Country Billboard Chart
News September 18, 2014
RIAA Certifications
Lee Brice's
single "I Don't Dance" (PLATINUM)
In Brief: Billboard Country Charts
Country Album Chart ** No. 1
(1 week) "I Don't Dance" Lee Brice
Hot Country Songs ** No.1 (8 weeks) ** “Burnin’ It Down” Jason Aldean
Hot Country Songs ** No.1 (8 weeks) ** “Burnin’ It Down” Jason Aldean
Country Airplay ** No.1 (1 week) ** "Where It’s At (YEP,YEP) Dustin Lynch
Country Digital Songs **
No.1 ** (8 weeks) ** “Burnin’ It Down” Jason
Aldean
Billboard Top
200 / Country Album Chart News
Rapper Lecrae collected his first No.1 album on the Billboard Top 200
Album Chart (BB200) as his new ANOMALY blew in atop selling 88,437 copies in the week ending Sept.14. It's also the first chart-topper for
Lecrae's label, Reach Records.
Anomaly's launch is Lecrae's best sales week, trumping the 72,000-unit
start of 2012's Gravity, which debuted and peaked at No. 3. (Gravity was also
Lecrae's highest-charting album — and only top 10 — until Anomaly's arrival.)
Rocker Ryan Adams snagged his
highest-charting album on the Billboard 200 as his new self-titled
release (PAX.AM | Blue Note) made a bow on the BB200 at No.4 and No.1 on Top
Rock Albums with 44,639 sales. He
previously went as high as No.7 with two different albums, 2007's Easy Tiger
and 2011's Ashes & Fire.
Singer/songwriter Lee
Brice landed at No.5 on the BB200 selling 38,495 copies (Digital sales accounted for 42% of the total) and scored his first No.1 in four attempts
on the Billboard Top Country Albums chart with I DON’T DANCE
(Curb), his third full-length album.
Brice’s opening-week sum also marked his second-largest weekly sales figure, outpaced only by previous album HARD 2 LOVE, which debuted and peaked at No.5 on the Billboard 200 and No.2 Country with 46,066 sales on May 12, 2012.
Brice’s opening-week sum also marked his second-largest weekly sales figure, outpaced only by previous album HARD 2 LOVE, which debuted and peaked at No.5 on the Billboard 200 and No.2 Country with 46,066 sales on May 12, 2012.
It's the country
singer's second album and first top 10, following 2010's release LOVE LIKE
CRAZY, which debuted and peaked at No.44 (BB200) No. 9
(Country) on June 26, 2010 and was preceded four months earlier by an
identically titled EP, which spent two weeks on the chart, reaching No.56. The
title-track was named Billboard’s 2010 Most Played Country Song and
picked up the 2012 ACM for Song of the Year.
The lead single and title track from the new album peaked at No. 5 on the
Aug. 2 Hot Country Songs survey, and has sold 983,000 downloads through the week
ending Sept. 14. The second single from I Don’t Dance, “Drinking Class,”
bullets at No. 44 on Hot Country Songs.
Brice
released his new album on September 9 and the
project features the hit title track >> I
Don’t Dance’, which Lee wrote is a tribute to his beautiful
wife, Sara Reeveley, and features scenes from their wedding. Making the album
was a real labor of love for Lee. He
says, "I wanted to have control over
every drumbeat, every lick. It was a lot of really sitting down and thinking
about every little piece that goes into a song." Lee even played every
instrument on the song "Girls in Bikinis," and played banjo for the
first time on an album on the track, "Sirens."
Critical
reception for Lee Brice’s “I Don't
Dance”:
13
Tracks/ Time: 48:27 MP3 - UK iTunes - Smart Choice Music - Amazon.com
Allmusic (Rating: 4 STARS) ...There is some
volume to the record and a considerable amount of sly electronic textures --
this especially surfaces in the rhythms, which are sometimes looped, although
there's some playful Auto-Tune; the three bonus tracks on the deluxe edition
emphasize this side -- but the defining characteristic of I Don't Dance is how
unhurried Brice seems, lending the same casual authority to the faster or
grittier numbers ("No Better Than This," "Drinking Class,"
or "Girls in Bikinis," which is just plain silly) as he does on the
ballads. This relaxed confidence is beguiling and also suits the songs, which
Brice largely had a hand in composing (only three of the 13 songs don't bear a
songwriting credit from him).... he keeps the focus on his performance, letting
the album come on smooth and strong. I Don't Dance may sink its teeth in
slightly slowly, but that's Brice's style: he lets the listener come to him
and, once they're there, he offers a warm seduction that lasts not just for a
night but for a relationship.
Rollingstone (Rating: 3 STARS) ....Somewhere between Georgia pretty boy Luke
Bryan's female-friendly hits and Eric Church's testosterone-heavy,
metal-influenced country music, you'll find Lee Brice: a rising Nashville star
who's mastered the art of appealing to all his fans without alienating anyone.
Everybody wins on songs like I Don't Dance's title track: Nope, Brice is far too manly to shake his rump, but for you, dear, he'll make an exception. It helps that the songwriting is as urgent as the production is ambitious. Where "Girls in Bikinis" plays with looped vocals and stuttering high-hats, "Drinking Class" might be the best blue-collar bar tune since Church's "Drink in My Hand."
Everybody wins on songs like I Don't Dance's title track: Nope, Brice is far too manly to shake his rump, but for you, dear, he'll make an exception. It helps that the songwriting is as urgent as the production is ambitious. Where "Girls in Bikinis" plays with looped vocals and stuttering high-hats, "Drinking Class" might be the best blue-collar bar tune since Church's "Drink in My Hand."
For The Country Record ....The first two singles from his third album
‘I Don’t Dance’, the title track and ‘Drinking Class’, largely followed suit,
with a romantic ballad written for his wife and a semi-rowdy, blue collar party
anthem, that was less bro and more simple class pride.
Unfortunately, once we get past the title track opener, the second ‘No Better Than This’ hurls us back down to Earth with a bang, a swig of ice cold beer and a hearty helping of current trends....I really expected to enjoy this record, and I was looking forward to playing it for the next two years. But ‘No Better Than This’ kicks in with references to Snoop Dogg, bass bumping and his “baby’s butt”, lashings of auto-tune and more than a little influence from EDM. ....The same pervy-bar-hopper-disguised-as-romantic-guy narrative pervades on ‘Good Man’, some kind of pop/rap number with orchestral strings against hard drums and speed-rapping from Lee, loaded with rock instrumentation as it progresses and reminding of Linkin Park and Jay Z’s collaboration from some years ago....Closer ‘Panama City’ is probably my favorite, however. It begins with background chatter and is led in with piano, a sparse, stripped-back approach to shine the spotlight on a truly beautiful lyric. A nuanced love story, I have chills throughout every time I listen to it, and Lee delivers it with aplomb and a wonderfully soulful tone.....Lee Brice can sing. He can provide emotional performances. He can communicate with listeners. He can truly pick and write brilliant songs. But for the most part, this album isn’t any of those things, and it’s a crying shame.
Unfortunately, once we get past the title track opener, the second ‘No Better Than This’ hurls us back down to Earth with a bang, a swig of ice cold beer and a hearty helping of current trends....I really expected to enjoy this record, and I was looking forward to playing it for the next two years. But ‘No Better Than This’ kicks in with references to Snoop Dogg, bass bumping and his “baby’s butt”, lashings of auto-tune and more than a little influence from EDM. ....The same pervy-bar-hopper-disguised-as-romantic-guy narrative pervades on ‘Good Man’, some kind of pop/rap number with orchestral strings against hard drums and speed-rapping from Lee, loaded with rock instrumentation as it progresses and reminding of Linkin Park and Jay Z’s collaboration from some years ago....Closer ‘Panama City’ is probably my favorite, however. It begins with background chatter and is led in with piano, a sparse, stripped-back approach to shine the spotlight on a truly beautiful lyric. A nuanced love story, I have chills throughout every time I listen to it, and Lee delivers it with aplomb and a wonderfully soulful tone.....Lee Brice can sing. He can provide emotional performances. He can communicate with listeners. He can truly pick and write brilliant songs. But for the most part, this album isn’t any of those things, and it’s a crying shame.
Dustin Lynch earned his
best sales week, bowing at No.8 on the BB200 and No.2 on Top Country Albums
with his sophomore set, WHERE IT’S AT (Broken Bow/Broken Bow Music
Group), which entered with 30,866 sales. (Digital
sales made up 58% of the sum.)
His self-titled debut album began at No.13 on the BB200 and No.1 Country with 23,077 copies sold on Sept. 8, 2012 which at the time was the first debut album to enter the country chart at #1 since Scotty McCreery's CLEAR AS DAY in October 2011.The lead single and title track from the new release became Lynch’s first No.1 on Country Airplay chart
His self-titled debut album began at No.13 on the BB200 and No.1 Country with 23,077 copies sold on Sept. 8, 2012 which at the time was the first debut album to enter the country chart at #1 since Scotty McCreery's CLEAR AS DAY in October 2011.The lead single and title track from the new release became Lynch’s first No.1 on Country Airplay chart
Dustin
Lynch followed his 2012 self-titled album debut with this sophomore effort
produced by Mickey Jack Cones, Brett Beavers, and Luke Wooten, once again
released by Broken Bow Records. Lynch wrote or co-wrote five of the 15 tracks
here, infusing things with his traditional country vocals but working as well
in a stylish pop direction, adding touches here and there like urban beats,
occasional thrash guitar, and even Motown overtones, all while remaining very
much country.
Critical
reception for Dustin Lynch’s
“Where It's At”:
15
Tracks/ Time: 50:18 CD - Smart Choice Music - Amazon.com
Rollingstone Dustin Lynch's 'Where It's At' Album Reflects Years
of Personal and Musical Growth.....Country singer talks "mash-up"
collection inspired by country idols... and Beyoncé?
For The Country Record .....Dustin falls into the former, with a collection of party tracks ranging
from the obnoxiously bro for-the-sake-of-it living it up to tales of sex,
infatuation and even one or two that could be interpreted as love. ‘Hell of A
Night’, ‘To The Sky’ and ‘Right
Where We Want It’ are three examples of Dustin attempting to join the bro bandwagon that has already crashed, thrown its remains onto another cart and sped on down the road leaving him behind, or something..Of the sex-themed songs, there’s ‘Halo’ (which tries to make a “good” girl go bad… ie have sex with him, because it’s just for his benefit); ‘After Party’ (which invites a girl to have an “after-party” with him…subtle, Dustin. Subtle); ‘Mind Reader’ (which draws attention to a girl’s appearance and how she must be a mind reader because she’s doing everything he likes… because obviously, women are just there for a man’s benefit);...Overall, ‘Where It’s At’ didn’t surprise me or particularly touch me. Most of the songs I found to be so-so and forgettable, finding it easy to never choose to listen again, but most of them didn’t offend me (although as noted above, the sex narratives were quite annoying and skewed somewhat towards subtle cultural sexism). Three of the songs I would listen to if they came on the radio, but even then I wasn’t raving about them as soon as I heard them, desperate to share how good they are. Sometimes, you just fail to get excited about music, and this album is one of them.
Where We Want It’ are three examples of Dustin attempting to join the bro bandwagon that has already crashed, thrown its remains onto another cart and sped on down the road leaving him behind, or something..Of the sex-themed songs, there’s ‘Halo’ (which tries to make a “good” girl go bad… ie have sex with him, because it’s just for his benefit); ‘After Party’ (which invites a girl to have an “after-party” with him…subtle, Dustin. Subtle); ‘Mind Reader’ (which draws attention to a girl’s appearance and how she must be a mind reader because she’s doing everything he likes… because obviously, women are just there for a man’s benefit);...Overall, ‘Where It’s At’ didn’t surprise me or particularly touch me. Most of the songs I found to be so-so and forgettable, finding it easy to never choose to listen again, but most of them didn’t offend me (although as noted above, the sex narratives were quite annoying and skewed somewhat towards subtle cultural sexism). Three of the songs I would listen to if they came on the radio, but even then I wasn’t raving about them as soon as I heard them, desperate to share how good they are. Sometimes, you just fail to get excited about music, and this album is one of them.
Alabama with their new album ANGELS AMONG US: HYMNS AND
GOSPEL FAVORITES (Deluxe version sold at Cracker Barrel stores) it sold 8,000
copies at the notable restaurants to land at No.33 on the BB200 and No.6
Country.
Cracker Barrel Old Country Store announced the Sept. 8th release contained three exclusive bonus tracks not found on the regular edition. The album features some classic hymns, such as ‘The Old Rugged Cross’ and ‘I Saw the Light’ and the classic ‘I’ll Fly Away.’
Cracker Barrel Old Country Store announced the Sept. 8th release contained three exclusive bonus tracks not found on the regular edition. The album features some classic hymns, such as ‘The Old Rugged Cross’ and ‘I Saw the Light’ and the classic ‘I’ll Fly Away.’
The Brothers
Osborne made a debut with their new self titled EP selling just 1,600
copies to make a bow at No.23 on the Country chart.
With the sales discounting period over for last week’s Country Album #1 PLATINUM
from Miranda Lambert saw it slide
down 13-41 on the BB200 and 1-9 Country (sales down 59%)
Brad Paisley’s MOONSHINE
IN THE TRUNK fell back 14-27 on the BB200 and 2-4 Country selling just
9,000 copies (down 44%) in his third chart week.
In his second week at retail Frank Foster with his indie album Rhythm And Whiskey (Lone Chief
/ Malaco) fell 4-31 on the Country Chart with sales of 1,300 (sales down 86%;
2-week total 10,300)
In his 48th chart frame on the Billboard Country charts Scotty McCreery has now sold
almost ¼ million copies of his album SEE YOU TONIGHT (19/Interscope/Mercury | UMGN) selling another 800 copies this
week to reach 249,500. At that present rate it will take another 6-years to get
to GOLD! Another indication in the decline of album sales and a far cry from
the American Idol Winners debut CLEAR
AS DAY which opened with 196,739 debut sales; No.1 Billboard Top 200 which was certified
Platinum with sales some time back reaching 1.166 million.
Of Note: Justin
Townes Earle often link to the Americana movement made a debut at No.56 on the BB200
and No.19 on the Billboard Top Rock Albums selling 5,300 copies with the 22nd Sept 2014 release of SINGLE MOTHERS (Vagrant)
After two and a
half years since his last release, Justin Townes Earle returned to announce his
fifth studio album (and first ever on Vagrant Records!). Blurb: Single Mothers is comprised of ten tracks that showcase exactly
why Justin Townes Earle is considered a forefather of Contemporary Americana.
As a recently married, sober man JTE writes from a point of maturity and
content we’ve not seen before on past records. “One day I just realized it’s
not cool to die young, and it’s even less cool to die after 30,” Justin laughs
as he reflects on a life past and his new found clarity. What he’s created is
an album that’s raw, honest and personal in a way he hasn’t touched upon since
his debut EP, Yuma.
Critical
reception for Justin Justin Townes
Earle “Single Mothers”:
Rollingstone (Rating: 3 STARS) Justin
Townes Earle has kicked some addictions, but to judge from these new tracks,
women still grip him in their throes. "Picture in a Drawer" is a
girlfriend-gone crying session directed into the lap of the singer's mom;
"White Gardenias," with Billie Holiday's trademark flora and
references to her hometown, channels one of her aching ex-lovers. Earle's
old-timey country and folk sound tilts toward blues and rock here (the
pedal-steeled soul of "Worried Bout the Weather"; the Stonesy guitar
swagger of "Burning Pictures"). And his phrasing, always nuanced, is
more emotive than ever. It suggests a life where songs are the only painkillers
that still work.
2014 Country Album sales Year-To
Date:
20,715,000 (Physical sales 13,742,000 (down 9%) + Digital
sales 6,973,000 (down -15.6%)) which is 22.7% down at the same point in 2013 (26,804,000
sales)
Billboard Top 200 / Country Album Placings
(Issue dated Chart week of September 27, 2014)
(Country Album positions #1 - #25)
(TW) This Week, (LW) Last Week,
Co (Country Album Chart placing / Movement)
Billboard Top
Catalog Albums
Milestones: Jason Aldean's "Night Train" (#27 Catalog rank) reaches 100 weeks overall on the Billboard 200 moving 136-143, the last three weeks as a Catalog album. It has been on the chart without fail since its release in October 2012. To put that in perspective that’s many weeks more than Taylor Swift’s RED which was released one week later. RED had a 78-week run on the BB200 before moving to Catalog and only recently reappeared on the Billboard 200 after a long absence.
Milestones: Jason Aldean's "Night Train" (#27 Catalog rank) reaches 100 weeks overall on the Billboard 200 moving 136-143, the last three weeks as a Catalog album. It has been on the chart without fail since its release in October 2012. To put that in perspective that’s many weeks more than Taylor Swift’s RED which was released one week later. RED had a 78-week run on the BB200 before moving to Catalog and only recently reappeared on the Billboard 200 after a long absence.
Luke Bryan's "Tailgates & Tanlines" and Blake Shelton's
"Loaded: The Best Of Blake Shelton" are two of only four albums to
spend all of 2014 so far on the Catalog chart.
Top 25 Hot Country Songs (week of September
27, 2014)
On Billboard’s Hot Country Songs chart - which blends:
a)
All-format airplay, as monitored by BDS
b) Sales,
as tracked by Nielsen SoundScan and
c) Streaming,
(tracked by Nielsen BDS from such services as
Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) according
to BDS it results in:
- Jason Aldean bagged
a eighth straight week atop Hot Country Songs with “Burnin’ It Down” (Broken Bow) which tied for the longest No.1
streak in 2014. Luke Bryan’s “Play It Again” logged eight straight weeks
on top (and nine overall) beginning on April 26. The track also leads
Country Digital Songs for an eighth straight week (78,000 sold) and tops
Country Streaming Songs for a sixth consecutive frame (2.9 million streams,
up 9%)
- Aldean also bagged the Hot Shot Debut at No.18 with
“Two Night Town” another
preview track from his album OLD BOOTS, NEW DIRT, due Oct. 7.
- Dustin Lynch reached
a new peak (6-4) following a No.12 peak on the July 12 Country Streaming
Songs tally, the track bulleted on the week’s list (dated Sept. 27) at
No.14 with 825,000 U.S streams, up 7%.
Top 25 Hot Country Songs:
Jason Aldean with “Burnin’ It Down” stays Top the chart!
Florida Georgia Line with former #1“Dirt” holds at #2
Kenny Chesney with “American Kids” holds at #3
Dustin Lynch with “Where It’s At” (Yep, Yep) climbs two, #6 - #4 p
Luke Bryan with “Roller Coaster” sticks
at #5
Sam Hunt with “Leave The Night On” is up one, #7 - #6 p
Lady Antebellum with “Bartender” falls three #4 - #7 q
Cole Swindell with “Hope You Get Lonely Tonight” a non-mover at #8
Miranda Lambert and Carrie Underwood’s former #1 “Somethin’ Bad” up, #10 - #9 p
Blake Shelton with “Neon Light” is up three slots, #13 - #10 p
Dierks Bentley with “Drunk On A Plane” falls two, #9 - #11 q
Chase Rice with “Ready Set Roll”
holds at #12
Frankie Ballard with “Sunshine & Whiskey” lifts one, #14 - #13 p
Tim McGraw feat Faith
Hill with “Meanwhile Back At Mama’s” falls three, #11 - #14 q
Maddie & Tae with “Girl In A Country
Song” is up one #16 - #15 p
Little Big Town with “Day Drinking” climbs one, #18 - #17 p
Jason Aldean with “Two Night Town” debuts at #18 NEW
Keith Urban with “Somewhere In My Car” is up one, #20 - #19 p
Big & Rich with “Look At You” climbs four, #24 - #20 p
Eric Church with “Cold One” lifts one, #22 - #21 p
Jason Aldean with “Sweet Little Somethin' falls five, #17 - #22 q
Parmalee with “Close Your Eyes” is up five, #28 -
#23 p
Scotty McCreery with “Feelin’ it” moves up three, #27 -
#24 p
Brett Eldredge with “Mean To Me” lifts eight, #33 - #25 p
Hot County Songs
** No.1 (8 weeks) ** “Burnin’
It Down” Jason Aldean
** Streaming Gainer ** No.10
“Neon Light” Blake Shelton
** Hot Shot Debut ** No.18
“Two Night Town” Jason Aldean
** Digital Gainer ** No.25
“Mean to Me” Brett Eldredge
Debut No.27 “The Big
Revival” Kenny Chesney
Debut No.35 “I Did With You”
Lady Antebellum
Debut No.41 “Baby Be My Love
Song” Easton Corbin
Debut No.49 “Lonely Eyes”
Chris Young
Billboard
Country Airplay Chart Week of September 27, 2014
Dustin Lynch collected his first No.1 in four attempts
on Billboard’s Country Airplay chart, as “Where
It’s At (Yep, Yep)” (Broken Bow) logged 48.630 million audience impressions (+2.627 milion; up 6%) and
received 7,493 radio plays (+556) and jumped 3-1 in its 26th chart week.
Radio Advert Click to Enlarge |
He’s just the
second artist this year to reach No. 1 for the first time as a lead artist,
following Frankie Ballard’s “Helluva Life,” which topped the March 29 list.
Previously,
Lynch came closest to the summit with “Cowboys and Angels,” his debut single,
which peaked at No.2 on the Oct. 13, 2012 chart. He followed with a No.16 peak
for “She Cranks My Tractor” (April 6, 2013). In January, he rose to No. 23 with
“Wild in Your Smile.”
Top local
audience exposure for “Yep” during the Sept. 8-14 tracking week: KKBQ Houston (1.4 million impressions),
WNSH New York (1.2 million), WUBL Atlanta (1.1 million), WUSN Chicago (1.1 million) and KKGO Los Angeles (1.1 million).
- Brantley Gilbert
claimed his fourth Country Airplay top 10 with “Small
Town Throwdown” (featuring Justin Moore and Thomas Rhett) (Valory),
which advanced 12-10 (27.5
million audience impressions, up 3%). Gilbert had last reached the upper
region with “Bottoms Up,” which became his third No. 1 on the May 10
chart. Both tracks are from Gilbert’s third album, JUST AS I AM.
- Jason Aldean with “Burnin’ It Down” moved 9-7 and
snagged Most Increased Audience stripes logging 35.114 million audience
impressions, a gain of +3.258
million and received 5,634 radio plays (+556).
- Easton Corbin set a
career-high debut with “Baby Be My
Love Song” (Mercury), which opened at No. 53 drawing the week’s Hot Shot Debut honours.
It surpassed his No. 54 starts with “I Can’t Love You Back” (Nov. 27,
2010) and “Clockwork” (Feb. 15). Corbin’s chart history includes four top
10s and two No.1s. He’d most recently hit the top tier with “All Over the
Road,” which peaked at No. 3 (Sept. 14, 2013), and he last reached No. 1
with “Roll With It” (Oct. 30, 2010). The new song is the lead track from
his upcoming third album.
- Brad Paisley nabbed
the Most Added trophy
with “Perfect Storm” (Arista
Nashville), which leapt 43-31 in its fourth chart week. The track logged
1,355(+659) radio plays thanks to 48
fresh radio commitments (ADDS)
Women of
Country 2014 Watch:
There were no
solo female artists on the Top 30 Country Airplay songs
Miranda Lamberts’ duet with Carrie Underwood Somethin’ Bad” climbed 11-9. “Girl
In A Country Song” by Maddie & Tae rose 24-19
RaeLynn #36,
Jana Kramer #40, Lindsay Ell #54, Lucy Hale #55 and Kelleigh Bannen #59 were
the five solo females in the remaining 31-60 slots, to make it just 8.33% of
the entire Top 60 chart.
Country
Airplay
*** No. 1 (1
week) *** "Where It’s At (YEP,YEP) Dustin Lynch
** Most
Increased Audience ** No.7 “Burnin’ It Down” Jason Aldean
** Most Added **
No.31 “Perfect Storm” Brad Paisley
** Hot Shot Debut
** No.53 “Baby Be My Love Song” Easton Corbin
Debut No.59
"You Are What You Love” Kelleigh Bannen
Debut No.60 “Lay
Low” Josh Turner
Billboard
Country Digital Singles Chart Week of September 27, 2014
Jason Aldean Dominates with
three tracks inside the Top 10.
- Jason Aldean's "Burnin' It Down" (Broken Bow / BBMG) held at No.1 with 78,000
downloads sold (down less than 1%) and climbed 11-8 on the all genre Digital
Songs chart in its eighth chart frame. His new track “Two Night Town” arrived
at No.2 shifting 53,000 downloads and replaced his other preview track “Sweet Little Somethin’” which fell
2-6 in its second week (selling 38,000 copies down 38%) from his album OLD
BOOTS, NEW DIRT, due Oct. 7.
- Maddie & Tae, the week’s Riser with “Girl In A Country Song” moved into the top 10 with a 15-9 lift in their
9th chart week (sales up 19%)
- New album preview tracks from Kenny Chesney “The Big
Revival” (21,000 copies sold), Lady Antebellum’s “I Did With You” (19,000 sales) along with Easton Corbin’s “Baby Be My Love Song” (15,000
copies) made their debuts at Nos 14,
16 & 21
Women Of Country Watch
There were no solo female artists on the Top 30 placings. On the
Top 50 the lone female was RaeLynn with “God Made Girls” which climbed 44-39
Dropping off the Top 30:
22 - Off The Top 50
Lee Brice “Good Man”
30-32 Justin Moore “Home Sweet Home”
18-33 Tim McGraw “Overrated”
27-40 Brad Paisley “River Bank”
Top 30 Digital Singles in Country Music
(published September 18, 2014)
(LW) Last Week (TW) This Week
Country Aircheck/ Mediabase chart
Kenny Chesney moved 2-1 to land the No1 on Mediabase with “American
Kids” (Blue Chair/Columbia). The song logged 7,906 radio spins (+297) and 56.407
million audience impressions (+1.413 million) from 149 tracking stations
for the tracking week September 7 to September 13, 2014 and published chart
September 15th.
Congratulations
to to Columbia Nashville’s VP/Promotion Norbert Nix, Dir./National’s David
Friedman and RJ Meacham and the entire COLUMBIA promo team for scoring the week’s
#1 single on the MEDIABASE Country singles charts with Kenny Chesney’s
"American Kids." The single is the first release from Kenny’s "The
Big Revival" album, which will hit stores on Tues, Sept 23rd. This marks his
25th time atop the MEDIABASE chart. His last #1 single was "Come
Over" in August 2012. Sweet treats were due to be delivered to the Columbia
Nashville office (Sept 15) to celebrate the staff's success.
Congratulations also to BBR Music Group EVP Jon Loba, SVP Carson James, Broken Bow VP/Promotion Lee Adams and the entire Broken Bow promotion staff for earning 33 MEDIABASE Country adds (sept 15th) with Jackie Lee's "She Does." Those adds gave Lee the "Most Added" title for the week. Bagels were due to be delivered to the Broken Bow office (Sept 16) to congratulate the staff on their success.
Country Trivia: Jackie Lee used to be an American Idol contestant (Season 8) when he was 17 yrs old under the name Jackie Midkiff at this time
>> To hear why the
radio programmers added the song to their station playlists checkout the new
single “She Does”:
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