Country Billboard Chart
News October 2, 2014
RIAA Certifications
Platinum = Sales of over
1-million units
Gold = Sales of over 500,000
units
Dierks Bentley's single “Drunk On A Plane” (PLATINUM)
In Brief: Billboard Country Charts
Country Album Chart ** No. 1
(1 week) "The Big Revival” Kenny Chesney
Hot Country Songs ** No.1 (10 weeks) ** “Burnin’ It Down” Jason Aldean
Country Airplay ** No.1 (1 week) ** “Hope You Get Lonely Tonight” Cole
Swindell
Country Digital Songs **
No.1 ** (1 week) ** "Tonight Looks Good On
You" Jason Aldean
In this easy-to-use format
discover where your favourite acts songs and album are charting across the four
Billboard Country charts. It is prioritized by the first column showing the Hot
Country Songs chart frame standings for the week of October 11, 2014.
There are also separate rows
highlighting Women of Country music.
Scroll down for further
details on each of the individual charts.
Billboard Top
200 / Country Album Chart News
Tony Bennett and Lady
Gaga's jazzy new duets album, CHEEK TO CHEEK, made a debut at No. 1 on the Billboard Top 200 Album Chart (BB200).
It's the second No.1 for Bennett and the third for Gaga. The standards album,
released Sept. 23 on Streamline/Interscope/RPM/Columbia Records, sold 130,521 copies in the week ending Sept.
28, according to Nielsen
SoundScan. It
also hit No. 1 on both the Jazz Albums and Traditional Jazz Albums charts.
88-year old
Bennett is the oldest living act to earn a No.1 album, beating a record he set
himself back in 2011. That year, a then 85-year old Bennett scored his first
No. 1 album with Duets II (which included a collaboration with Gaga on
"The Lady Is a Tramp"). Gaga previously led the list with ARTPOP,
less than a year ago, and Born This Way, in 2011.
There was a
tight race for No.1 on the Billboard 200, as three albums were vying for the
pole position. “Cheek To Cheek” edged out Kenny Chesney's debut by 851 copies as THE
BIG REVIVAL (Blue Chair/Columbia) blew in at No.2 (129,670 copies sold).
Last week's No. 1, Barbra Streisand's own
duets album, Partners, slipped 1-3 with 127,368 copies sold (down just 35%) This
is the first chart week in which three albums have each sold 125K or more
copies since the week ending Dec. 22, 2013 when albums by Beyonce, Garth Brooks and One Direction were
riding high.
For Chesney, “The
Big Revival” is his 12th top 10 effort and followed 2013's No.1 debut LIFE
ON A ROCK (152,805 sold in its first week). On the Billboard
Top Country Albums chart, The Big Revival landed at No.1 to mark Chesney's lucky 13th leader.
Kenny Chesney's
The Big Revival debuts at #2 (130K). It’s his 12th top 10 album. The album also
enters Top Country Albums at #1, displacing Tim McGraw's SUNDOWN
HEAVEN TOWN which fell 3-13 on the BB200 (1-2 Country, sales down 68%).
It’s Chesney’s 13th #1 on that chart. In Canada he made a debut at #6 selling 4,700
copies.
The coronation
lifts Chesney to a tie with Garth Brooks and Alan Jackson for the third-most
No.1s since Top Country Albums
adopted SoundScan data on the May 25, 1991 chart. George Strait leads with 16
toppers in that span, followed by Tim McGraw (15). Aside from a No.52-peaking “Super
Hits” in 2009 and a No.4 peak for 2003’s “All I Want for Christmas Is a Real
Good Tan”, Chesney has topped the tally with 13 consecutive releases (including
two best-of sets and concert recording Live: Live Those Songs Again). His
streak started with 2000’s Greatest Hits, which spent its first two weeks at
No. 1. He last missed the summit with his fourth charted album, 1999’s “Everywhere
We Go”, which debuted and peaked at No.5. His debut, “All I Need to Know”,
peaked at No. 39 in 1995. He followed with his first top 10, 1996’s “Me and You”
(No. 9), and 1997’s “I Will Stand” (No.10).
With 28.7
million U.S. album sales, Chesney is the seventh-bestselling country albums
artist since SoundScan began tracking sales. Garth Brooks leads the genre
(and all acts) with 69.6 million, followed by Strait (45.3 million), McGraw
(42.2 million), Shania Twain (34.4 million), Reba McEntire (30.3 million) and
Toby Keith (30.2 million).
Chesney's last
studio album “Life on a Rock” (his 16th) released on April 30, 2013 sold 152,805 copies (86,413 Physical copies + 66,392 Digital albums) in
its first week for the chart week of May 18, 2013. Before that he landed No.2 on
the BB200 with WELCOME TO THE FISHBOWL, which shifted 193,938 copies (chart week June 27, 2012). That marked Chesney's
best sales week since 2007's "JUST WHO I AM: POETS & PIRATES" which
started with 387,000 at No.3.
Critical
reception for Kenny Chesney's The Big
Revival:
11
Tracks/ Time: 39:49 CD - MP3 - UK iTunes - Smart Choice Music - Amazon.com
Billboard (Rating; 3.5 STARS) ...He began bringing the beach to landlocked
flyover states more than 20 years ago, long before today's bros could legally drive
a pickup or the Zac Brown Band dipped its toes in the water. He sells a
lifestyle that, if not downright hedonistic, celebrates making the most of
every moment. Chesney returns to that sentiment again and
again on his 15th
studio album, The Big Revival. He's referring to life, not liquor, on
"Drink It Up," while "Beer Can Chicken" isn't a recipe --
it's a reminder to embrace the "little things that make life worth
living." Chesney bookends The Big Revival with two stories about
entertainers preaching their own gospel. The stomping opening title track tells
of a mountainside tent meeting led by a Pentecostal minister ("Praise the
Lord and pass me a copperhead"). But the Word is much more personal on the
album's closer, "If This Bus Could Talk." One of a handful of tracks
that Chesney co-wrote, the song chronicles the artist's career on the road.
"Twenty years of summers, and I hope it never ends," he sings,
looking back on a travelogue of hopes, heartaches and high points. It's an
intimate, sentimental love letter to all his fans -- even those who haven't
been on the journey since that first night in 1993 when Chesney opened for
Patty Loveless.
Rollingstone (Rating; 3.5 STARS) ..Here, he's back on more solid country
ground with his strongest collection of songs since 2010's career-defining
Hemingway's Whiskey. Whether he's making a religious leap of faith ("The
Big Revival") or trying to make the most of his limited days on this
lonely planet ("Til It's Gone") or just tailgating before a big
college football game ("Flora-Bama"), country's number-one beach bum
continuously brings a sense of musical energy and emotional urgency his previous
easygoing albums
have sometimes lacked. Even paint-by-numbers moments like "Beer Can
Chicken," a catchy echo of the hit "Chicken Fried" by Chesney
imitator Zac Brown, are worth bringing out the grill for.
Big & Rich (Big Kenny and John Rich), collected
their fifth Top Country Albums top 10, as GRAVITY
(B&R/Kobalt) debuts at No.51 on the BB200 and No.8 Country (7,000 sold). They last reached the
region with the No.4-peaking HILLBILLY JEDI (Warner Bros. Nashville) which was
released on September 18, 2012. It opened at #25on the BB200 selling 16,457
copies.
Critical
reception for Big & Rich’s “Gravity”:
11
Tracks CD - UK iTunes - Amazon.com
Allmusic (Rating; 3.5 STARS)...Arriving a decade after their smash 2004
debut, Horse of a Different Color, Gravity abandons the gonzo party schtick
that has been their stock in trade
since the beginning (they return to their
roots for "I Came to Git Down," positioned at the end and playing
like an afterthought) for soft melodies and smooth surfaces. It's country with
adult contemporary aspirations and, old pros that they are, Big & Rich know
how to craft this kind of music.... they've never indulged in pop as they do
here, churning out song after song of easy, insistent melodies wrapped in
glassy surfaces. Two things occasionally puncture the
mood. Sometimes, Rich's politics surface
unexpectedly ... They still harmonize like they're smirking at a shared joke,
their roughness providing not grit but an irritant in this romantic setting.
Nevertheless, this is a minor point: it's possible to hear Gravity through
those harmonies and appreciate it as the finely constructed piece of adult
contemporary it is.
Texas country
outfit the Josh Abbott Band made a debut at No.58 on the BB200
(No.12 Country) with their TUESDAY NIGHT EP (Atlantic Records) selling 5,500 copies.
The band is composed of
Josh Abbott (vocals, guitar), Austin Davis (banjo), Preston Wait (fiddle,
guitar), Edward Villanueva (drums), James Hertless (bass guitar) and Caleb
Keeter (guitar).
This first major
label project was inspired by hard-partying and girl-chasing college years! The
whole rhetoric behind this EP — and full album to come next year — is having
fun, specifically what it was like in those college years," says Abbott,
who formed the group eight years ago as a student at Texas Tech. "'Hangin'
Around' is a 2 a.m., 'what are you doin', do you want to come over?' song.
'Where's the Party' kicks you in the teeth at live shows… 'Tuesday Night' makes
you want to sit on a patio with a beer and tacos immediately. 'She Don't Break'
is a sequel to 'She Will Be Free,' and encourages girls to not let some asshole
get the best of them. Finally, 'Blush' is a sweet charmer about the beauty of a
girl putting in the effort to get ready for the night. These songs line up with
what we do, and that is to show up, entertain, swoon and own that stage."
Lee Ann Womack after a long absence made a debut at
No.99 (#18 Country) selling a
disappointing 3,400 copies of
her highly acclaimed album THE WAY I'M LIVIN' (Sugar
Hill). Now on a small Inde label and losing country airplay on the Billboard
monitored stations has not helped its cause.
Rollingstone writes: The harsh realities of the ever-changing music business often mean that
in spite of an artist's obvious talent, they're forced to trudge through a
number of circumstances
beyond their control which conspire to delay the
release of new music. Long regarded as one of country music's finest female vocalists,
Womack finally returned with her first new album since 2008's Grammy-nominated “Call
Me Crazy”. Produced by Womack's husband, Frank Liddell, famed for his work with
Miranda Lambert, among others, the new album marks Womack's debut on Sugar Hill
Records.
"I wanted songs that talked
about how life really is, the raw spots, the tough places, the meltdowns and
messy parts," says the singer. "Hard, sad, rough… all the stuff people pretend doesn’t exist! Because
once you embrace that, you can figure out what to do... or not do."
In 2005, she
released her fifth studio album THERE'S MORE WHERE THAT CAME FROM which many
people in the music industry called the album, "a return to
tradition," winning the Country Music Association's "Album of the
Year" award in 2005.
Her previous sixth
studio album CALL ME CRAZY released Oct 21, 2008 via MCA Nashville Records made a Country
debut at #4 (#23 BB200) selling 16,915 copies on
the chart week Nov 8, 2008 and then 7,802 in its second.
Lee Ann left her
longtime label, Universal Music Group (UMG), after more than 14 years with the
record company’s MCA imprint. The songstress, who has scored more than 20 Top
40 singles and sold over five million albums in the last 14 years, maintained
she was optimistic about her future - “[I'm] so appreciative to the wonderful
MCA staff for giving me their all from my first days at Decca, through ‘I Hope
You Dance,’ the awards for ‘I May Hate Myself in the Morning’ and There’s More
Where That Came From,” said the angelic-voiced singer (quote via Country Weekly).
Critical
reception for Lee Ann Womack’s The Way I'm Livin':
13
Tracks/ Time: 46:10 CD - MP3 - UK iTunes - Smart Choice Music [16 tracks, Walmart US Exclusive Deluxe,
£17.99] Amazon.com
Vinyl / Autographed Poster - Sugar Hill Records Store – Packaging Image CD & Vinyl
The Telegraph (Rating: 4 Stars) ....And
what terrific singing it is, too. Listen to the way she brings out the pain and
uncertainty in classy compositions such as the biting Chances Are (Hayes Carll)
and Neil Young's aching song of despair, Out on the Weekend. The 48-year-old
from Jacksonville, Texas, also covers songs by Mindy Smith, Chris Knight, Buddy
Miller, Mando Saenz and Grammy Country Song of the Year nominee Adam Wright.
She also records two songs by Bruce Robison, including an excellent version of
Nightwind. It's great to have Lee Ann Womack back with such a sad and lovely
album, which has an eye-catching cover.
Billboard track-by-track review (Rating: 4 STARS) ..The answer is a very definitive one, as the
Texas native reclaims her spot as one of country's most expressive and
distinctive vocalists.
Billboard by Chuck Dauphin ...It’s
hard to believe, but it has been six years since Womack has been represented
with a new album. And, to be honest, it’s a totally different world than it was
in 2008 when she released Call Me Crazy. That’s not a praise or an indictment,
just a simple stating of the facts. However, be that as it might be, when you
hear the stunning prelude to the album, “Fly,” it sounds as sweet and as
welcome as an old friend. She sounds as gorgeous yet vulnerable as she ever
has. It is a definite return to form....And, it gets only better from there.
“All His Saints” offers a blistering vocal approach to a track with spiritual
overtones – something that should be familiar to Womack fans through songs like
“Get Up In Jesus’ Name” and “Stubborn.”......With all the changes in the
Country Music landscape, mainstream radio might be a little tough to pick up
here. And….that is an indictment. After all, when you hear something as real,
as raw, as passionate as the tender and yearning “Nightwind,” you just might
tend to get a little mad that it can’t all be like this. But, if it were,
things would be a little bit boring – and my time would be a lot more limited –
because writing 800 word reviews takes a lot of time. But, in this case, every
word is warranted – and deserved. Welcome back, Lee Ann Womack. But don’t make
it six years again. Like a fine wine, this spoils us a little too much!
2014 Country Album sales Year-To
Date:
21,869,000 (Physical sales 14,525,000 (down 9%) + Digital
sales 7,343,296 (down -14.9%)) which is 22.0% down at the same point in 2013 (28,035,000
sales)
Billboard Top 200 / Country Album
Placings
(Issue dated Chart week of October 11, 2014)
(Country Album positions #1 - #25)
(TW) This Week, (LW) Last
Week, Co (Country Album Chart placing / Movement)
Billboard Catalog Albums Chart (week of October 11, 2014)
This
Week, Last Week, 2 Weeks Ago, Title, Artist (Total Weeks on Catalog)
#1
1 - The Ultimate Hits, Garth Brooks (59)
#2
2 5 The Legend Of Johnny Cash, Johnny Cash (109)
#4
3 8 Red River Blue, Blake Shelton (61)
Garth Brooks fell back to #42 on the Billboard
200 (8,000 sales) with the re-issued Garth Brooks' 2007 hits collection but retained
the #1 position by a long way over Johnny Cash's
"The Legend Of Johnny Cash" which spent its 50th straight week
on the Billboard 200. It's been off the Catalog chart for only one week since
December 29, 2012.
Top 25 Hot Country Songs (week of October
11, 2014)
On Billboard’s Hot Country Songs chart - which blends:
a)
All-format airplay, as monitored by BDS
b) Sales,
as tracked by Nielsen SoundScan and
c) Streaming,
(tracked by Nielsen BDS from such services as
Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) according
to BDS it results in:
Jason Aldean lead the Hot Country Songs for a 10th week
with “Burnin’ It Down” (Broken Bow).
The song is just the 15th No. 1 to reign for a double-digit weeks count since
the chart was designed as a multimetric ranking in 1958. (It’s the fourth such
leader since Hot Country Songs adopted its present
sales/airplay/streaming-based methodology in October 2012.) The last song to
spend more weeks at #1 was Luke Bryan's “That's My Kind Of Night,” which spent
12 weeks on top last year.
Aldean also landed the
chart’s Hot
Shot Debut at No. 8 with “Tonight
Looks Good on You,” which arrived as his fifth No.1 on Country Digital
Songs (90,000). It’s the fifth charted preview track (including “Burnin’ ”) to
hit Hot Country Songs from his Oct. 7 album OLD BOOTS, NEW DIRT.
On The Billboard Hot 100 “Burnin’”rebounded
from #21 to #19 in its 10th week. The song has climbed as high as #12. Aldean
also had the week's second-highest new entry on the Hot 100, with a debut at
#53.
Top 25 Hot Country Songs:
Jason Aldean with “Burnin’ It Down” stays Top the chart!
Florida Georgia Line with former #1“Dirt” holds at #2
Kenny Chesney with “American Kids” holds at #3
Sam Hunt with “Leave The Night On” was a non-mover at #4
Luke Bryan with “Roller Coaster” was
stationary at #5
Blake Shelton with “Neon Light” is up two slots, #8 - #6 p
Cole Swindell with “Hope You Get Lonely Tonight” stays at #7
Jason Aldean with “Tonight Looks Good On You” debuts at #8 NEW
Chase Rice with “Ready Set Roll”
climbs two, #12 - #10 p
Dustin Lynch with “Where It’s At” (Yep, Yep) drops four, #6 - #10 q
Miranda Lambert and Carrie Underwood’s former #1 “Somethin’ Bad” holds #11
Lady Antebellum with “Bartender” falls three #9 - #12 q
Frankie Ballard with “Sunshine & Whiskey” lifts one, #14 - #13 p
Maddie & Tae with “Girl In A Country
Song” is up one, #15 - #14 p
Keith Urban with “Somewhere In My Car” climbs four, #19 - #15 p
Brantley Gilbert with “Small Town Throwdown” is up one, #17 - #16 p
Dierks Bentley with “Drunk On A Plane” falls four, #13 - #17 q
Little Big Town with “Day Drinking” stays at #18
Florida Georgia Line with “Anything Goes” debuts at #19 NEW
Tim McGraw feat Faith
Hill with “Meanwhile Back At Mama’s” falls, #16 - #20 q
Big & Rich with “Look At You” sticks at #21
Scotty McCreery with “Feelin’ it” is up two, #24 - #22 p
Parmalee with “Close Your Eyes” is down one, #22 -
#23 q
Brad Paisley with “Perfect Storm” climbs three, #27 -
#24 p
Tim McGraw with “Shotgun Rider” holds at #25
Hot County Songs
** No.1 (10 weeks) ** “Burnin’
It Down” Jason Aldean
** Digital Gainer ** No.2
“Dirt” Florida Georgia Line
** Hot Shot Debut ** No.8 “Tonight
Looks Good On You” Jason Aldean
** Streaming Gainer ** No.15 “Somewhere
In My Car” Keith Urban
** Airplay Gainer ** No.25
“Shotgun Rider” Tim McGraw
Debut No.19 “Anything Goes” Florida
Georgia Line
Debut No.35 “Sangria” Blake
Shelton
Debut No.44 “Buzzin'” Blake
Shelton featuring RaeLynn
Debut No.48 “Something InThe
Water” Carrie Underwood
Billboard
Country Airplay Chart Week of October 11, 2014
Cole Swindell celebrated his first No.1 as “Hope You Get Lonely Tonight” (Warner
Bros./WMN) rose 2-1 in its 30th chart week. The song logged 50.609 million audience impressions
(+1.644 million) and received 7,995
radio plays (+412).
The song written by Cole Swindell, Brian Kelley, Tyler
Hubbard and Michael Carter was first released on March 24, 2014 as the second
single from Swindell's self-titled debut album (No.3 Billboard 200 & No.2
Country entry dated March 8 with 63,247 copies sold). The start for Swindell also
scored the highest debut for a new country male artist since Scotty
McCreery bowed at No.1 with his first album, Clear as Day, in 2011
Bronwood,
Georgia native Cole reached No.2 with his breakthrough single and first entry
on Billboard’s Country Airplay chart, “Chillin’ It,” in March.
Swindell’s
maiden coronation with a 3% gain to 50.6 million made chart history in the week
ending Sept.28, “Hope” posted the biggest weekly audience sum since the chart
switched from ranking total plays to audience impressions in January 2005. The
figure tops that of the previous week’s leader, Dustin Lynch’s “Where It’s At
(Yep, Yep)” (Broken Bow), which rewrote its own mark with 50.3 million. “Where”
dropped 1-5 after two weeks at No.1 with an 18% dip to 41.5 million in
audience. Top local audience contributors to Swindell’s record-breaking frame: WUSN Chicago (1.6 million impressions),
KKBQ Houston (1.4 million), WNSH New York (1.3 million), WUBL Atlanta (1.2 million) and KPLX Dallas (992,000).
- Blake Shelton freshened
the Country Airplay top 10 as “Neon
Light” leapt 12-8 in just its sixth week, tying for the fastest climb
to the top tier of his 13-year chart career and the speediest ascent by
any act this year. Shelton first roared to the top 10 in six weeks
with “Honey Bee,” which went on to a four-week reign in 2011, and repeated
the feat with “Boys ’Round Here” (featuring Pistol Annies & Friends),
which led for a week in 2013. Among all artists in 2014, the four fastest
flights to the top 10 have made their arrivals in the region since August:
Shelton’s rise follows six-week jaunts by Kenny Chesney’s “American Kids”
(Blue Chair/Columbia Nashville) on Aug. 9, Florida Georgia Line’s “Dirt”
(Republic Nashville) on Aug. 30 and Jason Aldean’s “Burnin’ It Down”
(Broken Bow) on Sept. 13. “Light” introduces Shelton’s ninth studio set,
Bringing Back the Sunshine (Sept. 30).
- Tim McGraw with “Shotgun
Rider” moved 31-24 in his 4th chart frame and snagged both Most Increased Audience and Most Added stripes logging 11.508 million audience
impressions, a gain of +4.135
million and received 1,819 radio plays (+640) thanks to 37 fresh radio commitments (ADDS)
- Kenny Chesney with "Til
It’s Gone” landed the week’s Hot Shot Debut honours with his No.40 first week bow
Women of
Country 2014 Watch:
There were no
solo female artists on the Top 30 Country Airplay songs
Miranda Lamberts’ duet with Carrie Underwood Somethin’ Bad” rose 11-10. “Girl
In A Country Song” by Maddie & Tae climbed one 17-16
RaeLynn #36,
Jana Kramer #39, Lindsay Ell #52, Trisha Yearwood #53, Lucy Hale #55 and Kelleigh
Bannen at No.59 were the six solo females in the remaining 31-60 slots, to make
it just 10.0% of the entire Top 60 chart.
Country
Airplay
Country Airplay
*** No. 1 (1
week) *** "Hope You Get Lonely Tonight” Cole Swindell
** Most
Increased Audience/ Most Added ** No.24 “Shotgun Rider” Tim McGraw
** Hot Shot Debut
** No.40 "Til It’s Gone Kenny Chesney
Debut No.58
"When I’ve Been Drinkin’” John Pardi
Debut No.60 “Broken
Windshield View” Chris Lane
Billboard
Country Digital Singles Chart Week of October 11, 2014
- Jason Aldean's new track "Tonight Looks Good On You" made
a bow at No1 with 90,000 downloads sold replacing his own 9 week #1 “Burnin’
It Down’” (stationary sales) which moved 1-2 (77,000 sold, 10-week
total 970,000) . Over on the all genre Digital Songs chart “Tonight” made a debut at
No.6 4 slots behind Taylor Swift's "Shake
It Off" which fell 1-2 with 224,000 (down 24%) she also held at #2
for the fourth week in its sixth week on the Hot 100. The song topped the
2 million mark in digital sales this week.
- The week’s chart shows
a sprinkling of presale/ preview iTunes downloads from Jason Aldean, Florida
Georgia Line (FGL) and Blake Shelton with Jason holding down four
of the Top 10 slots, FGL (3) and Shelton (2) who shifted 23,000 copies of
latest track “Sangria” after one week of iTunes pre-sales to land at No.9
- Dierks Bentley's 22-week “Drunk On A Plane” (18-23) sold
another 16,000 copies to top the 1 million mark in digital sales and land
a PLATINUM
selling single this week, the song reached #27 on the Hot 100.
Women Of Country Watch
There were no solo female artists on the Top 30 placings. On the
Top 50 the lone female was RaeLynn with “God Made Girls” which fell 40-42
Dropping off the Top 30:
27-32 Brantley Gilbert feat Justin Moore - “Small
Town Throwdown”
26-33 Sam Hunt - “Break Up In A Small Town”
13-34 Blake Shelton f. Ashley Monroe - “Lonely
Tonight”
30-36 Brett Eldredge - “Mean To Me”
29-43 Eric Church - “Cold One”
Top 30 Digital Singles in Country Music
(published October 2, 2014)
(LW) Last Week (TW) This Week
*Numbers are
rounded to nearest 1000th
Mediabase / Country Aircheck Chart
Cole Swindell moved 2-1 to land the No1 on Mediabase with “Hope You Get Lonely Tonight” (Warner
Bros./ WMN). The song logged 8,074
radio spins (+400) and 57.822 million
audience impressions (+2.754 million) from 149 tracking stations for the
tracking week September 21 to September 27, 2014 and published chart September
29th.
Congratulations
to Warner Music Nashville (WMN)
SVP/Promotion Kevin Herring, VP/Promotion Kristen Williams, Dir./National Katie
Bright and the entire WMN promotion staff for scoring the week’s #1 single on
the MEDIABASE Country singles charts with Cole Swindell’s "Hope You Get Lonely Tonight."
The single is Swindell's second consecutive #1 MEDIABASE song, and also the
second release from his self-titled debut album. Sweet treats were due to be
delivered to the WMN office (Sept 29) to congratulate the staff on their
success.
Congratulations
to Arista Nashville VP/Promotion
Lesly Simon, Dir./National Promotion John Sigler, Dir./National Promotion Jeri
Cooper, Dir./National Promotion Andy Elliott, and the entire Arista Promo team
for earning 57 MEDIABASE Country
adds on Carrie Underwood's "Something In The Water." Those adds give Carrie the "Most
Added" title for the
week.
Bagels were due
to be delivered to the Arista Nashville office (Sept 30) to congratulate the
staff on their success.
Billboard Boxscores
(Selective Country concerts, published Chart Week of Oct 11, 2014)
(Selective Country concerts, published Chart Week of Oct 11, 2014)
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