikingly,
though, is Nick Cave's "Into My Arms....The album closes with "Is It
Too Much," a song the pair wrote together. And it's as emotionally
gripping as any of the project's other notable covers, and reveals how they've
learned well from their influences. These songs also tell us it's dark alright.
But these performances are blindingly bright, indeed.
Ray Wylie Hubbard with TELL THE DEVIL… ...I'M GETTIN' THERE AS FAST AS I CAN (Bordello |
Thirty Tigers) made a debut at No.43 (#12 Country Album Sales)
selling 3,572 copies.
Critical
reception for Ray Wylie Hubbard’s Tell the Devil I'm Gettin' There as Fast as I
Can:
11 Tracks/
Time: 45:29 Amazon UK - UK iTunes - Amazon.com |
UK Country iTunes Album Debut #27
Allmusic (Rating; 4 STARS) ..At the age of 70, Ray Wylie Hubbard is
making music that's tougher, more effective, and better crafted than most
artists a third his age, and Tell the Devil I'm Gettin' There as Fast as I Can
is yet another striking example of his casual brilliance.
Saving Country Music (Rating: 1.3/4 Guns Up (7.5/10)) ....70-year-old guys without super
hits on their resume are not supposed to
be as revered as Ray Wylie Hubbard is by his musical peers, or just hitting
their stride creatively. But that is the strange, inverted, winding road Ray
Wylie Hubbard has taken to christening himself a living legend in almost
universal acceptance, at least for the folks who’ve heard of him.
Pop Matters (Rating:
8/10) ...Album closer “In Times of Cold”
is a masterpiece of a dark night of the soul reflection, Cohenesque in its wry
balance of the sacred and profane. Patty Griffin’s accompanying vocal is a
salve upon Hubbard’s wounded and worn voice. In all, Tell the Devil I’m Gettin’
There as Fast as I Can finds Hubbard doing what he does best. There’s nothing
surprising here in terms of him doing anything unexpected; rather, he is
content to play the genre he has mastered, which is Whatever the Hell he damn
well pleases. And the true sign of its effectiveness is that Hubbard continues
to surprise, even when he’s delivering what’s expected.
FALLING
SHORT of Top 50:
On the Country Album Sales list (pure sales;
old methodology)
In her second
week Lindsay
Ell with
her debut full-length, THE PROJECT (Stoney Creek/Broken Bow Music Group) plummeted with a 1-31 drop selling 1,546 copies (down 85%; 2-week
total 11,798) and fell off the Top Country Albums top 50 from a #4 debut.
Riley Green with OUTLAWS LIKE US (EP) made a debut at #32 selling 1,500 copies.
Critical
reception for Riley
Green’s Outlaws Like Us:
6
Tracks/ Time: 21:24 Amazon UK - UK iTunes - Amazon.com
Southern Sky Site (Rating: GRADE: A++) The
6 song EP contains an updated version of his
hit song “Bury Me In Dixie” as
well as 5 brand new songs…The updated “Bury Me In Dixie” is much more lively
and upbeat and somehow sounds even better than the first version. The first
song on the EP is “Man Like Me”. This is the most upbeat song on the release
and is an in your face pride song about what makes a man like him. The second
song is “How Ya Left Me”. After the loud and proud “Man Like Me”, “How Ya Left
Me” sombers the tone a little bit. It tells the story of how he was left by a
girl saying “you left me like you leave a warm drink right about last call” and
other descriptions like that...All in all not only did Riley live up to the sky
high expectations but he blew them out of the water.
Various
Artists with 20 #1'S CONTEMPORARY
COUNTRY (Ume) made a debut at #37
selling 1,200 copies.
Jerry Douglas with his 11 tracks WHAT IF (Rounder; Amazon UK
- UK iTunes - Amazon.com)
made a debut at #38 selling 1,100 copies.
Jerry
Douglas, the 14x GRAMMY award winner who has played on over 2,000 separate
recordings (Alison Krauss, Mumford & Sons, James Taylor, etc.), presents a
new album with a unique sound and a brand-new outfit of musicians, hand-picked
by Douglas himself. On What If, Douglas decisively merges jazz inclinations
with the bluegrass, country, blues, swing, rock, and soul he's spent his life
absorbing and performing, forging a sound that flies beyond the boundaries of
anything he - or anyone else - has done before. From the up-tempo combination
of what Douglas calls 'bebop jazz and caveman jazz' on 'Cavebop' to the symphonically
sweeping title track, WHAT IF delves into areas unexplored by any other
musician, much less by Dobro! The album also includes a funky, soulful take on
Tom Waits' '2:19' and a blistering bluegrass-meets-jam-band reinvention of the
classic 'Hey Joe.'
Year-To-Date Albums
12,944,000 (Physical sales 8,642,000
(down -14.6%) + Digital sales 4,301,000 (down -19.8%) which is 16.4% down at the same point in 2016 (15,477,000
sales)
Year-To-Date Digital Tracks
46,344,000 down 23.8% at the same point in 2016 (60,781,000)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
Sam Hunt with “Body Like a Back Road” (MCA Nashville) stretched its record No.1 run to 29 weeks. It again dominated
Country Digital Song Sales for a record-extending 29th frame (30,000 downloads
sold, down 16%) and Country Streaming Songs for a 29th week (14.7 million U.S.
streams, down 2%).
Luke
Combs with “When It Rains It Pours” (River
House/ Columbia Nashville) became his second Hot Country Songs top 10,
as it jumped 12-8. His debut hit,
“Hurricane,” topped Country Airplay for two weeks beginning May 27 and peaked
at No. 3 on Hot Country Songs (where it’s now No.9). After the release of the
official video for “Rains” on Aug. 15, the song surged by 22% to 6.8 million
U.S. streams, holding at its No.6 high on Country Streaming Songs, and by 14%
to 17,000 sold as it hits a new peak on Country Digital Song Sales (7-5). On
Country Airplay, the track lifted 17-16, up 13% to 17.4 million.
Jana
Kramer with new single “I've Done Love” (which compares love
to drugs and alcohol in its ability to cause pain) landed her a sixth Hot
Country Songs appearance with a bow at No.35, fueled by first-week sales of
13,000 downloads.
Hot County
Songs
** No.1 (29
weeks) ** “Body Like A Back Road” Sam
Hunt
**
Airplay Gainer/ Digital
Gainer ** No.4 “Drinkin' Problem” Midland
** Hot Shot Debut ** No.21 “Light It Up” Luke Bryan
Debut
No.23 “Grave” Thomas Rhett
**
Streaming Gainer ** No.34 “Fly” Annie
LeBlanc
Debut
No.35 “I've Done Love” Jana Kramer
Old Dominion with “No Such Thing As a Broken Heart”
(RCA Nashville) rose 2-1 on
Billboard’s Country Airplay chart dated Sept. 9, up 6% to 44.4 million audience impressions in the week ending Aug. 27,
according to Nielsen Music. On Hot Country Songs, which blends airplay,
streaming and sales data, “Broken” held at its No.5 peak.
“Broken” is the
first single from the act’s second studio full-length, HAPPY ENDINGS (released
Aug. 25).
“We feel like [“Broken”] is the most
important song that we’ve released to date,” Rosen told Billboard. “With that in mind, seeing it go all the way
to No.1 is really special. It means so much to us.”
Old Dominion
earned its third Country Airplay leader and, with its 25-week trip to the
summit, its quickest trip to the top. The group’s first chart-topper, “Break Up With Him,” ruled the survey in
its 40th week (Nov.14, 2015, for its first of two weeks at No. 1). “Song for
Another Time” then reached the pinnacle in its 27th frame (Dec. 24, 2016, for
one week at No.1).
“Old Dominion’s
sound fits my station’s sound perfectly,” said WBWL Boston PD Lance Houston.
“We started playing ‘Broken’ early and often,
and it has performed so well that we now have more than 1,300 plays on it. I’ve
already heard Happy Endings; I think it’s incredible. Also, this is good timing, because [the band] opened for Kenny Chesney
this past weekend [Aug. 25-26] at Gillette Stadium in Foxborough, and the crowd
reaction to this song was incredible.”
Kenny Chesney collected his 53rd Country Airplay top 10 as “All the Pretty Girls” hopped 11-9 (27.8 million, up 10%). He ranked
third among all artists in the chart’s 27-year history, behind only George
Strait (61 top 10s) and Tim McGraw (57).
Kane Brown achieved his first top 10
as “What Ifs” (Zone 4/RCA Nashville), featuring Lauren Alaina, rose 14-10 (25.4 million, up 16%). Alaina earned her second top 10,
following her April 22 leader “Road Less Traveled.”
Luke Bryan with “Light It Up” (Capitol Nashville),
the first entry from his next album (due later this year), arrived at No.20 on Country Airplay (14.2 million)
and No. 21 on Hot Country Songs. “Light,” which Bryan wrote with Old Dominion’s
Brad Tursi, sold 18,000 downloads in less than two days of tracking and
debuted at No.3 on Country Digital Song Sales.
Bryan’s last
LP, 2015’s KILL THE LIGHTS, became the first set to generate six Country
Airplay No.1s when its single “Fast” reached the top on the April 15 chart.
Country
Airplay
***
No.1 (1 week) *** "No Such Thing As A Broken Heart” Old Dominion 44.401 million audience (+2.509 million) / 7,769 radio
plays (+380)
** Hot
Shot Debut/ Most Increased Audience/ Most Added ** No.20 “Light It Up” Luke Bryan 14.238 million audience gain
thanks to 93 fresh radio commitments
(ADDS)
Debut
No.56 “The Long Way” Brett Eldredge
Sam Hunt with “Body Like a Back Road”
(MCA Nashville) held at No.1 (#8-14 Digital
Songs; 30,000 sales; down 16%; 30-week total 1,573,000)
leading the chart for a record-lengthening 29th week.
It
was 13 places behind Luis Fonsi & Daddy Yankee featuring Justin Bieber with
"Despacito" which extended its record command on the
Digital Song Sales chart to 17 weeks at No.1, with 80,000 downloads sold (down
3%) in the week ending Aug. 24, according to Nielsen Music; both the original
version and Bieber remix were sale-priced for 69 cents in the iTunes Store
during the tracking week (with the former on sale for 69 cents in the prior
week, as well).
Kane Brown feat. Lauren Alaina with
“What
If’s” held at #2 (#19 non mover; 22,000 sales; 15-week
total 279,000).
Luke Bryan with “Light It Up” (Capitol
Nashville) made a debut at No.3 (#24 Digital Songs; 18,000 sales).
Thomas Rhett with “Grave” (Valory) made a
debut at No.4 (#28 Digital Songs; 17,000 sales).
Luke Combs with “When It Rains It Pours”
(River House | Columbia Nashville) rose 7-5
(#38-30 Digital Songs; 17,000 sales; 7-week total 105,000).
Dustin Lynch with “Small Town Boy” fell 3-6
(#22-31 Digital Songs; 16,000 sales; 26-week
total 328,000).
Midland with “Drinkin’
Problem” rose 11-7 (#48-35 Digital Songs; 15,000 sales;
19-week total 283,000).
Jana Kramer with “I've Done Love“ (Sophie
Dog) made a debut at #8 (#43 Digital Songs; 13,000
sales).
Thomas Rhett with “Unforgettable” (Valory)
rose 10-9 (#46-44 Digital Songs; 13,000
sales; 4-week total 67,000) as
he switched places when Thomas Rhett feat. Maren Morris with “Craving You” fell 9-10 (#43-46 Digital Songs; 12,000
sales; 21-week total 354,000)
Outside
the Top 10
Brett Young with “In Case You Didn’t Know”
fell 8-11 (#41-49 Digital
Songs; 12,000 sales; 47-week total 874,000).
LANco with “Greatest Love Story” (Arista
Nashville) rose 16-12 (11,000 sales;
8-week total 183,000).
Justin Moore with “Somebody Else Will” (Valory)
made a debut at #15 (10,000 sales;
total 157,000).
Kenny Chesney with “All The Pretty Girls“ (Blue
Chair | Columbia Nashville) made a debut at #21 (7,000 sales; total 64,000)
Country Aircheck MEDIABASE
Chart
28
Aug 2017
Midland Tops The Chart
With Debut Single 'Drinkin' Problem'
Congrats to Midland’s
Jess Carson, Cameron Duddy and Mark Wystrach as well as Big Machine’s Kris Lamb, Erik Powell and staff on securing this
week’s No.1 with debut single “Drinkin’ Problem.” The song is the
band’s first chart-topper. Songwriters are Shane McAnally, Josh Osborne and
Carson, Duddy and Wystrach.
"Drinkin’ Problem” (Big Machine) logged 8,565 radio
spins (+1024) and 54.993 million audience
impressions (+5.801 million) with 25588 Total Points from 159 tracking
stations for the tracking week August 20 August to August 26, 2017 and
published chart August 28th 2017.
That Ain't No
Reason To Stop: Big Machine's Midland celebrate their first No. 1 with the
label crew.
Pictured (l-r) are Jim Weatherson, the band's Jess Carson, Erik Powell, Midland's Mark Wystrach and Cameron Duddy, and Kris Lamb.
Pictured (l-r) are Jim Weatherson, the band's Jess Carson, Erik Powell, Midland's Mark Wystrach and Cameron Duddy, and Kris Lamb.
Luke Bryan Is Most-Added
With 'Light It Up'
Kudos to Bobby
Young and the Capitol folks on
landing 129 adds for Luke Bryan’s “Light
It Up”. The song topped the "Most Added"
board this chart week.
Also of note,
as stations affected by severe weather alter their programming, the potential
exists for airplay changes to affect the chart and Mediabase 24/7 ahead of next
week’s chart.
 |
| UMG Nashville celebrate Luke Bryan's "Light It Up" Mediabase Most-Added |
Mediabase Adds (Selective)
Artist/Title (Label) TW Total Historic Adds
LUKE
BRYAN/Light It Up (Capitol) 129 129
DYLAN
SCOTT/Hooked (Curb) 36 40
DANIELLE
BRADBERY/Sway (BMLGR) 25 32
CHRIS
YOUNG/Losing Sleep (RCA) 16 137
FLORIDA GEORGIA
LINE/Smooth (BMLGR) 16 120
ZAC BROWN
BAND/Roots (SouthernGrnd/WAR) 15 77
AARON
WATSON/Outta Style (Big) 14 130
CHASE
BRYANT/Hell If I Know (Red Bow) 11 42
RASCAL
FLATTS/Back To Us (Big Machine) 11 40
BRETT
ELDREDGE/The Long Way (Atlantic/WMN) 8 43
LINDSAY
ELL/Waiting On You (Stoney Creek) 8 64
KELSEA
BALLERINI/Legends (Black River) 5 118
LAUREN
ALAINA/Doin' Fine (19/Interscope/Mercury) 3 89
For a detailed report check out Country Aircheck Weekly Issue 565 - August 28, 2017 [PDF File] Magazine View
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #48
Event
Venue City/State: Brad Paisley, Dustin Lynch,
Chase Bryant, Lindsay Ell
PNC Bank Arts Center Holmdel, N.J.
Dates:
Aug. 4, 2017 Gross Sales: $601,339 Attend:
16,979/ 16,979
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$79, $20
Promoters: Live Nation
Rank
Artist: #53
Event
Venue City/State: Zac Brown Band, Madison Ryann Ward Rogers Arena Vancouver,
British Columbia
Dates:
Aug. 18, 2017 Gross Sales: $563,697 Attend:
9,648/ 9,648
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$75.36, $34.61
Promoters: Live Nation
Rank
Artist: #100
Event
Venue City/State: Alan Jackson, Lee Ann Womack Swiftel Center Brookings, S.D.
Dates:
Aug. 4, 2017 Gross Sales: $263,839 Attend:
4,745/ 4,745
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$76.75, $22
Promoters: Pepper Entertainment/35 Concerts/46
Entertainment
Rank
Artist: #113
Event
Venue City/State: Miranda Lambert, Ward Thomas Eventim Apollo London, U.K.
Dates:
Aug. 23, 2017 Gross Sales: $210,208 Attend:
2,927/ 3,514
Shows/
Sellouts: 1/0 (587 unsold tickets) Prices:
$102.78, $30.51
Promoters: AEG Presents
Rank
Artist: #127
Event
Venue City/State: Miranda Lambert, Ward Thomas SEC - Armadillo Glasgow, U.K
Dates:
Aug. 21, 2017 Gross Sales: $146,381 Attend:
2,177/ 2,405
Shows/
Sellouts: 1/0 (228 unsold tickets) Prices:
$70.78, $30.56
Promoters: AEG Presents
Rank
Artist: #243
Event
Venue City/State: Frankie Ballard, Levi Hummon The Paramount Huntington, N.Y.
Dates:
April 15, 2017 Gross Sales: $15,575 Attend:
585/ 1,573
Shows/
Sellouts: 1/0 (988 unsold tickets) Prices:
$25
Promoters: in-house
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