Country
Billboard Chart News July 25, 2016
In
Brief: Billboard Country Charts (Chart issue week of August 6, 2016)
Country Album
Chart ** No.1 (1 week) ** We’re All Somebody
From Somewhere Steven Tyler
Hot Country
Songs ** No.1 (12 weeks) ** H.O.L.Y. Florida
Georgia Line
Country Airplay
** No.1 (1 week) ** H.O.L.Y. Florida
Georgia Line
Country Digital
Songs ** No.1 (1 week) ** “Vice” Miranda Lambert
In this
easy-to-use format discover where your favourite acts songs and album are
charting across the four Billboard
Country charts.
It is
prioritized by the first column showing the Hot Country Songs chart frame standings for the week of July 30,
2016.
There are also
separate rows highlighting Women of
Country music.
Scroll down for
further details on each of the individual charts.
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Drake’s VIEWS remained steady at No.1 on the Billboard Top 200 Album Chart (BB200)
for an 11th non-consecutive week, as the set earned another 88,901 equivalent
album units (down 3%) in the week ending July 21, according to Nielsen Music.
Views
has now earned the most weeks at No.1 for an album since Taylor Swift’s 1989 spent its 11th and final
week atop the list on the chart dated Feb. 21, 2015. The last album to lead for
more than 11 weeks was the FROZEN soundtrack (13 weeks, 2014).
As
noted previously, Views has the most weeks at No.1 for an album by a solo male
artist since Billy Ray Cyrus’ SOME GAVE ALL wrapped a
17-week run at No. 1 on Oct. 30, 1992. Furthermore, in the last 20 years, only
eight albums (including Views) have spent 11 or more weeks at No.1.
The
bulk of Views’ weekly units are derived from streaming equivalent album
units, as the set continued to be hugely popular on streaming services. In
the latest tracking week, 64% of the album’s units came from streams (85,510,726).
18% are from track equivalent albums (156,231 song sales), and another 18% came
from traditional album sales (16,271).
8 other albums outsold "Views"..
The Billboard 200 utilizes industry benchmarks for digital
and streaming data, equating 10 digital
track sales from an album to one equivalent album sale, and 1,500 song streams from an album to
one equivalent album sale. All of the major on-demand audio subscription
services are considered, including Spotify, Beats Music, Google Play and Xbox
Music.
85,510,726
steams/ 1500 = 57,007 units
156,231
song sales / 10 = 15,623 units
Traditional
album sales = 16,271 units
VIEWS
Total equivalent album units = 88,901
The
top-selling album of the week was NeedToBreathe’s
HARDLOVE, which made a debut at No.1 on the Top Album Sales chart and at No.2
on the Billboard 200. The set earned 50,000 units, of which 46,021 were in traditional album sales.
Steven Tyler with his first solo album from WE’RE ALL
SOMEBODY FROM SOMEWHERE (Dot/Big Machine Label Group), bounded in at No.1
on Billboard’s Top Country Albums chart
(dated Aug. 6), selling 16,771 copies
in its first week (ending July 21), according to Nielsen Music.
On the
all-genre, consumption-based Billboard 200, it started at No.19, with 17,964
equivalent album units (Album sales 16,771 + Song Sales 9,901/10 + Streams
305,250/ 1500)
The
long-time leader of Rock and Roll Hall of Fame band Aerosmith co-produced the
album, which was recorded in Nashville, and co-wrote 12 of its 15 tracks. The
first two singles, “Love Is Your Name” and “Red, White & You,” peaked at
Nos. 19 and 29 on Hot Country Songs and Nos.33 and 46 on Country Airplay,
respectively. The title track is the newly released third single.
Tyler,
who confirmed in a June 21 interview on SiriusXM’s The Howard Stern Show that
Aerosmith will embark on a farewell tour in 2017, is currently touring solo.
Steven Tyler… Out on a Limb kicked off July 2 at the Venetian Theatre in Las
Vegas, and will hit 19 cities.
Tyler
followed a trail of artists from other genres (typically rock) that have landed
in Nashville, including fellow Rock and Roll Hall of Famers and Big Machine
labelmates Cheap Trick. In recent
years, Darius Rucker has notably
conquered country radio after leading Hootie
& The Blowfish to mainstream success. He has earned six No.1s on
Country Airplay and four on Top Country Albums.
Critical
reception for Steven Tyler’s We’re All Somebody From Somewhere:
Entertainment
Weekly (Rating:
83/100) ...It's a neat surprise that
Steven Tyler's swerve into the genre comes off as organic as it does, less like
a borrowed costume than a slide into something comfortably worn.
Boston Globe (Rating: 7/10) On paper, the prospect of a country-music
album from Aerosmith frontman Steven Tyler seems worrisome. A ploy for radio? A
pandering gesture toward the only brick-and-mortar establishments that still
move units — say, Walmart? Best not to jump to conclusions about “We’re All
Somebody From Somewhere,” released July 15 on Big Machine. When Tyler, 68,
explains Nashville’s appeal in a press release about the LP, you can’t just
dismiss his argument. “Country music is the new rock ’n’ roll,” he claims.
“It’s not just about porches, dogs, and kicking your boots up. . . . It’s about
being real.”.....For an album that credits five producers — Tyler, seasoned
hands T Bone Burnett and Dann Huff, longtime collaborator Marti Frederiksen,
and the Cadillac Three’s Jaren Johnston — much of “Somewhere” sounds remarkably
consistent, even organic.....A dark recasting of “Janie’s Got a Gun” falls
flat, curiously, indicating what made the original vital was its deft balance
of gripping topic and glossy vehicle. Tyler sounds like a visitor on the
guest-penned “Love Is Your Name,” the album’s anodyne first single, and “I Make
My Own Sunshine,” whose banal twinkle is best suited to a TV spot for a
budget-travel website. But when he gets his Janis on for an ecstatic “Piece of
My Heart” with the Loving Mary Band (now backing Tyler on his solo tour), he
demonstrates exactly the “Somewhere” he’s coming from.
Roughstock (Rating: Positive) ..It is easy to be sceptical of Steven Tyler
trying a late career move to country music as a solo artist yet with 9 of the
15 tracks co-produced by T-Bone Burnett (Dann Huff, Marti Frederiksen and Jaren
Johnston co-produce the other 6 with Tyler), We're All Somebody From Somewhere
feels like a modern rootsy, rockin’ record that longtime fans probably hoped
Steven Tyler would release. There’s a bit of country sounds to the project yet
it’s still very much a Steven Tyler record. Songs like “It Ain’t Easy,” written
with Hillary Lindsey, Cary Barlowe and Nathan Barlowe, showcase a sturdy
heartfelt approach to songwriting and allows room for Steven Tyler to sing the
lonesome lyric with verve and aplomb.,.....Featuring a generous 15 tracks,
We're All Somebody From Somewhere, Steven Tyler’s long-gestating solo debut, is
pretty much what we would’ve expected from a Steven Tyler album. It’s bluesy,
it’s soulful and it showcases his ability to sing strongly. Add in the rootsy
elements that the Country/Americana genre allows for and what we have is a
really strong effort.
The Observer (Rating: 2/5) Steven Tyler’s solo debut, recorded in
Nashville and leaning heavily on radio-friendly country music, is refreshingly
distinct from the stadium hard rock he’s been making for almost half a century
as Aerosmith’s frontman. It starts very
The Independent (Rating: 2/5) We’re All Somebody From Somewhere is Aerosmith
singer Steven Tyler’s brazen attempt to make inroads into the lucrative country
market, a genre in which he’s previously shown little interest, and for which,
on this evidence, he displays scant affinity. Despite the production attentions
of T-Bone Burnett and others, Tyler just can’t help reverting to type, with
song after song opening in low-key, acoustic manner – the chipper mandolin
strum of the title-track, the guitar and accordion of opener “My Own Worst
Enemy” - before resolving into leaden heavy rock bristling with squally lead
guitar. The songs rely on cringeworthy conceits like “Red, White & You” or
rote expressions like “Sweet Louisiana”, while the refurbishing of the domestic
abuse anthem “Janie’s Got A Gun” just tips it further over into queasy
melodrama.
Download:
My Own Worst Enemy; We’re All Somebody From Somewhere
David Nail with his fourth studio album
FIGHTER (MCA Nashville/ Wrasse
Records) made a debut at No.3
Country and selling 12,205 copies
and No.26 Billboard 200 with 15,221 units (Album sales 12,205 + Song Sales 19,056
/10 + Streams 1,666,643/ 1500).
Fighter
features 11 tracks overall including Nail's current hit single "Night's On
Fire" written by Jonathan Singleton and Deric Ruttan. Nail wrote or
co-wrote seven songs for Fighter and teamed up with the same producer from his
previous successful albums, Frank Liddell, for the project.
David
Nail’s last album I’M A FIRE (MCA Nashville/Universal Music Group Nashville), fuelled
by his No.1 Country Airplay single "Whatever She's Got", debuted at
No.13 on the BB200 (#3 Country) selling 23,434 copies, marking his highest rank and fattest sales week,
surpassing his No.50 BB200 (#8 Country) arrival with THE SOUND OF A MILLION
DREAMS (Dec. 3, 2011; 13,376 copies)
Critical
reception for David Nail’s Fighter:
Allmusic (Rating: 3.1/2 STARS).. The very
title Fighter suggests David Nail is defiant, a trait it has in common with its
2014 predecessor I'm a Fire. This 2016 album also opens with a bit of fury, as
Nail taps into the calamitous stomp of the Lumineers for the opening "Good
at Tonight," but that's about as noisy as the record gets, as much of
Fighter mines a sentimental vein. Nail is suited for such emotions. Not a
forceful singer but also not a featherweight, his easy touch sounds best on
ballads, where he never seems to be trading in cheap emotions......his habit of
underselling his delivery accentuates the underlying feelings in the songs,
turning the record into something quiet and insinuating. Fighter doesn't
command attention but if it's given attention, it is seductive, even
compelling: a mature, confident record from a singer who sees no reason to
grandstand.
Sounds Like Nashville (by CHUCK DAUPHIN)…There are few words that can be used to
describe the talent of David Nail. When you hear him on a record – or better
yet, see him live – you come away with a deep appreciation for his vocal
talent. Simply put, one could make the argument that he’s not one of us. On a
ballad, his vocals soar into the stratosphere, and on the up-tempo songs, he
takes the ordinary lyric and arrangement, and transfers it into a tour de
force....On his fourth album for MCA, the Missouri native continues to develop
his craft. There’s a mix of both styles on the album, with “Good At Tonight”
and lead-off single “Night’s On Fire” showcasing the groove side of what Nail
does so exceedingly well. Seriously, I don’t know if there is any style of
music that the singer can’t master. He’s simply that good....perhaps the
highlight of the album, he dazzles with the highly underrated Logan Brill on
the seductive “Champagne Promise.” Gorgeous and stunning are two words you
could use to describe their collaborative effort……and you still wouldn’t be
doing it justice. It might be a little
too heavy – or adult – for Country Radio, but it’s a true gem in every sense of
the word. So, David Nail has done it again. With Fighter, he delivers another
sterling example of why industry insiders consider him to be one of the most
effective vocalists in town.
Taste Of Country Critic’s Pick (Rating:
Positive): …You won’t find much fluff on
David Nail’s Fighter album. In fact, lack of levity is about all a country fan
can complain about on the singer’s personal fourth studio album. Brothers
Osborne join Nail for “Good at Tonight,” a rocker that represents the best of
the uptempo. It’s a waterfall of ballads after that, with lyrics that require
focus to full appreciate...“Babies” is the album’s centerpiece. During this
song he recounts he and wife Catherine’s struggle to conceive and how his life
has changed since becoming a father to twins.....The Vince Gill collaboration
(“I Won’t Let You Go”) is equally personal, but more approachable. In some
ways, the singer uses his voice like Gill does the guitar. Both are patient,
expressive and artistic.
A melodic one-night stand
song called “Champagne Promise” is the album’s unicorn — a break before “Old
Man’s Symphony,” a ballad written to his father. Key Tracks: “Good at
Tonight,” “Home,” “Babies,” “Champagne Promise”
Chris Stapleton with TRAVELLER fell 1-2 Country
(#14-17 Billboard 200) in its 64rd frame selling another 13,900 copies (64-week
total 1,474,000).
Blake
Shelton with IF I’M HONEST (Warner Bros./Warner Music
Nashville) slipped 2-4 (20-28 Billboard 200) selling 9,385 copies
(9-week total 324,600).
Keith
Urban with RIPCORD (Hit Red/Capitol Nashville/ Universal Music Group
Nashville) held at #5 Country (#50 non-mover BB200; 6,030 sales; 11-week total 214,900)
Various
Artists: NOW That’s
What I Call Country, Volume 9 (Sony Music/Universal/UMe) dropped 3-6 Country
selling 5,400 copies (6-week total 57,300)
Dierks
Bentley with BLACK (Capitol Nashville/Universal Music
Group [UMG] Nashville), fell 4-7 Country (33-39 BB200) with sales of 5,260
copies (8-week total 154,200)
Thomas Rhett with TANGLED UP held at #8
Country (#30 non mover BB200; 4,600 sales; 43-week total 435,200)
Sam Hunt with MONTEVALLO fell 7-9 Country (#31 non-mover BB200; 4,600 sales; 91-week
total 1,182,300)
Luke Bryan with KILL THE LIGHTS (Capitol Nashville | UMGN) rounded out the top 10
Country (49-52 BB200; 4,400 sales; 50-week total 1,012,700)
Maren Morris with HERO (Columbia Nashville/Sony Music Nashville) fell 9-12 Country (75-77 BB200; 4,000 sales;
7-week total 74,700)
Joey + Rory with HYMNS (Farmhouse/Gaither | Capitol CMG) dropped 12-14 Country (3,500 sales; 23-week
total 426,600)
In
their second week’s at retail Mark Chesnutt with TRADITION LIVES (Row/BFD) fell off the top 50 from last week’s No.22 selling another 500 copies. Kree Harrison with
THIS OLD THING (Plaid Flag Records) also
disappeared from the top 50 after a debut at No.28.
Outside
Top 25 Country Albums
Brandy
Clark with BIG DAY IN A SMALL TOWN (Slate Creek/
Warner Brothers) fell 32-40 on Top Country Albums selling 700 copies
(6-week total 13,600).
Multi-platinum
recording group Confederate Railroad made their return to radio and retail with the 12 track Lucky To Be Alive (BFD; Amazon UK - Amazon.com ) which made a debut at #49 Country selling 600
copies.
The
project marked the first album release in nine years for the Grammy-nominated
group. The ACM award-winning band also brought the star power on the album,
with guest appearances from Willie Nelson, John Anderson, Colt Ford and former
NFL coach, Jerry Glanville, on a special 20th Anniversary version of the
signature smash, “Trashy Women.” -
Year-To-Date
Albums
13,259,000 (Physical sales 8,685,000
(down 9%) + Digital sales 4,574,000 (down -18.0%)) which is 12.3% down at the same point in 2016 (15,122,000
sales)
Year-To-Date
Digital Tracks
52,499,000 down 23.7% at the same point in 2015 (68,816,000)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
Florida
Georgia Line with “H.O.L.Y.”
paced Hot Country Songs and Country Streaming Songs for a 12th week each,
leading the latter list with 6.9 million U.S. streams (up 4%). On Country
Digital Songs, it dropped to No.2 after 11 frames on top (61,000 sales, down 1%).
Miranda
Lambert with “Vice”
(RCA Nashville), released July 18, swooped in at No.1 on Country Digital Songs
with 64,000 sold in its first week, marking her second No.1; “Somethin’ Bad,”
with Carrie Underwood, also launched at the summit (June 7, 2014). On Hot
Country Songs, “Vice” opened at No. 2
to become her highest debut, passing the No.5 start for “Bad.”
Chris
Lane with his debut single, “Fix” (Big Loud), entered the Hot Country Songs top 10
(11-10). On Country Airplay, it bumped 5-4 (42.3 million, up 5%).
Hot County
Songs
** No.1 (12
weeks) ** H.O.L.Y. Florida Georgia Line
** Hot Shot
Debut ** No.2 “Vice” Miranda Lambert
** Digital Gainer
** No.3 “From The Ground Up”
Dan + Shay
** Airplay
Gainer ** No.9 “Make You Miss Me” Sam
Hunt
** Streaming
Gainer ** No.22 “It Don't Hurt Like It Used To” Billy Currington
Debut
No.16 “A Little More Summertime” Jason
Aldean
Debut
No.27 “May We All” Florida Georgia Line
featuring Tim McGraw
Debut
No.45 “In Case You Didn't Know” Brett
Young
Debut
No.47 “If He Ain't Gonna Love You” Jake
Owen
Debut
No.49 “If The Boot Fits” Granger Smith
H.O.L.Y.’ SMOKES THE COMPETITION Florida
Georgia Line (Tyler Hubbard and
Brian Kelley) collected their ninth No.1 on Country Airplay, as “H.O.L.Y.”
(Republic Nashville) rose 2-1 in its 13th week, increasing by 4% to 47.6
million audience impressions. The duo completed its fastest flight to the top,
besting “Dirt,” which reached No.1 in its 14th week (Oct. 25, 2014).
“H.O.L.Y” (penned by busbee, Nate Cyphert and William Wiik Larsen), is
the lead single from FGL’s third studio album, DIG YOUR ROOTS, due Aug. 26.
The set’s “May We All,” with its more traditional country sound, signals
the pair progressing from the party-oriented style it sported on its 2012 debut
smash, “Cruise.” “May,” which was released July 15 and features Tim McGraw,
arrived at No.6 on Country Digital Songs with 22,000 downloads sold. “
‘H.O.L.Y.’ has worked very well for us, and sales are fantastic,” Entercom Communications
vp programming Mike Moore told Billboard. “It feels like a musical evolution, or maturity, for them. I’m really
excited to hear the whole project.”
KKBQ Houston director of operations Johnny Chiang concurred. “
‘H.O.L.Y.’ has consistently tested power for us, which obviously meant a lot to
me as a programmer,” he said. “However,
the song has had far greater implications for FGL. If there were any doubts
about Brian and Tyler’s potential longevity in the format, ‘H.O.L.Y’ should put
those to rest.”
Miranda
Lambert with “Vice”
arrived as her highest debut on Country Airplay, at No.18 (14.7 million in audience), fueled in part by hourly plays
following its release on participating iHeartMedia-owned stations. The entrance
topped the No.26 start of “Automatic” (Feb. 22, 2014).
Penned by Lambert, Josh Osborne and Shane McAnally,
“Vice” is the first single from her forthcoming sixth studio album, expected
later in 2016. It’s also Lambert’s first new music since her divorce from Blake
Shelton.
Kelsea
Ballerini with “Peter Pan”
(Black River) hopped 11-10 on
Country Airplay (28.7 million, up 12%). Her third top 10
follows the career launching No.1s “Love Me Like You Mean It” and
“Dibs.”
Women
of Country 2016 Watch:
Carrie Underwood at No.2 ("Church Bells"),
Kelsea Ballerni at No.10 (“Peter Pan”),
Miranda Lambert at #18 (“Vice”) and Jennifer Nettles at #27 (“Unlove You”) were
the only 4 solo female artists in the Top 30 Country Airplay songs.
Clare Dunn at #59 (“Tuxedo”) was the
only additional solo female in the remaining 31-60 slots, to make it 8.3% of
the entire Top 60 chart who were lone females. Runway Jane at #49 “(“Lipstick”) and Maddie & Tae at #56 (“Sierra”) were the other all-female group
and duo to be represented.
Forbes
Magazine has come out with an article (published July 26 by Brittany Hodak ) about the Gender Gap in country music:
In the past six months, exactly five female artists have appeared in the Top
30 on the Billboard Country Airplay charts: Carrie Underwood, Kelsea
Ballerini, Maren Morris, Jennifer Nettles and duo Maddie & Tae.
Only the first 3 acts have broken into the Top 20 in those 26 chart weeks. By
contrast, literally dozens of male acts have accomplished the same.
The average number of women appearing on any single chart is three.
When factoring in chart positions, and the extra spins songs at the top of the
chart get compared to those lower down, female voices account for less than 10%
of all charted songs in 2016.
In January, two more female artists, Jana Kramer and Cam,
made appearances on the chart, bringing the total number of women to crack the
Top 30 in 2016 to a mere seven-totalling nine songs (two each for Underwood and
Ballerini)-with 60% of the year's charts accounted for.
Country
Airplay
***
No. 1 (1 week) *** "H.O.L.Y” Florida
Georgia Line 47.512 million audience (+1.894 million) / 8,030 radio plays
(+303)
** Hot
Shot Debut/ Most Increased Audience/ Most Added ** No.18 “Vice” Miranda Lambert 14.650 million audience
gain thanks to 86 fresh radio commitments
(ADDS)
Debut
No.38 “The Weekend” Brantley Gilbert
Debut
No.53 “There’s A Girl” Trent Harmon
Miranda
Lambert with “Vice”
(RCA Nashville), blew in at No.1 on Billboard Country Digital Songs and No.6
on the all genre Digital Songs Chart with 64,000 sold in its first week,
marking her second No.1. Her previous chart topper “Somethin’ Bad” (with Carrie
Underwood) launched at the summit (June 7, 2014).
Florida
Georgia Line (Tyler Hubbard, Brian Kelley) with “H.O.L.Y.”
(Republic Nashville) weren’t #1 single falling 1-2 (#5-7 Digital Songs; 61,000 sales; 12-week
total 920,000) as new pre-grat track from their Aug 27 album DIG YOUR ROOTS
titled “Smooth” fell 3-34 (8,000 sales; down 64%; 2-week
total 30,000).
However FGL’s new single with Tim McGraw, "May We All" made a debut at #6 (#42 Digital Songs; 22,000 sales)
Jason
Aldean with "A
Little More Summertime" made a debut at #3 (#23
Digital Songs; 35,000 sales)
Dan+Shay with “From The Ground Up” rose 7-4
(#50-24 Digital Songs; 32,000 sales; 24-week total 396,000) boosted after the song was
used by ABC TV's Bachelorette program.
Kelsea Ballerini with “Peter Pan” (Black River) fell 2-7
(#32-45 Digital Songs; 21,000 sales; 16-week total 311,000).
Thomas Rhett with “Vacation” lifted 12-8
(#49 NE Digital Songs; 19,000 sales; 11-week total 156,000).
Jon Pardi with “Head Over Boots” fell 5-9
(#47-50 Digital Songs; 18,000 sales; 37-week total 529,000)
Carrie Underwood with "Church Bells" fell 6-10 (18,000 sales; 16-week total 301,000).
Chris Young & Vince Gill with “Sober
Saturday Night” was new at #19 with 12,000 sales (46,000 total)
Maren Morris with "80s Mercedes" was at #44 in her
third Top 50 chart frame (60K Total)
RaeLynn with new single "Love Triangle" was at #62 (8K
sales)
Country Aircheck MEDIABASE
Chart
25
July 2016
Congratulations
to Tyler Hubbard, Brian Kelley,
Matthew Hargis and the entire Republic Nashville promo crew on landing “H.O.L.Y.” at No. 1.
"H.O.L.Y." is FGL's tenth career #1 and the song is the first single
from Florida
Georgia Line’s DIG YOUR ROOTS, out Aug. 26.
The
song logged 8,700 radio spins (+501)
and 58.977 million audience
impressions (+3.22) with 29820 Total
Points from 159 tracking stations for the tracking week July 17 to July 23, 2016
and published chart July 25th 2016.
Kudos to Keith
Gale and the RCA team on notching 91 adds for Miranda Lambert’s “Vice”. The song topped the week’s "Most Added" board.
 |
| Miranda Lambert RCA Office Most Added Mediabase 91 ADDS |
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #25
Event
Venue City/State: Keith Urban, Brett
Eldredge, Maren Morris Molson
Canadian Amphitheatre Toronto, Ontario
Dates:
July 8-9, 2016 Gross Sales: $961,690 Attend: 27,299/ 31,312 (4,013 unsold
tickets)
Shows/
Sellouts: 2/0 Prices: $69.06, $22.76 Promoters: Live Nation
Rank
Artist: #83
Event
Venue City/State: Rascal Flatts Harrah's Cherokee Cherokee,
N.C.
Dates:
May 27, 2016 Gross Sales: $130,668 Attend: 2,287/ 3,024 (737 unsold tickets)
Shows/
Sellouts: 1/0 Prices: $125, $65
Promoters:
C3 Presents/Caesars
Entertainment
Rank
Artist: #96
Event
Venue City/State: Aaron Lewis, Blackberry Smoke Harrah's Stir Concert Cove
Council Bluffs, Iowa
Dates:
May 27, 2016 Gross Sales: $92,264 Attend: 3,214/ 4,000 (786 unsold tickets)
Shows/
Sellouts: 1/0 Prices: $43, $38
Promoters:
C3 Presents/Caesars
Entertainment
Rank
Artist: #98
Event
Venue City/State: Justin Moore Casino Rama Rama, Ontario
Dates:
May 7, 2016 Gross Sales: $88,446 Attend: 4,403/ 4,974
(571 unsold tickets)
Shows/
Sellouts: 1/0 Prices: $48.23, $28.06
Promoters:
C3 Presents
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