Country
Billboard Chart News September 24, 2018
In
Brief: Billboard Country Charts (Chart issue week of September 29, 2018)
Country Album
Chart ** No.1 (1 week) ** CRY PRETTY Carrie Underwood
Hot Country
Songs ** No.1 (43 weeks) ** “Meant To Be” Bebe
Rexha feat. Florida Georgia Line
Country Airplay
** No.1 (1 week) ** “Hotel Key” Old Dominion
Country Digital
Songs ** No.1 (10 non-consecutive weeks) “Simple” Florida Georgia Line
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Carrie
Underwood Makes Country History on the Billboard 200 Chart As 'Cry Pretty' Bundles
in at No. 1
Carrie Underwood made history as the first female country artist to score four Number One albums as the singer’s CRY PRETTY debuted atop the Billboard Top 200 Album Chart (BB200).
The
set launched with the biggest week of the year for a woman, and the largest for
a country album in more than three years.
It surpassed
the previous high-water mark, set by Cardi B’s Invasion of Privacy, which
launched at No. 1 with 255,000 units
(April 21 chart).
The
set, which was released on Sept. 14 via Capitol Nashville, bows with 266,000 equivalent album units earned
in the week ending Sept. 20 according to Nielsen Music. Of that sum, 250,704 were in traditional album
sales. The remainder was comprised of SEA units (11,000) and TEA units (4,000).
Cry
Pretty’s sizable first-week was
supported by sales generated from a concert ticket/album sale redemption offer,
as well as sturdy sales via sellers like Target, Walmart, the iTunes Store and
so forth.
First Woman to Take Four
Country Albums to No.1 on Billboard 200: Underwood is the first woman to hit the top
of the Billboard 200 chart with four country albums: Cry Pretty, Blown Away
(2012), Play On (2009) and Carnival Ride (2007). Previously, she
was tied with Faith Hill, Linda Ronstadt and Taylor Swift with three leaders
each. (Swift has had five No. 1s on the Billboard 200, but only three of them
also charted on the Top Country Albums chart, as her two most recent leaders --
reputation and 1989 -- were pop efforts.) Among all acts, Garth Brooks has
brought the most country albums to No. 1 on the Billboard 200, with nine
leaders in his career.
Biggest Week for a Country
Album in More Than Three Years: Cry Pretty’s launch of 266,000 units is the biggest for any
country album since Aug. 29, 2015, when Luke Bryan’s Kill the Lights bowed at
No. 1 with 345,000 units earned. Cry Pretty logs the biggest overall week for a
country album by a woman since the charts began ranking albums by equivalent
album units in late 2014.
The
last larger haul for an album by a woman was racked up on the Dec. 2,
2017-dated list, when Taylor Swift’s reputation entered at No. 1 with 1.238
million units.
Top
Country Albums now ranks the most popular country albums of the week, as
compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an
album = 1 track equivalent album (TEA)
“sale”
1,500 on demand song streams from
an album to one streaming equivalent album (SEA) “sale”.
Nielsen
Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to
billboard biz ), exclusively comprising
Nielsen’s sales data.
Carrie Underwood sat “pretty” at No.1 on the Billboard 200 albums chart, as her latest studio effort, CRY PRETTY, arrived atop the list and blew in at No.1 on Billboard Top Country Albums. In doing so, she makes country history atop the tally, as she becomes the only woman to take four country albums to No.1 on the all-genre albums chart.
“This
album is so special to me for so many reasons and I couldn’t be more proud that
people have embraced it the way they have,” Underwood told Billboard.
“I
feel so blessed to be able to do what I do, and I am incredibly grateful for
the support of fans around the world that make it all possible.”
She
passed Miranda Lambert, who has posted six successive career-starting Top
Country Albums No.1s (with all also debuting at the summit).
Underwood
ties Dolly Parton for the third-most
Top Country Albums No.1s among women. Reba
McEntire leads with 13, followed by Loretta
Lynn (10).
Underwood
produced Pretty with David Garcia, who also co-wrote six of the tracks, and she
co-penned 12 of the 13 songs on the set.
The
title-track first single from the album peaked at No. 5 on the airplay,
streaming and sales-based Hot Country Songs chart and No.9 on Country Airplay, becoming Underwood's 27th top 10 on the
lists, encompassing all her proper singles promoted to the format.
In addition to co-writing the lead-off single single with Hillary Lindsey, Lori McKenna, and Liz Rose (aka
The Love Junkies), Carrie is co-produced her album with fellow
writer/producer David
Garcia. Underwood said, “At this point in my career, I feel
stronger and more creative than ever. I think you can hear that in this new
album. It’s emotional, it’s soulful, it’s real, and we also have some fun on
there too. I hope everyone loves it as much as I have loved making it.”
CHART HISTORY
STORYTELLER (released Oct 23, 2015 Arista Nashville/Sony Music
Nashville) debut at No.2 on the Billboard 200 logging
177,000 equivalent-album units with 164,212 in pure album sales. By May 14, 2016 it had sold 573,200
copies and on Oct 24, 2016 it was certified Platinum (1 Million units *). It debuted at No.2 on both Top Album
Sales and Digital Albums behind 5 Seconds of Summer. Arriving atop Billboard’s
Top Country Albums chart (dated Nov. 14) she became the first artist
in the survey’s 51-year history to post six consecutive career-opening
No1s.
In the UK STORYTELLER made a debut at No.13 (6,852 sales; chart
week November 5, 2015)
GREATEST HITS: Decade #1 (released Dec 9, 2014 Arista Nashville)
debuted at No.4 Billboard 200; #1 Top Country Albums
selling 93,714 copies. it was
certified GOLD (0.5 million units) on Jan 16, 2015 and Platinum (1 Million
units) on Jan 8, 2016.
BLOWN AWAY (Released May 1, 2012 Arista Nashville) debuted at No.1 Billboard 200; #1Top
Country Albums selling 267,338 copies. At the time she became only the third woman to
take three country albums to No.1 on the Billboard 200, Linda Ronstadt and
Faith Hill were the others. It was certified 2x Multi-Platinum (2-million units) on October 24, 2016.
PLAY ON (released Nov 3, 2009 Arista Nashville) debuted at No.1 Billboard 200; #1 Top
Country Albums selling 317,695 copies. It was certified 3x
Multi-Platinum (3-million units) on October 24, 2016.
In the UK the it reached No.93 and as of Nov 2015 had sold
19,700 copies.
CARNIVAL RIDE (released Oct 23, 2007 Arista Nashville) debuted at No.1 Billboard 200; #1 Top
Country Albums selling 527,000 copies. It was certified 4x
Multi-Platinum (4-million units) on Oct 24, 2016
SOME HEARTS (released Nov 15, 2005 Arista Nashville) debuted at No.2
Billboard 200; #1 Top Country Albums selling 315,000 copies. It was
certified 8x Multi-Platinum
(8-million units) on October 24, 2016.
* Note: For ALBUM
certifications the RIAA base their figures on the number of units
SHIPPED together with, track sales and on demand audio/ video stream
units and NOT based purely on traditional retail sales.
1,500 on-demand audio and/or video
song streams = 10 track sales = 1 album sale.
150 on-demand streams = 1 track
download
PROMOTION: Underwood supported the
album’s first-week with interviews and performances on The Tonight Show
Starring Jimmy Fallon (Sept. 13) and The Ellen DeGeneres Show (Sept. 19) as
well as an interview on CBS’ Sunday Morning (Sept. 16).
Critical reception for Carrie Underwood’s Cry Pretty:
Allmusic (Rating; 4.1/2 STARS): …Without abandoning the sweeping, cinematic
diva-pop that's her signature, Underwood buttresses her country roots while
fearlessly threading hip-hop and R&B within her music, going as far as to
invite Ludacris in for a verse on the triumphant closer, "The Champion."…..
"The Bullet," an anti-gun-violence ballad, is nervy and affecting in
a way Underwood never has been, and it finds a counterpart in
"Southbound," a party tune that's as effervescent as anything she's
ever cut. These two songs show how Underwood's deliberate maturation doesn't
come at the expense of what she's done before. Instead, it deepens and enriches
what was already there -- as any good maturation would -- and the result is an
album as satisfying as it is surprising.
Consequence Of Sound (Rating: B) For her sixth studio album, Carrie Underwood has taken some modest
political risks without changing her full-throated style. She knows what she’s
good at, and Cry Pretty is full of the kind of songs that made her one of the
most popular artists in the world. It’s familiar music. That’s not always a
good thing, but sometimes familiar and comforting is exactly what you need. Essential
Tracks: “Drinking Alone”, “The Bullet”, and “Love Wins”
Exclaim.ca (Rating: 6/10) …The new album has some of her best material, and some of her worst — it
is a wildly uneven effort, with no consistency of form or content. It is
sex-drenched, but often not very sexy; it is melodramatic, but sometimes lacks
the first-rate story telling of her previous hits, like "Two Black
Cadillacs." When the work hits, it hits hard, and when it fails, it feels
like a disappointment….The album is frustrating, with no middle ground, and the
strengths don't quite make up for the weaknesses.
Sounds Like Nashville (Dan Hyman Rating: Very Positive) …Even more thrilling, the 12-track LP (the
majority of whose songs are Underwood co-writes) also features the singer
taking bold stylistic risks. She’s previously been more strategic in this
respect, and rarely veered off sonic course….Cry Pretty is Underwood’s most
stirring album in years. Her voice alone will always move units, but it’s her
heart that will keep things interesting.
Uncut (Rating: 50/ 100)…Overall it's a box-ticking collection unlikely to broaden her mainstream
fanbase. [Nov 2018, p.37]
The Guardian (Rating: 2/5) …It is all gloss and shine, with sadness at industry-approved levels of
maximum efficacy. Take 75% uplift, add 20% melancholy, top up with 5% not
actually contentious controversy, and voilà: Cry Pretty.
Lyric Magazine Broadcasts: 10 Minute Country – Ep10: Why Is James Daykin
Struggling With The New Carrie Underwood Album?: As a longtime Carrie Underwood
fan, writer James was excited to get his hands on a copy of ‘Cry Pretty’, her
new album released Friday 14th Sept. Find out why he’s struggling with the new
release.
14
non-consecutive week No.1 Luke Combs with
THIS ONE’S FOR YOU (River House/
Columbia Nashville/Sony Music Nashville) slipped 1-2 (#18 non-mover Billboard 200; 4,686
sales; 68-week total 326,800).
Former
6-week non-consecutive week No.1 Jason Aldean with REARVIEW
TOWN (Macon/Broken Bow Records) moved 5-3
(#53-22 BB200; 11,896 sales; 23-week
total 413,700).
Kane Brown with his 10 non-consecutive week No.1 SELF-TITLED fell
2-4 (#40-45 BB200; 3,116 sales; 94-week
total 455,200) in his 93rd week.
Former No1 Dan + Shay with their self-titled
album (Warner Bros./Warner Music Nashville) fell 3-5 (#46-48 BB200; 1,562 sales; 13-week total 54,300).
Chris Stapleton with the 177-week TRAVELLER (MERCURY/ UMGN)
fell 4-6 (#48-52 BB200; 3,210 sales;
177 week total 2,354,800) as his set
From A Room: Volume 1 (Mercury/Universal
Music Group Nashville) fell 15-16 (#153-149
BB200; 2,187 sales;
72-week total 840,500) and
From A
Room: Volume 2 rose 31-28 in its 42nd frame (2,100 sales; 42-week total 437,100).
Dierks Bentley with
THE MOUNTAIN (Capitol Nashville |
UMGN) advanced 25-7 (#70 Re-Entry
BB200; 6,130 sales; 15-week total 156,100).
Brett Young with self- titled BRETT YOUNG (BMLG) held No.8 (#78-71 BB200; 1,382 sales; 84-week total 234,400).
Former
No.1 Thomas Rhett with LIFE
CHANGES (Valory/Big Machine Label Group) fell 7-9 (#77-73 BB200; 900 sales; 54-week total 294,900).
In its fifth
frame former No1 Cole Swindell with ALL OF IT (Warner Bros./Warner Music
Nashville) fell 9-10 (90-83 BB200; 4306
sales; 5-week total 58,900).
Outside the
Top 10
Former
No.1 Kenny Chesney with
LIVE IN NO SHOES NATION (Blue Chair/Columbia Nashville) fell 10-12 (119-123 BB200; 2,669 sales; 8-week total 110,700).
Former No.1 Luke Bryan with WHAT MAKES YOU COUNTRY (Capitol
Nashville | UMGN) fell 12-14 (#134-133 BB200; 1,694 sales; 41-week total 328,700).
Florida Georgia
Line
with their 4-track EP FLORIDA GEORGIA
LINE (Big Machine Label Group, LLC | UK iTunes) fell 16-20
(#163-170 BB200).
Outside the Top 25
In his second
week Upchurch
with his 12-track Rap & Hip-Hop album SUPERNATURAL
[Explicit] (Redneck Nation Records | Amazon
UK - Amazon.com) fell 6-44 (71- off the Billboard 200; 2,646 sales;
2-wek total 11,800) selling 9,200 copies.
Off
Note:
Willie Nelson with his 11-track MY WAY (Legacy Recordings | Amazon UK - UK iTunes - Amazon.com) made a debut at No.36 on the Billboard 200 selling 13,984
sales. Tagged Pop/ Country it isn’t classed as “country” by the chart
managers.
Willie Nelson pays tribute to Ol’ Blue Eyes himself, Frank Sinatra, with a new album of
standards and classics made famous by Sinatra, My Way.
The
project is Nelson’s second new studio album this year, following the release of
his critically-acclaimed Last Man Standing in April. The collection features
Nelson swinging his way through some of the most beloved classics in the Great
American Songbook backed by lush string and horn arrangements and was produced
by Buddy Cannon and Matt Rollings. Among the gems are Nelson’s take on “Fly
Me To The Moon,” “It Was A Very Good Year,” “Young
At Heart,” and a duet with Norah Jones on “What Is This Thing Called Love.”
FALLING
SHORT of Top 50:
On the Country Album Sales list (pure sales;
old methodology)
David Nail And The Well
Ravens with his 7-track ONLY THIS AND NOTHING MORE (Tracks/Time: 26:04 Amazon
UK - UK iTunes - Amazon.com) made a debut at No.19 selling 1,497 copies.
Asleep at
the Wheel
with the 11-track NEW ROUTES (Bismeaux Records) made a
debut at No.20 selling 1,422 copies.
The
first new material in over a decade, embarking on a new chapter in the group’s
48 year history with a fresh group of musicians and nimble musical palette. The
11-track collection of both new and familiar country, jazz, jump blues,
rockabilly, Western Swing and folk, offers a blend of originals, vibrant covers,
superior musicianship, and a guest vocal appearance by Seth and Scott Avett of
The Avett Brothers.
Comprised
of founder/leader Ray Benson (lead
guitar and vocals), Katie Shore
(fiddle and vocals), Eddie Rivers
(steel and sax), David Sanger
(drums), Dennis Ludiker (fiddle,
mandolin, vocals), Josh Hoag (bass),
Connor Forsyth (piano and vocals),
and Jay Reynolds (sax and clarinet),
Asleep at the Wheel’s performance agility takes centerstage on the record.
Terri Clark with the 13-track RAISING THE BAR (Baretrack
Records | Amazon UK - UK iTunes - Amazon.com) made a debut at No.23 selling 1,100 copies.
Year-To-Date Albums
11,401,000 (Physical sales 8,090,000
(down -15.0%) + Digital sales 3,322,000 (down -31.1%) which is 20.5% down at the same point in 2017 (14,343,000 sales)
Year-To-Date Digital Tracks
36,807,000 down 27.4% at the same point in 2017 (50,697,000)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
Bebe
Rexha and Florida Georgia Line with
“Meant
to Be” (Warner Bros./Big Machine Label Group) dominated for a 43rd week.
Russell
Dickerson with "Blue Tacoma" (Triple
Tigers) ascended to the Hot Country Songs top 10 (11-8).
It gained by 11 percent to 39.1 million impressions and pushed 4-2 on Country
Airplay. "Tacoma" is Dickerson's second Hot Country Songs top 10 in
as many appearances, following debut single "Yours," which peaked at
No. 3 on Jan. 27. "Yours" ruled Country Airplay for two frames
starting the same week.
Kane
Brown with "Lose It" (Zone 4/RCA Nashville)
became his third Hot Country Songs top 10 (12-10)
as it rose 15-13 on Country Airplay (19.6 million, up 7 percent). His other Hot
Country Songs top 10s: the No. 2-peaking "Heaven" (March 31) and
"What Ifs" (featuring Lauren Alaina), which crowned the chart for five
weeks starting Oct. 21, 2017.
Hot County
Songs
** No.1 (43
weeks) ** “Meant To Be” Bebe Rexha feat. Florida Georgia Line
**
Airplay Gainer” No.8 “Blue Tacoma” Russell
Dickerson
** Digital
Gainer/ Streaming Gainer ** No.26 “Love Wins” Carrie Underwood
** Hot Shot Debut ** No.32 “Here Tonight” Brett Young
Debut
No.37 “Here I Am” Dolly Parton & Sia
Debut
No.49 “Drinking Alone” Carrie Underwood
Old
Dominion scored its fifth No.1 on Country Airplay and
its fourth in a row as "Hotel Key"
(RCA Nashville) ascended 3-1 in its 27th week, increasing by 7 percent
to 43 million audience impressions in the week ending Sept. 23. On Hot
Country Songs, it bumps 7-5, becoming the band's sixth top five hit.
"Key," written by Old Dominion's Matthew Ramsey and Trevor
Rosen (with Josh Osborne), is the third single from the act's sophomore LP,
Happy Endings, which debuted at No. 1 on Top Country Albums in September 2017.
It follows "Written in the Sand," which led the Country Airplay chart
dated Feb. 17, and "No Such Thing as a Broken Heart" (Sept. 9, 2017).
Old Dominion's other Country Airplay No. 1s are "Song for Another
Time" (Dec. 24, 2016) and "Break Up With Him" (which led for two
weeks beginning Nov. 14, 2015). Its other top 10, "Snapback," hit No.
2 (June 4, 2016).
Country
Airplay
***
No.1 (1 week) *** “Hotel Key” Old
Dominion 43.002 million audience (+2.761 million) / 7,992 radio plays (+499)
**
Most Increased Audience/ Hot Shot Debut/ Most Added ** No.29 “Bring It On Over”
Billy Currington 5.548 million
audience gain thanks to 50 fresh radio commitments (ADDS)
Debut
No.51 “Here Tonight” Brett Young
Billboard Country Digital
Singles Chart
Florida
Georgia Line with “Simple” (BMLG) moved 2-1
(#22-25 Digital Songs; 10,000 sales; 16-week total 288,000) to log a 10th non-consecutive week atop the chart as their former 22 non-consecutive week No1 Bebe Rexha and Florida Georgia Line with “Meant
to Be" (Warner Bros. | BMLG) rebounded 14-4 (#30 Re-Entry Digital Songs; 8,000
sales).
Simple was 24 places behind Eminem's Machine Gun Kelly diss track
"Killshot" which blasted onto the Hot 100 at No. 3. It
started as his 10th No.1 on Digital Song
Sales (38,000 sales), and first since "The Monster," featuring
Rihanna, in 2013, as he ties Drake for the most leaders among males; overall,
they trail only Taylor Swift (15), Rihanna (14) and Katy Perry (11). The song
soars onto Streaming Songs at No. 2 with 51.3 million U.S. streams.
Dolly
Parton and Sia with "Here I Am" (iTunes)
narrowly missed out on a number one as they made a bow at No.2 (#27
Digital Songs 10,000 sales).
The new reimagined version of Parton’s “Here I Am” appears
on the soundtrack for Netflix’s Dumplin’ (due Nov. 30). Parton, who
serves as the soundtrack’s executive producer, contributed six new
compositions, which were co-written and co-produced by Linda Perry.
Parton first released “Here” in 1971. This marks Parton’s highest rank on
the survey and the first appearance for Sia. On Hot Country Songs, the collaboration
opened at No.37.
Luke
Combs with “She
Got The Best Of Me” advanced 4-3 (#28-29
Digital Songs; 9,000 sales; 7-week total 198,000 ) as his single “Beautiful Crazy” held at No.11 (6,000 sales; 20-week total 193,000).
Brett
Young with "Here Tonight," debuted at No.4 (#32
New Entry Digital Songs; 8,000 sales). It’s the lead single from his sophomore
album for BMLG Records.
Dan + Shay (Dan Smyers and Shay Mooney) with “Speechless” moved 9-6 (#45-33
Digital Songs; 8,000 sales; 13-week total 100,000) as “Tequila”
(Warner Bros. | WAR) fell 8-9 (#39-45 Digital Songs).
Kane
Brown with “Lose It” fell 5-7 (#33-36
Digital Songs; 7,000 sales;
14-week total 116,000) as last weeks No1. "Homesick" retreated
1-22 (4,000 sales; 2-week total 22,000).
Mitchell
Tenpenny with “Drunk
Me” fell 7-8 (#38-41 Digital
Songs; 7,000 sales; 9-week total 90,000).
Jason Aldean feat. Miranda Lambert with “Drowns The Whiskey” (Macon | Broken
Bow) fell 6-10 (6,000 sales; 19-week
total 205,000).
Outside
the Top 10
Eric Church with “Desperate
Man” moved 13-12 (6,000
sales; 10-week total 76,000) as his new track “Monsters” made a debut at No.14 (5,000 sales).
Brett
Young with “Mercy”
(BMLG) fell 10-13 (5,000 sales; 28-week total 405,000).
Carrie Underwood with pregrat track “Drinking
Alone” made a debut at No.15
(5,000 sales). as previous week’s No.1 “Love
Wins” slumped 1-20.
Jake Owen with “Down
To The Honkytonk” fell 12-16
(5,000 sales; 4-week total 28,000)
Country Aircheck MEDIABASE
Chart
September
24, 2018
Old Dominion Hits #1 With 'Hotel Key'
Congrats to Old Dominion, Steve Hodges, Dennis Reese and the entire RCA promotion staff on landing this
week’s No.1 with “Hotel
Key.” The song is the third consecutive No.1 from Happy Endings.
Writers are Matthew Ramsey, Trevor Rosen and Josh Osborne. This marks the
group's fifth career #1.
“Hotel Key” (RCA) moved 3-1 logging 8,575 radio spins (+456), 53.118 million audience
impressions (+2.317 million) with 27709 Total Points (+1463) from 158 tracking stations (158 ADDS) for
the tracking week September 16 to September 22, 2018 and published chart
September 24, 2018.
Billy Currington Is Most-Added With
'Bring It On Over'
Congratulations
to Mercury Nashville's Billy Currington,
who garnered 50 MEDIABASE adds with
his new single, "Bring It On Over". The song topped the "Most Added"
board this chart week.
Mediabase
Adds (Selective)
Artist/Title (Label) TW Total Historic
Adds
BILLY CURRINGTON/Bring It On Over (Mercury) 50 50
BRETT
YOUNG/Here Tonight (BMLGR) 43 55
MORGAN
EVANS/Day Drunk (Warner Bros./WEA) 31 33
TENILLE
TOWNES/Somebody's Daughter (Columbia) 20 20
CARRIE
UNDERWOOD/Love Wins (Capitol) 15 67
JASON
ALDEAN/Girl Like You (Broken Bow) 14 70
THOMAS
RHETT/Sixteen (Valory) 11 25
CHASE RICE/Eyes
On You (Broken Bow) 9 86
DAN +
SHAY/Speechless (Warner Bros./WAR) 8 130
LOCASH/Feels
Like A Party (Wheelhouse) 8 71
SCOTTY
MCCREERY/This Is It (Triple Tigers) 8 131
JON
LANGSTON/When It Comes To Loving You (32 Bridge/EMI Nashville) 6 42
D. BRADBERY
& T. RHETT/Goodbye Summer (Valory/BMLGR) 4 77
SETH ENNIS
f/LBT/Call Your Mama (Arista) 3 23
WALKER
HAYES/90's Country (Monument/Arista) 3 11
LUKE
COMBS/Beautiful Crazy (River House/Columbia) 2 6
RUNAWAY
JUNE/Buy My Own Drinks (Wheelhouse) 2 53
SMITHFIELD/Hey
Whiskey (Deluge/In2une) 2 49
TENILLE ARTS/I
Hate This (Reviver) 2 23
ALEXANDRA
DEMETREE/Coastin' (SSM) 1 7
AUSTIN
BURKE/Whole Lot In Love (Awal/In2une) 1 15
MADDIE &
TAE/Friends Don't (Mercury) 1 86
RACHEL
WAMMACK/Damage (RCA) 1 42
 |
| In celebration of Mercury Nashville's Billy Currington earning most-added at Country radio this week with his new single, "Bring It On Over." Pictured L-R: UMG Nashville VP/Promotion David Friedman; Mercury Nashville Coord./Promotion Jeannie Sullivan; UMG Nashville SVP/Promotion Royce Risser; Mercury Nashville VP/Promotion Damon Moberly; UMG Nashville Nat. Dir./Radio Syndication Donna Hughes, Dir./Promotion & Radio Marketing Chris Schuler, and EVP/A&R Brian Wright |
For
a detailed report check out Country Aircheck Weekly Issue 620 - September 24, 2018
- Magazine View
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #6
Event
Venue City/State: Eagles The Forum Inglewood, Calif
Dates:
Sept. 12-15, 2018 Gross Sales: $5,982,028 Attend: 41,021/ 41,021
Shows/
Sellouts: 3/3 ** SOLD OUT ** Prices: $399.50, $299.50, $159.50, $99.50,
$59.50
Promoters: Live Nation
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