Showing posts with label Big Machine Records. Show all posts
Showing posts with label Big Machine Records. Show all posts

Friday, 28 October 2016

The Shires hit America! Big Machine Label Group President/Ceo Scott Borchetta signs The Shires


THE SHIRES HIT AMERICA!

Oct 28, 2016 Expanded Press Release

UK COUNTRY SUPERSTARS, THE SHIRES, MAKE MUSIC HISTORY BY BECOMING FIRST UK COUNTRY ACT TO SIGN TO HIGH PROFILE USA-BASED COUNTRY RECORD LABEL

BIG MACHINE LABEL GROUP PRESIDENT/CEO SCOTT BORCHETTA SIGNS THE SHIRES, FOLLOWING THE RELEASE OF ‘MY UNIVERSE’, THE FASTEST-SELLING UK COUNTRY ALBUM OF ALL TIME  

The Shires: Ben Earle (L) & Crissie Rhodes (R)
celebrate signing to DOT Records

UK country duo The Shires (“leading British-born country act”), make music history today by signing a ground-breaking record deal with the Nashville-based Big Machine Label Group under the historic Dot Records imprint.

The Shires, whose second album MY UNIVERSE became the fastest-selling UK Country album of all time (* based on 1st week sales) in the UK upon release three weeks ago, today joined the ranks of prominent US Big Machine Label Group Country artists, including Tim McGraw, Florida Georgia Line and Thomas Rhett, by signing an exclusive recording deal with the leading US Country music record label. The Shires are BMLG’s first ever UK signing.

Ben Earle and Crissie Rhodes of The Shires stated: “We are absolutely thrilled to sign with Dot Records in the USA. The UK is our home and we are proud of our success so far, thanks to Decca Records, but it’s always been a massive goal for us to build our presence and make a name for ourselves in the USA. Scott was one of the first people to approach us as a band, after hearing our original demos nearly three years ago. His advice back then was clear, to break the UK first and come to the US with a story. We took his advice and are extremely excited to be working with him and his team in the US. It is the home of Country Music and what better label could any act ever hope to sign with than Dot Records! Scott, Chris and their team are incredible at what they do and have worked with some of the biggest names in Country music history – we can’t wait to get started!”

Scott Borchetta, President and CEO of the Big Machine Label Group, commented, “I’ve been watching The Shires closely and from afar, and now the time is right to have them join the family. I can’t wait for America to experience The Shires!”
We’ve been lucky enough to have seen them perform many times, from our first gig in their local pub to their debut at Grand Ole Opry, we know their success has been hard-earned and we hope they are the first of many British country artists to break the USA!

Dot Records Roster:
1. Zac Brown Band (Southern Ground/John Varvatos Records/Republic Records)
2. Maddie & Tae
3. Drake White
4. Tucker Beathard
5. Steven Tyler
6. Aaron Lewis
7. The Shires !!!!  ** NEW **























Dot Records is an American record label founded by Randy Wood that was active between 1950 and 1979. The label was reactivated in 2014 through a joint venture between Big Machine Label Group and the Republic Records unit of Universal Music Group (which owns the original Dot Records catalogue). It is based in Nashville, TN.
The label's first signees include Maddie and Tae, Drake White, and Steven Tyler.



The Shires have already had significant success on both sides of the Atlantic. In the US, they have graced the stage at the famous Grand Ole Opry, adding their names alongside Dolly Parton, Hank Williams, Garth Brooks and a veritable who’s who of Country music who have all played at the famous Nashville landmark venue. Regulars to Nashville, The Shires have already worked with top country music writers, and their current album was recorded at Sound Stage Studios, one of the most prestigious recording studios in Nashville, which has cut records for other Country superstars such as Carrie Underwood, Tim McGraw and Lady Antebellum.
























Formed three years ago, following a Facebook plea by Earle for a singer to join him, they were championed by Whispering Bob Harris (OBE) on his BBC Radio 2 country music show.

Decca Records signed them up in the UK and tireless touring, plus appearances at the Country to Country Festival in London, assisted with building a large British fan base.
Their debut album BRAVE was the first UK country music album to break Top 10 in the UK.


CONNECT with The Shires:
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The Shires Publishing Company wrote:

The Shires make history becoming first UK Country act to sign to High Profile USA based country Record label

So is this true?

Olivia Newton John if we can claim her as one of her own was born in Cambridgeshire, UK on Sept 26, 1948 (now aged 68)
In 1954, when she was six, Newton-John's family emigrated to Melbourne, Australia.

In the United States, Newton-John's career floundered after 1971 single If Not For You.
Subsequent singles including "Banks of the Ohio" (No. 94 Pop, No. 34 AC) and remakes of George Harrison's "What Is Life" (No. 34 AC) and John Denver's "Take Me Home, Country Roads" (No. 119 Pop) made minimal chart impact until the release of "Let Me Be There" in 1973. The song reached the American Top 10 on the Pop (#6), Country (#7) and earned her a Grammy for Best Country Female and an Academy of Country Music award for Most Promising Female Vocalist.
She was voted Best British Female Vocalist two years in a row by the magazine Record Mirror.
























THE LONG LIVE LOVE album was released in the U.S. as IF YOU LOVE ME, LET ME KNOW (MCA Records ‎– MCA-411; recorded at EMI in London) with the six Eurovision songs dropped for four different, more country-oriented tracks intended to capitalise on the success of "Let Me Be There". The title track was the first single reaching No. 5 Pop, No.2 Country (her best country placement to date).
The next single, "I Honestly Love You" (soft/rock), became Newton-John's signature song. Written and composed by Jeff Barry and Peter Allen, the ballad became her first No.1 Pop (two weeks), and third Top 10 Country (#6) hit and earned Newton-John two more Grammys for Record of the Year and Best Pop Vocal Performance-Female. The success of both singles helped the album reach No.1 on both the Pop and Country (eight weeks) Albums charts.

Newton-John's country success sparked a debate among purists, who took issue with a foreigner singing country-flavoured pop music being equated with native Nashville artists.
Olivia was also named the Country Music Association Female Vocalist of the Year in 1974, defeating more established Nashville-based nominees Loretta Lynn, Dolly Parton and Tanya Tucker, as well as Canadian artist Anne Murray.
Newton-John recorded her 1976 album, Don't Stop Believin', in Nashville.

Olivia Newton John Album Chart Success in America

LET ME BE THERE (1973) Label: Festival Records | #37 UK #1 US Top Country Albums
IF YOU LOVE ME, LET ME KNOW (May 1974) Label: MCA Records | #1 US Top Country Albums
HAVE YOU NEVER BEEN MELLOW R(Feb 12, 1975) Label: MCA Records | #1 US Top Country Albums
CLEARLY LOVE (1975) Label: MCA Records | #6 US Top Country Albums
COME ON OVER (Country, pop rock; Feb 29, 1976) Label: MCA Records | #2 US Top Country Albums
DON'T STOP BELIEVIN'  (1976) Label: MCA Records | #7 US Top Country Albums
MAKING A GOOD THING BETTER (1977) Label: MCA Records | #13 US Top Country Albums * Newton-John was in a dispute with MCA Records at the time of the recording and was in negotiations to be released from MCA, thus the label did not promote the album. Olivia Newton-John went on to sign on to do the movie Grease, and came to an agreement to stay with MCA Records, though her recordings from the movie were on RSO Records.
BACK WITH A HEART R(May 12, 1998) Label: MCA Nashville | #9 US Top Country Albums Back with a Heart was recorded in Nashville and marked Newton-John's return to the US Country chart after an absence of almost twenty years.

Grammys
Best Country Vocal, Female, 1973
Record of the Year, 1974 (I Honestly Love You)

American Music Awards
Fav. Single - Country, 1974 (IHLY)
Fav. Female Vocalist - Country, 1974
Fav. Album - Country, 1974 (Let Me be There)
Fav. Female Vocalist - Country, 1975



Academy of Country Music
Olivia Newton John wins Promising Female Vocalist of the Year (1974)



Billboard
Favorite Female Country Singles Artist, 1975
Favorite Female Country Album Artist, 1975


In the late 70s a “terrific group” from Lancashire, Poacher, were not only signed up by Nashville but also had a single Darlin’ on the Billboard charts (US top 90 country chart).
Albert Lee, Stu Stevens, The Hillsiders, Tammy Cline, Raymond Frogatt and Peter Sayers not all were on Nashville labels, but they were American.

British Country band Poacher were formed in Warrington, Cheshire in 1977 by guitar and singer Tim Flaherty (b. 1950).
The original line-up featured Flaherty (vocals), Adrian Hart (lead guitar), Allan Crookes (bass), Pete Allen (steel guitar), Pete Longbottom (banjo) and Stan Bennett (drums). Within months of being formed, Poacher won a heat on UK television’s New Faces and then the all-winners final with a new British country song, ‘Silver Dollar Hero’.
Their first single, Darling’, made a minor impact on the UK charts and a few months later the song was a hit for Frankie Miller. Other versions come from Tom Jones and Barbara Mandrell, but Poacher’s original made number 86 in the US country charts, no mean achievement for a British group. Despite several singles (‘Star Love’, ‘You Are No Angel’), Poacher did not reach the UK charts, although they were a very popular cabaret and country club act.
Dave Warwick, who managed Poacher, said: "They had a huge hit in America with a song called Darlin' and Tom Jones actually covered it."
Weymouth born Oscar Stewart Blandamer forged a successful songwriting career penning such tunes as "I'll Mend Your Broken Heart" for Phil Everly and Cliff Richard and "Tomb of Memories" for Paul Young. Despite writing "Darlin" in 1970, it wasn't until 1977 that the song was recorded by the Poacher. Despite a great deal of airplay it flopped in the UK though it did make #86 on the US Country charts.


CLICK to ENLARGE


















The Hillsiders played country when country was not cool in England!
As the UK’s leading country band, they helped introduce thousands of people to the music. The band’s origins went back to 1959 when the late Kenny Johnson (b. Dec 11, 1939 – Oct 13, 2015) , Liverpool, England; lead vocals/guitar) formed the Country Three. Johnson, joined by Joe Butler (b. 12 January 1939, Liverpool, England, d. May 2007; guitar), changed the group to Sonny Webb And The Country Four, taking his stage name from the American country stars Sonny James and Webb Pierce. In 1961, following an argument, Johnson regrouped as Sonny Webb And The Cascades.
The Hillsiders were recognised as one of Britain's top Country bands for over 3 decades, playing major venues and touring the GI bases both at home and in Germany. They opened for many of Country Music's major artistes such as Marty Robbins, Jerry Lee Lewis, Gene Watson and Glen Campbell. 
The Bobby Bare tour was brilliant for them. Bobby liked the harmonies that the Hillsiders had (who had a #1 hit record at the same time). At the end of the tour they brought him back to do a show at The Grafton in Liverpool. And then after a party at my house, Bare said - "When I get back to the states, I'm gonna see Chet Atkins, and we're going to do an album together".  The man was true to his word, he went back to Nashville, saw Chet Atkins, got The Hillsiders a deal with RCA, and they flew out and recorded the album, and it was said it got to #17 (?) in the Billboard Hot 100 Album charts.  































The Hillsiders recorded an album "The English Countryside" (LP, Mono | RCA Victor LPM 3896 (M); LSP 3896) in 1967 with him on the RCA Nashville label, produced by the renowned Chet Atkins. "The English Countryside" made a debut at No.44 (chart dated Dec 23, 1967), then climbed to #31 and peaked at #29 (chart dated Jan 13, 1968) for 3 weeks on the US Billboard Hot Country Album Charts and received a silver disk for sales. The novel combination of one of America's top country singers and a Liverpool quintet made for fine versions of songs such as Tom T. Hall's "I Wash My Face in the Morning Dew." The 8 cuts that featured Bare with the Hillsiders were the best numbers. Other gems included "Six Days on the Road,", “You all Come" and "Sweet Dreams".
The English Country Side (RCA Victor RD7918) stood for many years as a well-crafted example of Liverpool-recorded country music. George Hamilton IV and The Hillsiders became firm friends and performed together on Hamilton's BBC TV Series and recorded an album together in 1971 HERITAGE (RCA Victor | LDP4609).

Pete Sayers (born Nov 6, 1942, in Bath): The only British performer ever to appear as a regular guest on Nashville's legendary Grand Ole Opry.

Pete Sayers on dobro. Peterborough Festival of country music 1980



Not for want of trying, no English performers have become stars in American country music, but Pete Sayers got closer than most. He was an engaging performer, able to sing serious songs and indulge in comedy banter, as well as being a multi-talented musician. (Source Independent UK; snapshot of article that appeared on 27 Oct 2016 )

As a teen he formed the Bluegrass Cut-Ups, possibly Britain's first bluegrass band, and by the age of 18 he was regularly playing with the U.S. singer Johnny Duncan and his Blue Grass Boys.
By 1966 Sayers was ensconced as the host of his own country music series on Tyne-Tees Television. That same year, he took a brief holiday to visit Nashville, and ended up remaining there for the next five years. Within weeks of his arrival in Music City he was hired as an Opry warm-up artist, a gig he held until 1969. Sayers frequently appeared on the show itself as well, additionally hosting a Nashville-based morning TV program. Upon returning to England in 1971 he toured with George Hamilton IV before founding the Grand Ole Opry (England), which staged its shows in Newmarket's Kingsway Cinema. His debut solo LP, Bye Bye Tennessee, followed on Pye Nashville International in 1973. Two years later, he returned with the Transatlantic label release Grand Ole Opry Road Show, followed in 1976 by Watermelon Summer.
After a long battle with cancer, he died on February 11, 2005.

The late Stu Stevens (b. Wilfrid Pierce, Sept 25, c.1937 -  June 13th 2016 (died aged 79), Annesley Woodhouse, Kirkby-In-Ashfield, Nottinghamshire)
In the late 60s, as Stuart Stevens, he made his first recordings for EMI Records, including the release of a single (‘Soft Is The Night’/‘Tender Hearted’). He also appeared on the Lonnie Donegan television show. In March 1970, he was booked to entertain at a reception for the American country stars of the Wembley Festival. Performing as Willard Pierce, he created such an impression that it led to him appearing at the Festival itself the following day - seemingly the first British artist to do so.
In 1973, he performed at a disc jockey convention in Nashville, subsequently appearing at many major venues, including the Grand Ole Opry and on network television. Meetings with Elvis Presley and John Wayne inspired him to greater things.
He was getting plenty of airplay in the States when he was signed by Cliffie Stone to the US Granite label in 1974, who released his YOUNGBLOOD album in the USA and in Europe.
His version of Marty Robbins' "My Woman My Woman My Wife" drew praise from Marty himself, but it was when he released (on his own Eagle label) the single "The Man From Outer Space" that things really started to happen.
Sadly Stu never quite made it to his 80th year and he died on June 13th 2016 aged 79 of pneumonia following an illness.

Tammy Jones (b. Marilyn Margaret Croff, 16 June 1953, Hull, Humberside). The teenage Croff was performing in working-men’s clubs in the Hull area and gave up her job at a starch factory because the chemicals were affecting her voice. She met her husband, Rod Boulton, when she sang with a local band, the Falcons.
After the birth of their daughter they became a duo and, on a whim, Rod named them Tammy And Dave Cline. Although not intentional, it was the ideal name for Marilyn Croff, whose strongest influences were Tammy Wynette and Patsy Cline.
Tammy Jones in a stunning outfit impresses the crowd with a Jean Shepard classic "Slipping Away", at the Peterborough Country Music Festival (UK) 1983:



Tammy recorded in Nashville - one single for the UK market, ‘Love Is A Puzzle’, and another for the US, ‘I Don’t Know How To Tell Him’. Although chart success eluded her, she was voted Britain’s Top Female Country Singer for five consecutive years. 


Friday, 25 November 2011

Scott Borchetta CNBC interview

Scott Borchetta interview on CNBC

Scott Borchetta
Credit (Photo hosted on CMT website)
 BIG MACHINE LABEL Group President Scott Borchetta appeared on CNBC’s  (Consumer News and Business Channel) Power Lunch programme on November 22, 2011. They discuss the current rumours circulating that Big Machine could be sold to SONY. They also chat about Taylor Swift and how Scott looks at her career as “creating a culture.” On starting his own label, BORCHETTA said, "I feel like I'm doing the best work when I'm dancing on the edge."

Interview Transcript:

CNBC LOGO

CNBC – Todays business Coast to Coast . She’s only 21 years old but Taylor Swift is arguably the hottest music artist on the planet. Scott Borchetta CEO of Big Machine Label , which is also behind the acts like Rascal Flatts, Jewel, Reba McEntire many, many others. It's a pleasure to have you here.

Scott Borchetta - great to be here.
CNBC - You're a fellow southern californian.
Scott Borchetta - guilty, yes.

CNBC -  It's like family week up here. There you go. you've had enormous success in building this label, in building this company. But the elephant in the room, let's just get it out of the way right now, the rumour is you're selling to Sony, that Sony is very interested. is that the case?

Scott Borchetta - That's a great rumor, isn't it?

CNBC - It's a great rumor. it would make you an extremely wealthy man.

Scott Borchetta - You know what, I have a house. I have a car. they've got to do something really incredible to close this deal.

CNBC - what about $200 million?

Scott Borchetta - That's a good starting place, isn't it?

CNBC - Are you having discussions with them or others? Universal is rumored to be there as well ?

Scott Borchetta -  The wonderful thing about our company and the independence that we have is that we've created our own winning culture,  and i think it's a culture that is in high demand. So there are a lot of people interested in sharing our culture.

CNBC – So  I would take that as you're open to discussions?

Scott Borchetta -  Hey, you know what? I talk to people all day long every day. let's see what they've got. they're going to have to really buy into what we do.

CNBC - So if sony's listening, I think that's northwards of 200 million bucks, just so you guys know. let's talk about the business itself. You're in a business that is incredibly competitive in terms of not only the artists, but you're in an economy that makes it very difficult for consumers to buy that little extra thing. Yet Taylor Swift is doing -- as we just highlighted -- enormously well. Country music is doing enormously well.  Why is that do you think?

Scott Borchetta - well, if you look over the last 25 years, when the economy is struggling and it's in a is struggling and it's in a downturn, country music has always done well. Family values. story telling. et cetera, that's documented. But the other mantra that we have is, we try to create music by the coolest artists, make the coolest music. It's stuff that you have to own. We don't look at this so much as product. We look at creating this as culture,  and there's a whole culture now of Taylor Swift. That's with them for the rest of their life. that's not just a hit. that's not just a fad. that is -- when you think of the things that were very important to you as you were growing up, you could name it. you could tell me that concert. you could tell me that record. You could tell me your favourite summer. You can go right back there. that's what Taylor has done for this generation. that's -- When we get it right, that's what we try to do.

CNBC - You are someone who's taken a lot of risks in your life. you know, you were a southern california guy who i read is more akin to Sid Vicious ( Scott laughs) than country music. here you are with a country music label. you call yourself a West Coast wildcatter. wildcatter certainly a term our audience is very familiar with. What is the biggest risk that you ever took and what made you take that leap?

Scott Borchetta - I think the biggest risk was walking out of the universal mu music group. I was very well paid. they wanted me to stay in a position that i felt i had peaked in. They weren't willing at the time to move me up and let me run one of the labels. So I said, you know what? I'm done here. I'm leaving. and iIm going to start my own label. I'm still friendly with those people. It's not a negative. but it's like, you're not -- I'm going to have to create this position myself. i'm okay with that. I didn't wait to be anointed some record company head.

CNBC - Was that scary or were you just so confident that you could get it done on your own?

Scott Borchetta - I look back six years, goi, who was that guy? It's just head down,  and it's like, we're going to do this. it was so exciting. and that's, I think, I know i feel i do my best work when i'm dancing on the edge - It was great.

CNBC - You discovered Taylor Swift. You obviously helped create a superstar. How do you find that talent? How hard is it to find a Taylor Swift or a talent that's out there? Obviously, she's a brilliant writer. She's a magnificent performer.
Scott Borchetta - right.

CNBC - But how do you find the next Taylor Swift? or the next artist that is like her?

Scott Borchetta -  Well, it's never the same way twice - That's the exciting part of it. We have a great new act on one of our labels on republic nashville label called the Band Perry who just had a fantastic week at the cma awards, great performance on the American Music Awards, and they came to us. my head of A & R, Allison Jones, said i'm working with this act. it's not ready for you. But i'm going to bring it to you when it is. A cup minutes later she brought it in. i listened to a few of the songs. i'm like, oh, my god. get them in here right now. for me it's usually that first meeting. i know right away what works for us. doesn't mean we haven't passed on some things that have worked. But i fall in love immediately or not. it's not like, well, i need to come and see it again. and there's a third meeting and a fourth meeting.

CNBC - You know right away.

Scott Borchetta - It's like Reba McEntire wants to be here? Clear the oceans. she will be here. come home. you know.

CNBC - What's the best act you ever passed up on. they're telling us we have to go.

Scott Borchetta - It was probably Zac Brown. At the moment we were starting Big Machine.  I didn't have time to investigate it. That was one that was on my desk and i just didn't get it to.
I got to hold up this. this is Taylor's new CD.  
excellent.

Scott Borchetta - It's in stores today.

CNBC -  Because no one's buying it. no one knows who she is. You've got to put it up.Tthank you so much. we really appreciate it. Let us know if Sony comes knocking.

Scott Borchetta – You have it on the screens here so I’m sure they will be showing up.

SOURCE - CNBC Business