In
Brief: Billboard Country Charts (Chart issue week of September 16, 2017)
Country Album
Chart ** No.1 (1 week) HAPPY ENDINGS Old Dominion
Hot Country
Songs ** No.1 (30 weeks) ** “Body Like A Back
Road” Sam Hunt
Country Airplay
** No.1 (1 week) "Small Town Boy” Dustin Lynch
Country Digital
Songs ** No.1 (30 non-consecutive weeks) ** “Body Like A Back Road” Sam Hunt
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Rapper
Lil Uzi Vert bowed at No. 1 on the Billboard Top 200 Album Chart (BB200)
with his debut studio album, Luv Is Rage
2, starting with 135,000
equivalent album units earned in the week ending Aug. 31, according to Nielsen
Music. The album was released on Aug. 25 through Generation Now/Atlantic
Records, and follows two earlier charting efforts for the artist.
Of
Luv Is Rage 2’s total debut units, 28,326 are in traditional album sales. The album was powered mostly by
SEA units: 100,000 -- translating to 150.6
million on-demand audio streams of the tracks on the album. The rest of
the album’s starting figure is 7,000 TEA units.
Trailing
A$AP Mob by a small margin, Old Dominion debuted at No.7 with its second-full length studio
album HAPPY ENDINGS (41,000 units; 31,261 in album sales), granting
the act its highest charting effort yet. The album was led by the single “No
Such Thing as a Broken Heart,” which reached No. 5 on the Hot Country
Songs chart and No. 1 on the Country Airplay chart. Old Dominion previously
reached the Billboard 200 with its first studio set, MEAT AND CANDY (No.16 in
2015) and its self-titled EP (No. 148 in 2015).
Americana
Rock band The War on Drugs landed
its first top 10 effort as its fourth studio album, A DEEPER UNDERSTANDING, starts at No. 10 with 31,000 units (28,310 in traditional album sales).
The group’s last release, Lost In the Dream, debuted and peaked at No. 26 in
2014.
Billboard Top Country
Albums (Chart issue week
of September 16, 2017)
Top
Country Albums now ranks the most popular country albums of the week, as
compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an album
= 1 track equivalent album (TEA) “sale”
1,500 on demand song streams from
an album to one streaming equivalent album (SEA) “sale”.
Nielsen
Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to
billboard biz ), exclusively comprising
Nielsen’s sales data.
Old Dominion
'Happy Endings' Begins As #1 Country Album
Old Dominion notched its first No.1 on Billboard Top Country Albums, as HAPPY ENDINGS (RCA Nashville/Sony Music Nashville) launches atop
the survey with 41,000 equivalent album units (31,261 in traditional sales) in the week ending Aug. 31. On the multi-genre
Billboard 200, Happy Endings started
at No. 7 (multi-metric consumption), #3 in traditional album sales, according
to Nielsen Soundscan.
Powered
by the lead single, "No Such Thing As A Broken Heart,"
which also topped the MEDIABASE
Country singles chart this week (Sept 5). On the multimetric Hot Country Songs
chart, which blends streaming, airplay and sales data, “No Such Thing” rose to
a new peak (5-4).
The
51st CMA Awards nominations were
also announced and OLD DOMINION snagged nods for New Artist and Vocal Group of the Year.
CHART HISTORY:
MEAT AND CANDY released Nov 6, 2015 (RCA
Nashville) debuted at #16 on the Billboard 200 and #5 on Billboard Top Country
Albums selling 20,481
copies. To date
it has logged 95 chart weeks (ranked at No. 26 (4,000 units) on the Sept. 16
list)
Their
own SELF-TITLED EP (RCA Nashville |
SMN) landed at No.33 Country (1,000 sales) and #198 on the Billboard 200 for
chart issue week of July 25, 2015. It peaked at #148 peak in 7th chart frame
and had sold 32,300 copies (Chart issue week of September 26, 2015) after 17 chart weeks on
Billboard Top 50 Country Albums.
Critical
reception for Old
Dominion’s Happy Endings:
(RCA)
12
Tracks/ Time: 38:33 Amazon UK - UK iTunes - Amazon.com
UK
Country iTunes Debut #3 (#42 all genres)
The
group's second album was produced by Shane McAnally and includes current single
"No Such Thing As A Broken Heart," plus "Written In The
Sand," "Shoe Shopping," "A Girl Is A Gun" and
"Stars In The City" (featuring Little Big Town).
RCA
NASHVILLE's OLD DOMINION appeared on ABC-TV's "Good MORNING AMERICA"
(GMA) earlier TODAY (8/28) to perform their current single, "No Such Thing
As A Broken Heart," from their recently-released "Happy Endings"
album.
AllMusic (Rating: 4 STARS) With Happy Endings -- the group's second album, following their 2015
debut Meat and Candy by two years -- Old Dominion emphasize their light touch
with the melodic mainstream, crafting an album so tuneful and supple it feels
designed to slide onto adult-oriented playlists anywhere from the glory days of
Urban Cowboy to the present day… Since Happy Endings flows so easily, it may be
easy to glide along with its slick surfaces, but a close listen reveals not
only the sturdiness of the songs but the cleverness of the production -- and,
if anybody is still doubting the smarts behind Old Dominion and McAnally, they
close the proceedings with a live cut called "Can't Get You." Loud
and bold, "Can't Get You" proves Old Dominion can do more than mellow
pop, but the rest of Happy Endings is so irresistibly smooth, it's no wonder
the group decided to emphasize their soft side here.
Entertainment Focus (Rating: 4/5)…Thanks
to the success of Meat and Candy, Old Dominion are in a very different
situation as they release Happy Endings. Expectations are higher and the
album’s lead single No Such Thing as a Broken Heart is well on its way to
Roughstock (Rating: Very Positive) The melodies run deep on Happy Endings
showcasing why Old Dominion has become one of the biggest bands in country
music. And as proof, they serve up a
twist with one of the most melodic, interesting songs on the album, “New York
At Night.”
The “sophomore slump” is a
very real thing in but it’s something Old Dominion needn’t worry about as
they’ve successfully navigated a record with Happy Endings that suggests the
band is not only here for a good time but they’re here for a long time.
Sounds Like Nashville (Rating: Very Positive)…Happy Endings boasts all the elements Old
Dominion fans love about the band, including their diverse sound, dynamic songwriting
and carefree attitude, in a way that’s joyful, but with a sense of depth. But
what makes the band special is that they radiate positivity in their music,
attracting the free spirits of the world with their songs, all while being
clever punsters and master wordsmiths in the process. Though not a stark
contrast from their previous work, Happy Endings manages to keep the band’s
intoxicating carefree spirit alive while showing a sense of growth in the
process.
Luke Combs with THIS ONE’S FOR YOU (River House/ Columbia Nashville/Sony Music
Nashville) fell 1-2 (#32-39; Billboard 200; selling 4,434 copies (down 12%; 13-week
total 99,066).
Chris Stapleton with TRAVELLER (MERCURY/
UMGN) fell 2-3
(41-45 Billboard 200) selling 5,891 copies
(122-week total 2,054,000). Stapleton’s From a Room: Volume 1 (Mercury/Universal
Music Group Nashville) fell 9-10 (67-76
BB200) selling 5,972 copies
(down 4%; 17-week total 502,300).
Kane Brown with
self-titled KANE BROWN (Zone 4/RCA
Nashville) 6-4 (#59-62 BB200) selling
2,630 copies
(down 5%; 39-week total 186,800).
Sam Hunt with MONTEVALLO (MCA Nashville | UMGN) fell 3-5 (#48-65 BB200)
Brett Young with self-titled debut (BMLG) fell 5-6
(#54-70 BB200) selling 2,877 copies (down 18%;
29-week total 127,900).
Jon Pardi with CALIFORNIA SUNRISE held at No.7
(62-73 BB200) selling 1,825 copies (down 10%; 63-week
total 177,100).
Florida Georgia Line with DIG YOUR ROOTS (BMLG) held at #8
(#65- BB200) selling 1,581 copies (up 7.5%; 53-week total 419,100).
Keith Urban with RIPCORD (Hit Red/Capitol Nashville) fell
4-9 (#51- BB200) selling 3,368 copies
(down 22%; 69-week total 650,600).
Outside the
Top 10
Thomas Rhett with TANGLED UP (Valory | BMLG) fell 10-11 (#83-90 BB200) selling 1,696 copies
(up 6.5%; 101-week total 594,400).
The Cadillac Three with LEGACY, the new 11-song set from the trio (Jaren Johnston, Neil
Mason and Kelby Ray) arrived on Top Country Albums at No.14, earning 6,000 equivalent album units which includes selling 5,121 copies.
The
Cadillac Three (originally known as The Cadillac Black) debut studio album initially
released on April 17, 2012 via Nobody Buys Records. It includeds their signature hit, “The
South.”
The
band changed their name and signed to Big Machine Records. It was reissued on
the Big Machine label on May 7, 2013. It was self-produced by the band with
Dave Cobb helping out and had sold 40,000 copies as of July 2016.
BURY ME IN MY BOOTS (Big Machine Records)
released August 5, 2016 debuted at #5
Country #34 Billboard 200 (chart dated August 27, 2016) selling 10,952 copies. By December 2016 it had sold 25,800 copies
“The
LEGACY project is fueled with lyrics of life moments from weddings and babies
to celebrating their road-tested brotherhood as the three Nashville natives
craft 11 songs exuding pure honesty over driving melodies,” the trio and their
team say of the album in a press release. The country-rock trio just launched a
summer tour that continues all the way through early fall, crossing the U.S.
and Canada before wrapping up Sept. 29 in New York. The Cadillac Three maintain
a jam packed schedule, making a special stop at Download Festival in Paris and
Donington, U.K., with Aerosmith. They’re also performing select dates with other
country acts like Miranda Lambert, Thomas Rhett, Eli Young Band and more. In
addition to writing their own music, the guys of the Cadillac Three have penned
hits for the likes of Jake Owen, Tim McGraw and Keith Urban. “It’s been such a
blessing,” lead singer Jaren Johnston tells Taste of Country about having other
artists make hits out of their songs.
The
trio collectively produced the 11-track project and worked with songwriters
including Lori McKenna, Jonathan Singleton and Laura Veltz. Titles include
"Dang If We Didn't," "American Slang" and
"Love Me Like Liquor" (featuring McKenna).
Allmusic (Rating: 4 Stars) Cadillac Three begins Legacy -- a somewhat high falutin' title for a
third album -- with "Cadillacin'," a fuzzy blues that doubles as a
statement of purpose. Within its lyrics, the trio tip their hats to ZZ Top's
"Cheap Sunglasses" and the Lil' Ol' Band from Texas is never that far
from the thoughts of this gang from Nashville…. The Cadillac Three do spend a
fair amount of time celebrating good old country music on Legacy -- they pledge
allegiance to "Hank & Jesus" and declare "Ain't That
Country" -- but the reason the record works is because they attack all
this material from the stance of a working band, turning this into a tight and
tough album that wears its swagger with a smile.
Roughstock
(Rating: Positive)…It’s pretty ballsy to
name your third record Legacy yet that’s exactly what The Cadillac Three (TC3)
are doing with their third studio album. This album — collectively written by
the trio of Jaren Johnston, Neil Mason and Kelby Ray Caldwell — finds the band
doing what they do best and that is to present a fat, rock-n-roll based brand
of country music and they’re a power trio of guitars, steel guitar and drums.
That’s it….. if mainstream radio gets
off their collective asses and play this deserving band, a band with a strong
Legacy being formed and one of the most-consistent albums of 2017.
Sounds Like Nashville (Rating: Positive) .. The 11-track album was all co-written and
produced by TC3 and has childhood friends Jaren Johnston, Kelby Ray and Neil
Mason teaming up for a bold release that includes just as much hell raising as
it does sentimental ballads.
Interest in Taylor Swift’s new single also sparked fresh interest in her
country albums. RED (Big Machine |
BMLG) leapt 34-13 (118 Re-Entry
BB200) and FEARLESS returned with a
re-entry at No.22 (177 Re-Entry
BB200)
Maren Morris with HERO (Columbia Nashville) moved 23-20 (#144-164 Billboard 200) selling 1,316
copies (65-week total 247,700).
Lady Antebellum with HEART BREAK (Capitol Nashville/Universal Music Group Nashville), fell
12-19 (105-160
Billboard 200) selling 2,848 copies (12-week total 124,800).
Outside the Top 25
Lukas Nelson & Promise Of
The Real with LUKAS NELSON
& PROMISE OF THE REAL (Fantasy | Concord) made a debut at No.35 selling
3,494 copies.
Nelson's
"cosmic country soul" welcomes guests on the album including father Willie Nelson and Aunt Bobbi Nelson on "Just Outside Of Austin," Lady Gaga on "Find Yourself"
and "Carolina," and backing vocals from Lucius on five tracks.
Critical
reception:
12
Tracks/ Time: 53:52 Amazon UK - UK iTunes - Amazon.com
Country Music People (Tony Ives; Rating: 5 STARS) …If it was his time to move to the top of the
bill it wouldn’t be a moment too soon
Following in the footsteps
of a famous name is a blessing and a curse. It opens doors, yet draws the
critical eye of endless comparisons by critics and fans alike. In some respects
Lukas seems lost in his own world. He’s the clear heir to the Willie Nelson
throne, yet sometimes it seems he would rather sit in a hammock in Hawaii and
smoke pot than to soldier forth with the family legacy. And as long as they’re
selling Willie Nelson cotton T-shirts for $85 dollars at shows and licensing
his face to stick on egregiously-overpriced boutique marijuana products,
Lukas’s output isn’t essential to keeping the war chest full.
But someday Willie will be
gone and Lukas will still be here. And hopefully Lukas will pick up that legacy
and keep moving forward with it. Because a world without Willie is not worth
living in, but a world with Lukas is a world where the glimmer of Willie’s
legacy still shines bright.
Saving Country Music (Rating: 1 3/4 Guns Up (7.5/10) …..But Lukas Nelson is not country, until he
is, and he’s rock and blues, until he isn’t. Naturally country audiences want
to gravitate towards him, but he’s not the traditionalist they may hope to
find. The psychedelic nature of some of his cuts attract a younger audience,
but Lukas also feels like an old soul, implementing steel guitar and backup
singers on certain tracks…. Following
in the footsteps of a famous name is a blessing and a curse. It opens doors,
yet draws the critical eye of endless comparisons by critics and fans alike. In
some respects Lukas seems lost in his own world. He’s the clear heir to the
Willie Nelson throne, yet sometimes it seems he would rather sit in a hammock
in Hawaii and smoke pot than to soldier forth with the family legacy……But
someday Willie will be gone and Lukas will still be here. And hopefully Lukas
will pick up that legacy and keep moving forward with it. Because a world
without Willie is not worth living in, but a world with Lukas is a world where
the glimmer of Willie’s legacy still shines bright.
FALLING
SHORT of Top 50:
On the Country Album Sales list (pure sales;
old methodology)
In their second
weeks at retail Shelby
Lynne & Allison Moorer with NOT DARK YET
(Silver Cross | Thirty Tigers) fell 11-28 made a debut at No.39 (#11 Country Album Sales)
selling 1,200 copies (down 67%; 2-week total 4,900).
Ray Wylie
Hubbard with TELL THE DEVIL… ...I'M GETTIN' THERE AS FAST AS I CAN (Bordello |
Thirty Tigers) fell 12-39 on Country Album Sales) selling around 800 copies (down 78%; 2-week
total 4,400).
Falling
off all the charts from No.22 (#141 BB200) Josh Abbott Band with
UNTIL MY VOICE GOES OUT (Pretty Damn
Thing | Thirty Tigers) in his second week sold just 400 copies (2-week total
5,100)
made a debut at
selling 4,674 copies
Year-To-Date Albums
13,260,000 (Physical sales 8,847,000
(down -15.2%) + Digital sales 4,413,000 (down -20.7%) which is 17.1% down at the same point in 2016 (15,997,000
sales)
Year-To-Date Digital Tracks
47,432,000 down 23.9% at the same point in 2016 (62,288,000)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
15 IN A 30: Sam Hunt with “Body Like a Back Road” (MCA
Nashville) extended its record rule atop Hot Country Songs to 30 weeks. It also
dominated Country Digital Song Sales for a record-extending 30th frame (26,000
downloads sold) and Country Streaming Songs for a 30th week (13.7 million U.S.
streams).
Thomas Rhett scored his ninth Hot Country Songs top 10 as “Unforgettable” (Valory) rose 12-10. The song, which he co-wrote,
lifted 9-6 on Country Digital Song Sales (13,000, up 2%), 8-7 on Country
Streaming Songs (5.9 million, up 15%) and 15-13 on Country Airplay (20.3
million, up 17%). “Unforgettable” is from his album LIFE CHANGES, due Sept. 8.
Kenny Chesney collected his 50th Hot Country Songs top 10,
as “All
the Pretty Girls” (Blue Chair/Columbia Nashville) sprinted 13-10. It earned Most Increased
Audience honours, jumping by 16% to 31.6 million impressions and pushed 9-5 on
Country Airplay. It also leapt 21-14 on Country Digital Song Sales (7,000, up 8
percent).
Hot County
Songs
** No.1 (30
weeks) ** “Body Like A Back Road” Sam
Hunt
** Digital
Gainer ** No.4 “No Such Thing As A Broken Heart” Old Dominion
**
Airplay Gainer” No.10 “All The Pretty Girls” Kenny Chesney
**
Streaming Gainer ** No.11 “Light It Up” Luke
Bryan
** Hot Shot Debut ** No.49 “The Ones That Like Me” Brantley Gilbert
Debut
No.50 “Til Tomorrow” Walker McGuire
Billboard Country Airplay (Chart issue week of September 16, 2017)
Dustin Lynch with “Small Town Boy” (Broken
Bow) ascended 2-1 in its 26th week
on Billboard’s Country Airplay chart (dated Sept. 16), hiking 7% to 45.6 million audience impressions in
the week ending Sept. 3, according to Nielsen Music. On Hot Country Songs, it
held at its No.2 peak. “Boy,” written by Rhett Akins, Ben Hayslip and Kyle
Fishman, is Lynch’s fifth total and consecutive Country Airplay No. 1 among six top 10s. (His debut hit, “Cowboys
and Angels,” reached No. 2 in 2012.)
“There are moments that make you sit back and
reflect on how far you’ve come; this is one of those moments,” Lynch told
Billboard. “From a small town of
Tullahoma, Tennessee [Lynch’s hometown], to five No. 1s in a row at country
radio … this song has never felt bigger, and our crowds have never been better.
The fans are the reason for my success, so thank you to every single person who
turned this song on, turned it up and sang it at the top of their lungs at one
of our shows.”
“Boy” is the
second single from Lynch’s third studio full-length, CURRENT MOOD, due Sept. 8. It follows lead single “Seein’
Red,” which topped Country Airplay on Feb. 25. His other leaders on the
chart: “Mind Reader” (June 4, 2016), “Hell of a Night” (Sept.
19, 2015) and “Where It’s At (Yep, Yep)” (two weeks, beginning Sept. 27,
2014).
Kip Moore achieved his fourth Country Airplay top
10, as “More Girls Like You” (MCA Nashville) ascended 11-9 (25.2
million, up 6 percent). Moore earns his first top 10 on the chart since 2013’s
No. 2-peaking “Hey Pretty Girl.”
Chris Lane
banked his second Country Airplay top 10, as “For Her” (Big Loud) jogs 12-10
(22.6 million, up 4%). His breakthrough hit, “Fix,” led the Aug. 20, 2016, list.
Down to No. 2,
"Despacito" remains tied with Mariah Carey and Boyz II Men's 16-week
1995-96 No. 1 for the most weeks spent at the apex in the Hot 100's 59-year
history.
Country
Airplay
***
No.1 (1 week) *** "Small Town Boy” Dustin
Lynch 45.639 million audience (+2.967 million) / 7,881 radio plays (+590)
**
Most Increased Audience ** No.5 “All The Pretty Girls” Kenny Chesney +4.764 million
audience gain
** Most
Added ** No. 21
“Light It Up” Luke Bryan (42 ADDS)
** Hot
Shot Debut ** No. 54 “Hooked” Dylan Scott
Debut
No.56 “Back To Us” Rascal Flatts
Debut
No.57 “Three Chords & The Truth” Chase
Rice
Debut
No.59 “Hell If I Know” Chase Bryant
Debut
No.60 “Stay Downtown” Cole Swindell
Billboard Country Digital
Singles Chart
(Chart issue week of
September 16, 2017)
Sam Hunt with “Body Like a Back Road”
(MCA Nashville) held at No.1 (#14-17 Digital
Songs; 260,000 sales; down 13%; 31-week total 1,599,000)
leading the chart for a record-lengthening 30th week.
It
was 16 places behind Taylor Swift's dance-pop
electroclash 'Look
What You Made Me Do' snagged
best weekly sales of 2017: "Look" launched with the top weekly
download sales this year: 353,000 in
the week ending Aug. 31, as it started at No.1 on the Digital Song Sales chart. That tops the 240,000-download start for
Ed Sheeran's "Shape of You" (Jan. 28). "Look" sported the
highest weekly sales since Justin Timberlake's "Can't Stop the
Feeling!" bowed with 379,000 on May 28, 2016 (and the best total for a
woman since Adele's "Hello" sold 480,000 in its third week, reflected
on the Nov. 28, 2015-dated Digital Song Sales chart).
Swift scored
her 12th Digital Song Sales No. 1,
passing Katy Perry (11) for the second-most; Rihanna leads with 14 toppers on
the tally.
Tay's LWYMED blasted
from No. 77 (where it debuted) to No.1 on the Billboard Hot 100 chart (dated
Sept. 16), following its first full week of data tracking. Swift’s song amassed
more than 84.4 million U.S. streams
in the tracking week. Only one song has posted a greater weekly sum: Baauer’s
“Harlem Shake,” which peaked with 103 million streams. Swift sets a new record
for the all-time top weekly streaming sum for a song by a woman. The old record
was held by Adele’s “Hello,” which posted 61.6 million streams in its first
week in November 2015.
Luke Bryan with “Light It Up” (Capitol
Nashville) lifted 3-2 (#24-20 Digital Songs; 22,000 sales; up 22%; 2-week
total 40,000 sales).
Kane Brown feat. Lauren Alaina with
“What
If’s” fell 2-3 (#19-21; 22,000 sales; 16-week total 301,000).
Luke Combs with “When It Rains It Pours”
(River House | Columbia Nashville) rose 5-4
(#30- Digital Songs; 16,000 sales;
8-week total 122,000).
Dustin Lynch with “Small Town Boy” climbed 6-5
(#31-33 Digital Songs; 16,000 sales; 27-week
total 344,000).
Thomas Rhett with “Unforgettable” (Valory)
rose 9-6 (#44-40 Digital Songs; 13,000
sales; 5-week total 80,000) as
his duet win Maren Morris with “Craving You” fell 10-12 (9,000 sales; 22-week
total 363,000)
Midland with “Drinkin’
Problem” held at #7 (#35-41 Digital Songs; 13,000 sales; 20-week
total 296,000).
LANco with “Greatest Love Story” (Arista
Nashville) rose 12-8 (11,000 sales;
9-week total 194,000).
Brett Young with “In Case You Didn’t Know”
rose 11-9 (10,000
sales; 48-week total 884,000).
Jon Pardi with “Heartache On The Dancefloor”
advanced 13-10 (10,000
sales; 11-week total 159,000).
Outside
the Top 10
Carly Pearce with “Every Little Thing” (Big Machine) climbed 17-11 (9,000 sales; 11-week total 204,000).
Kenny Chesney with “All The Pretty Girls“ (Blue
Chair | Columbia Nashville) rose 21-14
(7,000 sales; total 71,000) in his second top 30 frame.
Brett Young with “Like I Loved You” was new at No.24 (6,000 sales; Total 56,000)
Country Aircheck MEDIABASE
Chart
4
Sept 2017
Old Dominion Hits #1 With
'No Such Thing As A Broken Heart'
Congrats to Old Dominion,
Steve Hodges, Dennis Reese and the RCA
promotion team on scoring this week’s No. 1 with “No Such Thing As A Broken Heart.”
The song is the first single from the band’s album HAPPY ENDINGS. Writers are
Matthew Ramsey, Trevor Rosen, Brad Tursi and Jesse Frasure. This marked the
band's third #1, following their success with "Song For Another Time" (Dec 2016) and "Break Up With Him" (Nov 2015).
"No
Such Thing As A Broken Heart” (RCA) logged 9,050 radio spins (+562)
and 59.389 million
audience impressions (+2.727 million) with 26827 Total Points from 159 tracking
stations for the tracking week August 27 August to September 2, 2017 and
published chart September 4th 2017.
Cole Swindell Is
Most-Added With 'Stay Downtown'
Kudos to Katie
Bright and the WMN regionals on notching 31 adds for Cole Swindell’s “Stay Downtown”. The song topped
the "Most Added" board this chart week.
 |
| Warner Bros WM"N celebrate Cole Swindell's "Stay Downtown" Most-added at Mediabase |
Mediabase
Adds (Selective)
Artist/Title (Label)
TW Total Historic Adds
COLE
SWINDELL/Stay Downtown (Warner Bros./WMN)
31 37
DREW
BALDRIDGE/Guns & Roses (Cold River) 30 31
WALKER
HAYES/You Broke Up With Me (Monu/Arista)
26 110
LUKE
BRYAN/Light It Up (Capitol) 19 148
BRETT ELDREDGE/The
Long Way (Atlantic/WMN) 17 60
BRETT
YOUNG/Like I Loved You (BMLGR) 13 128
FLORIDA GEORGIA
LINE/Smooth (BMLGR) 13 133
CHASE
RICE/Three Chords & The Truth (Broken Bow) 10 71
GRANGER
SMITH/Happens Like That (Wheelhouse) 10 123
DANIELLE
BRADBERY/Sway (BMLGR) 9 41
RASCAL
FLATTS/Back To Us (Big Machine) 8 48
AARON
WATSON/Outta Style (Big) 7 137
DARIUS
RUCKER/For The First Time (Capitol) 7 61
DYLAN SCOTT/Hooked
(Curb) 7 47
CHRIS
STAPLETON/Broken Halos (Mercury) 6 104
SCOTTY
MCCREERY/Five More Minutes (Triple Tigers)
6 67
ZAC BROWN
BAND/Roots (SouthernGrnd/Elektra/WAR) 6 83
LINDSAY
ELL/Waiting On You (Stoney Creek) 4 68
KELSEA
BALLERINI/Legends (Black River) 2 120
RAELYNN/Lonely
Call (Warner Bros./WMN) 2 42
FIONA
CULLEY/Act Like A Lady (Marro/In2une) 1 7
MORGAN
EVANS/Kiss Somebody (Warner Bros./WEA) 1 1
SARA
EVANS/Marquee Sign (Born To Fly/Star Farm) 1 8
For a detailed report check out Country Aircheck Weekly Issue 566 - Sept 5, 2017 [PDF File] Magazine View
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #2
Event
Venue City/State: Kenny Chesney, Thomas Rhett,
Old Dominion, Midland Gillette
Stadium Foxborough, Mass.
Dates:
Aug. 25, 27, 2017 Gross Sales: $12,095,688 Attend:
121,642/ 121,642
Shows/
Sellouts: 2/2 ** SOLD OUT ** Prices:
$265, $60
Promoters: Messina Touring Group/AEG Presents
Rank
Artist: #15
Event
Venue City/State: Cornbury Music Festival: Bryan Adams, Kaiser Chiefs, The
Pretenders, Jools Holland, Tom Chaplin, Imelda May, Jack Savoretti, Ward Thomas, St. Paul & the Broken Bones &
others Great Tew Park Oxfordshire, U.K.
Dates:
July 7-9, 2017 Gross Sales: $1,513,130 Attend:
42,000/ 42,000
Shows/
Sellouts: 3/3 ** SOLD OUT ** Prices:
$284.79, $12.94
Promoters: Triple A Entertainment
Rank
Artist: #58
Event
Venue City/State: Kenny Chesney, Midland Amphitheater
at the Wharf Orange Beach, Ala.
Dates:
Aug. 5, 2017 Gross Sales: $718,642 Attend:
9,580/ 9,580
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices:
$112, $45.75
Promoters: Messina Touring Group/AEG Presents/Red
Mountain Entertainment
Rank
Artist: #66
Event
Venue City/State: Zac Brown Band, Darrell
Scott, Caroline Jones
Darien Lake Performing Arts Center Darien Center, N.Y.
Dates:
June 25, 2017 Gross Sales: $594,023 Attend:
19,897/ 21,444
Shows/
Sellouts: 1/0 (1,547 unsold tickets) Prices:
$80.75, $64.75, $44.75, $34.75
Promoters: Live Nation
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