This treasure trove of Bakersfield music history also contains many significant “firsts,” from songwriting legend Harlan Howard’s first recording (for Bakersfield’s Tally Records); to Harlan’s then-wife Jan Howard’s first known demo recording (cut in Lewis Talley’s studio); to Barbara Mandrell’s very first solo recording on Mosrite Records; and legendary bandleader Johnny Barnett’s only known single (the first song written by Merle Haggard to have ever been commercially released).
Dozens of nearly-impossible-to-find recordings from local labels of the ’50s, ’60s and ’70s have been assembled together for the first time. Many of the selections have never been reissued, and some haven’t seen the light of day since their initial release. In some cases, only a handful of 78 or 45 rpm records were ever pressed, and the songs have been long forgotten until now.
Known as “Nashville West,” Bakersfield proved to be a fertile musical breeding ground, boosting the careers of such nationally known country artists as Ferlin Husky, Tommy Collins, Dallas Frazier, Jean Shepard, Wynn Stewart, Tommy Duncan, Al Brumley, Dick Curless, Joe & Rose Lee Maphis, The Gosdin Brothers, Kay Adams, Clarence White, and Roy Nichols — who all can be heard on this anthology.
The Bakersfield Sound 1940-1974, furthermore, reveals the impressive depth of the city’s music scene by shining the spotlight on regional stars like Cliff Crofford, Herb Henson, Jimmy Thomason, Billy Barton, Fuzzy Owen, Semie Moseley, Don Markham, Tommy Dee, Jelly Sanders, Oscar Whittington, Johnny Barnett, Vancie Flowers, Bobby Durham, Bob Morris, Bobby Austin, Gary Paxton, Ronnie Sessions, Gene Moles, Tony Booth, Freddie Hart, and David Frizzell.
Besides its mother lode of music,The Bakersfield Sound 1940-1974 comes with an accompanying full-colored illustrated 220-page book featuring a plethora of photos (many shown for the first time), a foreword by Foo Fighters guitarist (and huge country music fan) Chris Shiflett, in-depth analysis by Grammy-nominated Bakersfield Sound historian Scott B. Bomar, profiles on each artist, and a track-by-track commentary.
This unparalleled 10-CD collection wonderfully illuminates how a country music cottage industry transformed Bakersfield into the Country Music Capital of the West, and ignited speculation that the city could become a serious challenge to Nashville's commercial country dominance.
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