Country Billboard Chart News June 10, 2019

Country Billboard Chart News June 10, 2019

In Brief: Billboard Country Charts (Chart issue week of June 15, 2019)

Country Album Chart ** No.1 (1 week) ** CENTER POINT ROAD Thomas Rhett

Hot Country Songs ** ** No.1 (3 non-consecutive weeks) ** “God's Country” Blake Shelton

Country Airplay ** No.1 (2 weeks) ** “Whiskey Glasses” Morgan Wallen

Country Digital Songs ** No.1 (1 week) ** “Shut Up About Politics” John Rich

Billboard Top 200 / Country Album Chart News (Chart issue week of June 15, 2019)

The Billboard 200 chart measures multi-metric album consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Thomas Rhett Scores Second No.1 on Billboard 200 Albums Chart With 'Center Point Road'

Thomas Rhett notched his second No.1 album on the Billboard Top 200 Album Chart (BB200) as CENTER POINT ROAD debuted atop the tally.

It held off competition from the likes of Miley Cyrus and Billie Eilish to top the summit. The album earned 76,000 equivalent album units in the week ending June 6, according to Nielsen Music. Of that sum, 45,000 were in album sales. Both sums represented the biggest weeks of 2019 for any country album.

Center Point Road was released on May 31 via Valory Records and marked the first country album to hit No. 1 on the all-genre Billboard 200 chart in 2019.

It’s the first No.1 on the Billboard 200 since Kane Brown’s EXPERIMENT (126,000 units earned in its first week, with 107,000 of that sum in album sales).

Further, Center Point Road launched with 33.59 million on-demand audio streams earned for its songs in its debut week. That marked the biggest streaming debut week ever for a country album.

Center Point Road follows Rhett’s last album, and first Billboard 200 topper, Life Changes. It started atop the list dated Sept. 30, 2017 with 123,000 units, of which 94,000 were in album sales.

Center Point Road was led by the single “Look What God Gave Her,” which has so far peaked at No. 4 on the Hot Country Songs chart, and at No. 6 on the Country Airplay tally (as of the most recently published lists, dated June 8).

Billboard Top Country Albums (Chart issue week of June 15, 2019)

Top Country Albums now ranks the most popular country albums of the week, as compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).

10 digital track sales from an album = 1 track equivalent album (TEA) “sale”

1,500 on demand song streams from an album to one streaming equivalent album (SEA) “sale”.

Nielsen Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to billboard biz ), exclusively comprising Nielsen’s sales data.

Best Is Rhett To Come: Thomas Rhett's CENTER POINT ROAD debuted at No.1 on the Billboard Top Country Album Chart  and Top 200 charts landing his 2nd Billboard 200 #1 album in a row, out now via Big Machine Records.

Center Point Road is the first country album to top the Billboard all-genre charts in 2019 and follows Rhett's last album Life Changes in claiming the top spot.

The album is named after the street in Rhett’s Tennessee hometown that shaped and influenced much of his life experiences and features collaborations with Little Big Town, Jon Pardi and Kelsea Ballerini.

The Valory album's total sales and streaming activity was 76,046 in its first week, with 45,000 in traditional album sales according to Nielsen SoundScan.

CHART HISTORY:

SELF-TITLED EP (released Aug 28, 2012) debuted and peaked at #24 (#133 Billboard 200) selling 3,323 copies. Singles “Something To Do With My Hands” and “Beer With Jesus” had shown on radio airplay charts.

IT GOES LIKE THIS, released October 29, 2013 was Rhett’s first full-length, which debuted and peaked on Top Country Albums at No.2 on Nov. 16, 2013 (36,253 copies)

Released September 25, 2015 Second LP TANGLED UP, arrived at No.3 (#6 Billboard 200; 76,000 units) on Oct. 17, 2015 (62,614 copies sold; chart dated Oct 17, 2015) and peaked at No. 2. in its fourth week (13,200 sales)

Released September 8, 2017 Marking a first for 2017, a country act ruled the all-genre Billboard 200 as Thomas Rhett with third full-length album, LIFE CHANGES (Valory), roared in atop the chart dated Sept. 30.

The singer-songwriter scored his first No.1 on the Billboard 200 as well as No.1 on the Billboard Top Country Albums. With 94,032 copies sold, he also recorded his best sales week. (Chart issue week of Sept 30, 2017)

Prior to Life Changes, It Goes Like This, Rhett’s first full-length, debuted and peaked at No. 2 on Top Country Albums on Nov. 16, 2013 (36,000 sold); second LP Tangled Up arrived at No. 3 on Oct. 17, 2015 (76,000 units; 62,000 sold) and then peaked at No. 2. Rhett made his first of four appearances on the chart with his 2012 self-titled EP (No. 24).

Rhett co-produced and co-wrote all the songs on the 16-track Road, which is named for where the 29-year-old artist grew up in Hendersonville, Tenn. Launch single “Look What God Gave Her,” inspired by his wife, Lauren, hopped 6-3 on the airplay-, streaming- and sales-powered Hot Country Songs chart. On Country Airplay, it ranks at No. 7 (27.8 million audience impressions, up less than 1%).

“The reception for this new music has been mind-blowing from the start,” said Thomas Rhett. “In these last two years of life, a lot has happened that gave me a lot to write about. When I didn’t think I could get more personal, I did. And I attribute so much of that to the songwriters that really went with me into deeper territory and to the producers that had a great vision for the sound of this album. I just feel super honored and super blessed that we got to make this record with such an incredible team. Huge shout out to the fans for listening to it and supporting every release along the way. It has been such a whirlwind, for the album to finally be out and to see this kind of response is just mind-blowing.”

Critical reception for Thomas Rhett’s Center Point Road:

16 Tracks/ Time: 52:43  Amazon UK - iTunes

Debut #1 UK Country iTunes Album Chart (#16 UK iTunes all-genres)

“As he’s ascended to country music’s A-list” having “comfortably grown into his role as a star with something to say” (Billboard), critics note that the “expansive 16-track record finds him pushing further” (Associated Press).

“The follow-up to 2017’s Life Changes sees the dreamy, often double-denim-clad mixing upbeat toe-tappers with more traditional guitar-led tracks, culminating in a pretty perfect soundtrack to early summer.” - Entertainment Weekly

“On his sprawling fourth album Center Point Road, he’s an everyman charmer, Nashville-style, expanding his palette as he assumes the role of country music jack of all trades.” - Rolling Stone

“If you like big-name country collabs, larger-than-life summer jams and and blockbuster love songs, then look no further than the latest from one of country music’s biggest stars, Thomas Rhett.” - Paste

“He may be on the road more than 200 days a year, playing sold-out shows all over the world. But at the end of the day, home is where this country star’s heart is. And a spin through his new album serves up the proof.” - Parade

“Many of the songs drip nostalgia, ripe with memories he made in his hometown in Sumner County.” - USA Today

“It’s been a relatively quiet year for country music on the Billboard 200, but that’s changed now that superstar Thomas Rhett’s latest album has finally debuted.” - Forbes

“The guy knows what he's doing.” – NPR

Thomas Rhett represents a dilemma for traditional country music fans. Namely, that he doesn't create much country music that appeals to traditional tastes. Although "Center Point Road" doesn't entirely reverse that trend, even during its most overtly pop moments, this new collection of songs is still a pretty good one. - Country Standard Time

TR’s all done grown up! Wonderful album mixing styles & genres superbly in a way that ‘Life Changes’ didn’t. Country’s Bruno Mars gets it right with a mix of roots, tears, laughs & dancing. His time now - awards beckon. - James Daykin #30SecondReview  LYRIC Magazine

I can’t shake the feeling that Thomas Rhett is taking the piss. There were 3 tracks I wouldn’t mind hearing again but they’re sure as hell NOT country Rating: 2 STARS Duncan Warwick Country Music People

In celebration of the new album, Thomas Rhett brought CENTER POINT ROAD to Bridgestone Arena (June 8) where more than 7,000 fans were treated to an up-close-and-personal set in the round from the singer/songwriter revealing stories behind the new music, while also delivering the smash hits and fan-favorites that shaped him into the artist he is today. Featuring special surprise guests Jon Pardi and Rhett Akins, the sold-out special event was rounded out with a $100,000 donation to music education through the CMA Foundation.

37-week No1 Luke Combs’ debut LP, THIS ONE’S FOR YOU (River House/Columbia Nashville/Sony Music Nashville) fell 1-2 (#14-12 BB200).

Dan + Shay with their self-titled album (Warner Bros./Warner Music Nashville) slipped 2-3 (#25-29 BB200) in their 50th frame.

Morgan Wallen with IF I KNOW ME (Big Loud Digital EX) fell 3-4 (#44-41 BB200) in his 53rd frame.

Former No.1 Kane Brown with sophomore album, entitled EXPERIMENT climbed 7-5 (#67-57 BB200; 30 chart weeks) as his self-titled album held at No.10 (#83 non-mover BB200; 131 weeks).

Chris Stapleton with the 214-week TRAVELLER (MERCURY/ UMGN) fell 4-6 (#51-58 BB200).

Former No.1 Maren Morris with GIRL (Columbia Nashville/ Sony Music Nashville [SMN]) fell 6-7 (#61-63 Billboard 200) in her 13th frame.

Former 6-week non-consecutive week No.1 Jason Aldean with REARVIEW TOWN (Macon/Broken Bow Records) fell 5-8 (#59-67 BB200) in his 60th week.

Florida Georgia Line with CAN’T SAY I AIN’T COUNTRY (Big Machine Label Group) 8-9 (#73- BB200) in their 15th week.

Outside the Top 10

Former No.1 Kacey Musgraves with GOLDEN HOUR (MCA Nashville) fell 11-12 (#90-100 BB200) in her 57th week.

Lee Brice with his self-titled (Curb) rose 18-17 (#169-156 BB200) in his 16th frame.

Former No.1 Carrie Underwood with CRY PRETTY held at No.23 (#189 – off the  BB200) in her 38th week.

FALLING SHORT of Top 50:

On the Country Album Sales list (pure sales; old methodology)

Singer/songwriter out of Beattyville, Ky Ian Noe with his 10-track BETWEEN THE COUNTRY (National Treasury Recordings | Amazon UK - iTunes - Amazon.com) made a debut at No.14.

Sack of Lions with 12 track WHITE LIGHTNING (Sower | Amazon UK - iTunes ) made a debut at No.33.

Austin Jenckes with 9-track IF YOU GREW UP LIKE I DID (Ole Red Dot | Amazon UK - UK iTunes) made a debut at No.47.

Jenckes wrote or co-wrote every song on his debut album, with the exception of lead track “Fat Kid,” written by Lori McKenna, The Cadillac Three’s Neil Mason and the late Andrew Dorff.

Year-To-Date Albums

4,821,000 (Physical sales 3,346,000 (down -33.5%) + Digital sales 1,475,000 (down -27.3%) which is 29.0% down at the same point in 2018 (6,788,000 sales) 

Year-To-Date Digital Tracks

15,608,000 down 33.1% at the same point in 2018 (23,325,000)

Billboard Hot Country Songs (Chart issue week of June 15, 2019)

On Billboard’s Hot Country Songs chart - which blends:

a) All-format airplay, as monitored by BDS

b) Sales, as tracked by Nielsen SoundScan and

c) Streaming, (tracked by Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) according to BDS it results in:

Blake Shelton with “God’s Country” (Warner Bros./Warner Music Nashville) returned to the summit moving 2-1 for a third non-consecutive week

Brett Eldredge netted his eighth Hot Country Songs top 10 as “Love Someone” (Warner Music Nashville) lifted 11-9 and rose 5-4 on Country Airplay (31.3 million, up 8%; increasing 30% to 3,000 sold; 28% to 5.2 million U.S. streams).

Hot County Songs

** No.1 (3 non-consecutive weeks) ** “God's Country” Blake Shelton

** Streaming Gainer ** No.3 “Look What God Gave Her” Thomas Rhett  

** Airplay Gainer” No.7 “Miss Me More” Kelsea Ballerini  

** Digital Gainer ** No.17 “Shut Up About Politics” John Rich featuring The Five

** Hot Shot Debut ** No. 21 “Notice” Thomas Rhett  

Debut No. 38 “The Git Up” Blanco Brown
Debut No. 39 “Blessed” Thomas Rhett

Billboard Country Airplay (Chart issue week of June 15, 2019)

Morgan Wallen with “Whiskey Glasses” (Big Loud) held at No.1 for a second week on Billboard’s Country Airplay chart (dated June 15), decreasing by 10% to 37.2 million audience impressions in the week ending June 9, according to Nielsen Music.

66

Kelsea Ballerini with “Miss Me More” (Black River) rose 3-2 falling just short of a number one logging 35.589 million audience (+3.999 million), 7,674 spins (+811) in her 33rd chart frame which was 1.5 million down on Wallen’s chart topper.

Wheelhouse Records' Runaway June triumphed as their smash sing-along "Buy My Own Drinks" became the first Top 20 radio single by a Country female band or trio in 14 years. There has not been an all-female group since 2005, when the Dixie Chicks and SHeDAISY regularly topped the charts, to have a song go Top 20 on Country radio. Adding to the merriment, the trio was invited by the Grand Ole Opry to celebrate their album launch day, June 28th with a special performance and signing party.

"We love being a part of Country music! This has been an amazing year, being on tour with Carrie Underwood - and now to having our first Top 20 song and to be the first female group to achieve this in nearly 15 years is insane," said Hannah Mulholland of Runaway June. "Thank you to our amazing team, and Country radio. We can't wait to get our album out later this month and share our music with fans out on the road this summer."

Luke Combs’ “Beer Never Broke My Heart” (River House/Columbia Nashville) ascended to the Country Airplay top 10 (11-10) in its fifth week, up 4% to 22.8 million impressions. It’s the quickest trip to that region of the chart since Sept. 10, 2016, when Kenny Chesney’s “Setting the World on Fire,” featuring P!nk, jumped 12-8 in its fifth frame. “Beer” is Combs’ sixth straight career-opening Country Airplay top 10, following five consecutive No.1s.

NEW ‘GIRL’ IN ‘TOWN’ Trisha Yearwood scored her career-best debut on Country Airplay as “Every Girl in This Town” (Pearl/Gwendolyn) bounded onto the tally at No. 21 (8.5 million impressions). The song was released and aided by hourly plays on participating iHeartMedia radio stations on June 6. “Town” is the highest Country Airplay start for a solo woman in 2019, surpassing Maren Morris’ “Girl” (No. 28, Jan. 26), and the highest bow by a female artist since Carrie Underwood’s “Cry Pretty” (No. 20 in April 2018). Yearwood, who has collected 19 Country Airplay top 10s (including five No. 1s), bests her former highest start, set with her 2006 duet with husband Garth Brooks, “Love Will Always Win” (No. 36)

Sheryl Crow with “Prove You Wrong” (Valory), featuring Stevie Nicks and Maren Morris, entered Country Airplay at No.33 (5.2 million audience). It’s Crow’s 11th appearance and highest start, while Nicks makes her chart debut. Nicks boasted one Hot Country Songs entry: “After the Glitter Fades” reached No. 70 (and No. 32 on the Billboard Hot 100) in 1982.

Country Airplay

*** No.1 (2 weeks) *** “Whiskey Glasses” Morgan Wallen 37.247 million audience (-3.973 million) / 7,237 radio plays (-1103)

** Most Increased Audience/ Hot Shot Debut/ Most Added ** No. 21 “Every Girl In This Town” Trisha Yearwood

Debut No.33 “Prove You Wrong” Sheryl Crow feat. Stevie Nicks & Maren Morris

Debut No.58 “Homemade” Jake Owen

Billboard Country Digital Singles Chart 

(Chart issue week of June 15, 2019)

‘SHUT’ IS ‘UP’ Following its first full week of tracking, John Rich with “Shut Up About Politics” (Rich Records), featuring The Five, flew 41-17 on Hot Country Songs. It surged 4-1 on Country Digital Song Sales (33,000; #20-2 Digital Songs), becoming his first No.1 in his first solo visit to the chart. 

The Five are from the Fox News show of the same name: Greg Gutfield (who co-wrote the song with Rich), Dana Perino, Jesse Watters, Juan Williams and Donna Brazile.

It was 1 places behind Lil Nas X's "Old Town Road" (on Columbia Records), which logged a sixth week atop the Digital Song Sales chart with 87,000 downloads sold, up 7%, in the week ending June 6, good for the Hot 100's top Sales Gainer award for a third consecutive week. On the Radio Songs chart, "Road" rose 3-2, with 98.3 million audience impressions, up 3%, in the week ending June 9.

8th non-consecutive week No1 Blake Shelton with “God’s Country” (Warner Bros./Warner Music Nashville) fell 1-2 (#3-6 Digital Songs).

Previous No.1 Luke Combs with “Beer Never Broke My Heart” (River House/Columbia Nashville/Sony Music Nashville) held at No.3 (#11-9 Digital Songs) as “Beautiful Crazy” which led for seven weeks fell 11-13 (#46-44 Digital Songs).

Morgan Wallen with “Whiskey Glasses” fell 2-4 (#9-10 Digital Songs) in his 28th frame.

Thomas Rhett with new track “Notice” made a debut at No.5 (#12 New Entry Digital Songs) as previous No.1 Thomas Rhett with “Look What God Gave Her” fell 6-12 (#28-42 Digital Songs) in its 14th week.

Luke Bryan with “Knockin' Boots” fell 5-6 (#24-25 Digital Songs) in his 10th week.

Jake Owen with “Made For You” made a re-entry at No.7 (#26 New Entry Digital Songs)

Kane Brown with “Good As You” fell 7-8 (#30-32 Digital Songs) in his 20th week.

Lee Brice with “Rumor” dropped 8-9 (#31-33 Digital Songs) in his 25th week.

Kelsea Ballerini with “Miss Me More” pushed 13-10 (#37 Re-Entry Digital Songs) in her 31st frame.

Outside the Top 10

Dan + Shay (Dan Smyers and Shay Mooney) with Speechless” slipped 10-11 (#41 non mover Digital Songs) in its 50th week.

Lady Antebellum with “What If I Never Get Over You” retreated 14-19 in their third week.

Of note 39 New 1 - Jessie James Decker with a cover of “Old Town Road” made a new entry at No.39 on Digital Songs

Blanco Brown with “The Git Up” made a debut at No.16. Brown blended multiple genres during a June 7 set at the Acoustic Corner inside Bridgestone Arena.

Raised on hip-hop in Atlanta, Blanco Brown would escape to his grandmother’s home in rural Butler, Ga., during the summer where the singer-songwriter-producer would listen to country music. Influenced equally by OutKast and Johnny Cash for both acts' rawness and storytelling, Brown’s love for both shine through on his country trap viral hit, “The Git Up.”

While Broken Bow Records/BMG, which signed Brown a year ago, originally planned to release “The Git Up” after Brown made several appearances during June’s 6-9 CMA Fest, BBR executive vp Jon Loba says the reaction to Lil Nas X’s “Old Town Road” featuring Billy Ray Cyrus sped up the process. While the song has elements of country, trap and urban influences, “The Git Up” is listed under country on iTunes and has already been added to Spotify’s Wild Country playlist.

Country Aircheck MEDIABASE Chart

June 10, 2019

Congrats to Kelsea Ballerini, Mike Wilson, Bill Macky and the Black River team on landing theweek’s No.1 with “Miss Me More.” The song is her fifth chart-topper and second from current album Unapologetically. Writers are David Hodges, Brett McLaughlin and Ballerini.

Notching the first chart-topping single for a female artist in Country music in 15 months, Ballerini was also the last woman in the genre to hit No. 1 with “Legends” in February 2018.

“Miss Me More” (Black River) climbed 3-1 logging 8,421 radio spins (+1151), 49.974 million audience impressions (+6.702) with 27275 Total Points (+3557) from 156 tracking stations (156 ADDS) for the tracking week June 2 to June 8, 2019 and published chart dated June 10, 2019.

Trisha Yearwood Is Most-Added With 'Every Girl In This Town'

Kudos to Andy Elliott and the Gwendolyn/Pearl reps for notching 81 adds on Trisha Yearwood’s “Every Girl In This Town”. The song topped the "Most Added" board this chart week. Writers are Caitlyn Smith, Erik Dylan, Connie Harrington. 

YEARWOOD shared her thanks with radio during her guest appearance on husband GARTH BROOKS' "Inside Studio G" FACEBOOK Live (June 10), stating, “I just thank you. I know that sounds simple, but … I’m overwhelmed. I’m grateful." She added, "You guys have so many songs coming your way all the time. And the people who love me and want me to do well – between friends, and family and fans – they don’t get to hear it if you don’t play it. And so I just can’t thank you enough for putting it out there.”

Pearl Records promoted it (Gwendolyn is essentially a created imprint for Trisha on Pearl’s team.) and slated to have got radio deals on iHeart stations.

Gwendolyn Records' Trisha Yearwood has announced plans for her solo, "Every Girl On Tour", with a three-night engagement with the Nashville Symphony at Schermerhorn Symphony Center. The 22-city tour will kick-off in Nashville on Thursday, October 3rd, and will continue through St. Louis, Cincinnati, Chicago, Milwaukee and Boston, before wrapping in Naples, FL on Sunday, December 8th.

 “I can’t wait to take my tour solo for the first time in five years!” shared Yearwood. “I’ve been absolutely overwhelmed by the positive response to ‘Every Girl in This Town’ and, as enthusiastic as folks are about my new music and the upcoming tour, I don’t think there is anyone more excited than me.” Tickets for the tour go on sale Friday, June 21st at 10a (CT) and can be purchased here. www.trishayearwood.com

Mediabase Adds (Selective)

Artist/Title (Label)        TW       Total Historic Adds

TRISHA YEARWOOD/Every Girl In This Town (Gwendolyn)        81         81        

JON PARDI/Heartache Medication (Capitol)        26         71        

WALKER HAYES/Don't Let Her (Monument/Arista)         26         26        

SHERYL CROW f/S. NICKS & M. MORRIS/Prove You Wrong (Valory)    19         19        

BRETT YOUNG/Catch (BMLGR)            13         62        

CARRIE UNDERWOOD/Southbound (Capitol)    12         131      

JAKE OWEN/Homemade (Big Loud)      12         62        

TRAVIS DENNING/After A Few (Mercury)           10         99        

KEITH URBAN/We Were (Capitol)         9          148      

JAMESON RODGERS/Some Girls (River House/Columbia)         7          39        

JORDAN DAVIS/Slow Dance In A Parking Lot (MCA)      7          95        

LADY ANTEBELLUM/What If I Never Get Over You (BMLGR)     7          139      

OLD DOMINION/One Man Band (RCA)  7          8         

CHRIS JANSON/Good Vibes (Warner/WAR)       5          128      

DUSTIN LYNCH/Ridin' Roads (Broken Bow)       5          104      

KING CALAWAY/World For Two (Stoney Creek) 5          66        

MATT STELL/Prayed For You (Wide Open/Records/GCE/Arista) 5          112      

CAYLEE HAMMACK/Family Tree (Capitol)         3          65        

CAROLINE JONES/Chasin' Me (Mailboat/New Revolution)          2          54        

HALEY & MICHAELS/Hail Mary (Hickory/Reviver)           2          4         

MADDIE & TAE/Die From A Broken Heart (Mercury)       2          53        

ABBY ANDERSON/Good Lord (Black River)      1          56        

GABBY BARRETT/I Hope (---)   1          1         

JAKE OWEN/Made For You (Big Loud)  1          1         

LUKE COMBS/Lovin' On You (River House/Columbia)    1          1         

LUKE COMBS/Refrigerator Door (River House/Columbia)           1          1         

MITCHELL TENPENNY/Alcohol You Later (Riser House/Columbia)         1          88        

RAYNE JOHNSON/Front Seat (Legend Entertainment Corp)       1          2         

TENILLE ARTS/Call You Names (Reviver)         1          26

For a detailed report check out Country Aircheck Weekly June 10, 2019, Issue 656  - Magazine View

For the very latest up to the minute Mediabase Chart (Past 7 Days) go here - www.mediabase.com

Billboard Boxscores (Selective Country concerts)

Rank Artist: #47

Event Venue City/State: Luke Combs CenturyLink Center Omaha, Neb.

Dates: May 11, 2019 Gross Sales: $548,651 Attend: 13,561/ 13,561

Shows/ Sellouts: 1/1 ** SOLD OUT ** Prices: $50, $25

Promoters: AEG Presents

Rank Artist: #49

Event Venue City/State: Luke Combs DTE Energy Music Theatre Clarkston, Mich.

Dates: May 30, 2019 Gross Sales: $512,185 Attend: 14,673/ 14,673

Shows/ Sellouts: 1/1 ** SOLD OUT **Prices: $65, $25

Promoters: Live Nation

Latest Billboard Boxscore Chart