In
Brief: Billboard Country Charts (Chart issue week of September 21, 2019)
Country Album Chart ** No.1 (1 week)
** THE HIGHWOMEN The Highwomen
Hot Country Songs ** **
No.1 (10 non-consecutive weeks) ** “The Git Up” Blanco
Brown
Country Airplay ** No.1 (2 weeks) ** “Knockin' Boots” Luke Bryan
Country Digital Songs ** No.1 (12 weeks) ** “The
Git Up” Blanco Brown
The
Billboard 200 chart measures multi-metric album consumption, which includes
traditional album sales, track equivalent albums (TEA) and streaming equivalent
albums (SEA).
Post Malone Bundle In At No.1 on Billboard 200
Post
Malone
snared 2019’s second-biggest week for an album. Plus: Melanie Martinez
and The Highwomen debut in top 10.
Post
Malone charged in at No.1 on the Billboard Top 200 Album Chart (BB200) with
Hollywood’s Bleeding. The set opened with 489,000 equivalent album units
earned in the week ending Sept. 12 in the U.S., according to Nielsen Music --
the second-biggest week of 2019 for any album. Of that total unit sum, 200,000 were in album sales.
Further,
the album racked up 365.4 million on-demand audio streams for its tracks
in its first week, delivering 2019’s biggest streaming week for an album.
Hollywood’s
Bleeding is Post Malone’s second No. 1, following 2018’s beerbongs &
bentleys, which debuted with 461,000 units (of which 153,000 were in album
sales). The new album was released on Sept. 6 via Republic Records.
The
new album’s sales were boosted by a concert ticket/album sale redemption
offer with Post Malone’s tour, as well as an array of merchandise/album bundles
sold via the artist’s official webstore.
All-star
quartet The
Highwomen
saw their
self-titled debut album bow at No.10 with 34,000 equivalent album
units (with 29,000 of that sum in album
sales). The four-member act comprises Brandi Carlile, Natalie Hemby, Maren
Morris and Amanda Shires. Combined, the four performers have individually
tallied 12 top 20-charting albums across the Top Country Albums and
Americana/Folk Albums charts.
Top
Country Albums now ranks the most popular country albums of the week, as
compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an
album = 1 track equivalent album (TEA)
“sale”
1,500 on demand song streams from
an album to one streaming equivalent album (SEA) “sale”.
Nielsen
Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to
billboard biz ), exclusively comprising
Nielsen’s sales data.
The Highwomen (Low
Country Sound/Elektra/EMG), the eponymous debut set from the supergroup
comprising Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires,
debuted at No.1 on Top Country Albums with 34,000 equivalent album units
earned (29,000
in album
sales) in its first week.
The Dave Cobb-produced set also started atop
Billboard’s Americana/Folk Albums chart and at No. 10 on the all-genre
Billboard 200.
The Highwomen’s name is an homage to The Highwaymen, the
’80s/’90s assemblage of icons Johnny Cash, Waylon Jennings, Kris Kristofferson
and Willie Nelson.
The Highwomen is the first Top Country Albums No. 1 for an
all-female group since Pistol Annies’ Interstate Gospel, which entered atop the
Nov. 17, 2018, chart. Pistol Annies (Miranda Lambert, Ashley Monroe and
Angaleena Presley) also mark the last all-female group to pace the list with a
debut LP until The Highwomen, as their Hell on Heels zoomed in at the peak of
the list dated Sept. 10, 2011.
Critical reception for The Highwomen:
Variety (Rating: 95/100) If
you believe there can be such a thing as an instant country classic, “The
Highwomen” is that. ... The all-star foursome has put together an album full of
high comedy and high pathos, zingy group-sings and gut-wreching solo turns,
wryness and rue, and harmony co-existing with this strange and nearly forgotten
thing called twang.
Paste Magazine (Rating: 8.9/10 ) While
it’s absolutely and unapologetically meant as an addition to the discourse on
inequality and lack of diversity that’s been ruling Nashville and country music
(country radio in particular) for decades now, it’s also a country classic, no
matter which way you spin it. The genre’s best talents, both men and women,
have gathered, and they succeeded in creating a multi-generational, monumental
music event.
Consequence of Sound (Rating: B+) Each voice
is allowed to shine here, and through them, the voices of so many women who
continually find themselves stifled in the country music format.
Rolling Stone (Rating: 4 STARS) What’s
most impressive about The Highwomen, handsomely produced with Nashville
neoclassicist Dave Cobb, is how artfully, and matter-of-factly, it engages
social issues. Credit the concentration of songwriting talent. Every woman here
is at the top of her game.
Pop Matters (Rating: 7/10) They're
having a lot of fun, but the specifically feminist bent of the group's outlook helps
focus the album as well. The Highwomen is worth a listen for any fans of these
artists individually or as a sampler for all of them.
The Guardian (Rating: 3 STARS) As
is so often the case with supergroups, it’s not always a complete success. The
need to give the four principals a fair shake is fair enough, but when they are
taking turns singing lead within the same song – as in Redesigning Women – it
rather lessens the impact and the sense that the lyrics might be personal.
.....Four voices aren’t always stronger than one, and the collegiate nature of
the record leaves one yearning for a little more single-mindedness. But anyone
who enjoyed, say, Margo Price’s All American Made will find much to enjoy here.
Roughstock (Rating: Mixed) The
album is at its weakest whenever its songs are politically strident. The
rewrite of “The Highwayman,” originally recorded by The Highwaymen (Johnny
Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson), and simply titled
“Highwomen,” lacks the power and personality of Jimmy Webb’s original. The
feminist anthem, “Redesigning Women,” is little more than a cliched anthem. Even
“Crowded Table,” which includes the wonderful Lori McKenna as one of its
cowriters, pales in comparison to much of McKenna’s own solo material.....Had
Highwomen just stuck to singing emotive country songs, as they do so well with
this album’s second half, instead of trying too hard to make social statements
(what happens with the album’s first half), this project could have been truly
great, start to finish. As it is, though, it’s just half-great.
Luke
Combs’ debut full-length, THIS
ONE’S FOR YOU (River House/Columbia Nashville/Sony Music Nashville) slipped
1-2 (#19-26 Billboard 200). Additionally, Combs’ latest release, THE
PREQUEL (River House/Columbia Nashville/ Sony Music Nashville) rose 7-6
(#59-58 BB200) in its 14th frame.
Dan + Shay with their self-titled album (Warner
Bros./Warner Music Nashville) held at No.3 (#33-36 BB200) in their 64th
frame.
All-vocal Country entertainers HOME FREE have
a lot to celebrate – starting with their fifth studio album DIVE BAR SAINTS’ (Home Free Records | Amazon UK - iTunes ) making a top-notch Billboard debut –
landing at #2 on the Country Album Sales Chart with 11,623 units of pure sales and taking the No.4 spot on the
Top Country Albums Chart (#44 New Entry Billboard 200) – but the party doesn’t
stop there.
In fact, it’s just the beginning for the quintet, who not only kickstarted their album release week with a performance on NBC’s TODAY with Hoda and Jenna (Sept 4), but also brought their iconic harmonies to the Minnesota Vikings’ season opener, singing the national anthem prior to the Vikings’ defeat of the Atlanta Falcons on Sunday (Sept 8).
In fact, it’s just the beginning for the quintet, who not only kickstarted their album release week with a performance on NBC’s TODAY with Hoda and Jenna (Sept 4), but also brought their iconic harmonies to the Minnesota Vikings’ season opener, singing the national anthem prior to the Vikings’ defeat of the Atlanta Falcons on Sunday (Sept 8).
Morgan Wallen with IF I KNOW ME (Big Loud Digital EX) fell 4-5 (#53-50
BB200) in his 67th frame.
Chris Stapleton with the 228-week TRAVELLER (MERCURY/ UMGN) dropped 6-7 (#58-63 BB200).
Former 6-week non-consecutive week No.1 Jason Aldean with REARVIEW
TOWN (Macon/Broken Bow Records) held at No.8 (#69-66 BB200) in
his 74th week.
Sheryl
Crow with THREADS (Valory/Big
Machine Label Group | Amazon UK - iTunes - Amazon.com) fell 2-9 on Top Country Albums (#30-68 Billboard 200).
Former No.1 Kane Brown with sophomore album, entitled EXPERIMENT fell 9-10 (#76 non-mover BB200) in his 44th week as his self-titled
album held at No.13 (#103-107 BB200; 145-weeks).
Outside the
Top 10
Former
No.1 Thomas
Rhett with CENTER POINT ROAD (Valory Music/ Big Machine Records) slipped 10-11 (#91-93
BB200) in his 15th week.
Former
No.1 Maren
Morris with GIRL (Columbia
Nashville/ Sony Music Nashville [SMN]) held at No.12 (#99-94) in her 27th frame.
Former
No.1 Carrie Underwood with CRY PRETTY rebound 20-15 (#187-123
Billboard 200) in
her 52nd week.
Florida Georgia Line with CAN’T SAY I AIN’T COUNTRY (Big Machine Label Group) fell 14-16 (#107-133
BB200) in their 30th chart frame.
Former
No.1 Kacey
Musgraves with GOLDEN HOUR (MCA
Nashville) climbed 18-17 (#152-139 BB200) in her 71st frame.
Former No.1 Midland with LET
IT ROLL (Big Machine Label Group
| Amazon UK - iTunes - Amazon.com) dropped 15-24 (#110 – off the Billboard
200) in their third retail week.
Outside the Top 25
Trisha
Yearwood with EVERY GIRL (Gwendolyn
| Amazon UK - iTunes - Amazon.com) slumped 5-36 (#57 – off the top Billboard 200) and
slipped 2-4 on Country Album Sales but 6 places higher than the No.2 Top Country
Album Luke Combs’ ‘This One's For You’ which dropped 7-10 on Country Sales.
FALLING
SHORT of Top 50:
On the Country Album Sales list (pure sales;
old methodology)
Paul Cauthen with 10-track ROOM 41 (Lightning
Rod Records | Amazon UK - iTunes - Bandcamp) made a debut at No.11.
Sister Hazel with 7-track EARTH (Croakin' Poet
Records | Amazon UK - iTunes - Amazon.com)
made a debut at No.25.
Crystal Gayle with 15-track YOU DON'T
KNOW ME (BFD | Amazon UK - iTunes - Amazon.com) made a debut at No.27.
Year-To-Date Albums
6,910,000 sales which is 29.5% down at the same point in 2018 (9,796,000 sales).
Album consumption is 36,652,000 units which is 5.7% up at the same point in 2018 (34,673,000 units)
* 2001/ 2002 REWIND *
SALES ONLY CHARTS: BACK BEFORE
CONSUMPTION WHEN ALBUMS SOLD!
Billboard Chart Chart Date: Oct 27, 2001
(Sales: October 8-14, 2001)
TW LW Weeks on the Chart Title Artist Sales
25 25 7 Pull My Chain Toby Keith 41,872 (sales
in week 7)
26 21 4 Greatest Hits Martina McBride
41,767 (sales
in week 4)
Billboard Chart Chart Chart Date:
February 9, 2002 (Sales: Jan 20-27, 2002)
TW LW WOC Title Artist Sales
1 1 2 Drive Alan Jackson 230,014 (sales
in week 2)
18 17 11 Scarecrow Garth Brooks 45,046 (sales
in week 11)
35 32 22 Pull My Chain Toby Keith 28,707(sales
in week 22)
59 43 2 The Great Divide Willie Nelson
20,457 (sales
in week 2)
71 64 40 Set This Circus Down Tim
McGraw 17,836
(sales in week 40)
97 97 6 Blue Moon Steve Holy 13,995 (sales
in week 6)
100 91 19 Greatest Hits Martina
McBride 13,538
(sales in week 19)
108 103 41 Steers & Stripes Brooks
& Dunn 12,354
(sales in week 41)
110 121 45 Rascal Flatts Rascal Flatts
12,009
112 98 12 The Road Less Traveled George
Strait 11,806
(sales in week 12)
139 174 31 I'm Already There Lonestar
9,487 (sales
in week 31)
149 148 44 Burn Jo Dee Messina 9,024 (sales
in week 44)
150 167 70 Greatest Hits Kenny Chesney
9,001 (sales
in week 70)
156 134 62 Greatest Hits Tim McGraw
8,802 (sales
in week 62)
165 161 68 Born To Fly Sara Evans 8,236 (sales
in week 68)
167 162 126 Fly Dixie Chicks 8,187 (sales
in week 126)
171 147 3 Almeria Club Hank Williams
Jr. 8,079 (sales
in week 3)
189 178 14 Greatest Hits Volume III --
I'm A Survivor Reba McEntire 7,053 (sales in week 14)
190 RE 19 New Favorite Alison Krauss +
Union Station 7,047 (sales in week 19)
198 188 17 My World Cyndi Thomson 6,600 (The
198th listed album on the Billboard 200 sold over 6,500 copies in its 17th week
on the chart)
On Billboard’s Hot Country Songs chart - which
blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by
Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and
Xbox Music, among others) according to BDS it results in:
Blanco
Brown with “The Git Up”
(Trailer Trap Music/Broken Bow Music Group/ BMG/Wheelhouse/Stoney Creek/Broken
Bow) topped Billboard’s Hot Country Songs chart (dated Sept. 21) for a 10th
week, making him the first soloist to reign for double-digit weeks with a debut
single since the survey started using multiple metrics in October 2012.
The
track first led the July 13 list, aided early on by a viral dance challenge on
TikTok and YouTube, with Brown having posted a tutorial in May.
“I
grabbed spoons, tambourine, anything I could find that made a nice sound,” he
recently told Billboard of solely writing “Git.” “When I got finished, it was
so full of joy. I was doing the dance as I was writing it. I said, ‘This is
going to be a song that makes people dance and brings joy.’ ”
The
34-year- old Atlanta native previously produced songs for pop and hip-hop acts
including Chris Brown, Fergie and Pitbull. Because Brown also produced “Git”
himself, the single is the first Hot Country Songs No. 1 written, produced and
performed by a single person since the chart adopted its streaming-, airplay-
and sales-based methodology seven years ago.
“Git”
raked in 19 million U.S. streams (down 7%) and 15,000 downloads sold (down 21%) in the week ending Sept. 12, according
to Nielsen Music, and ruled Country Streaming Songs and Country Digital Song Sales
for a 12th week each. On Country Airplay, it increases by 12% to 1.9 million
audience impressions in the week ending Sept. 15 and lifts 48-46.
Brown’s
smash is the first Hot Country Songs charttopper to lead for at least 10 weeks
since Luke Combs’ “Beautiful Crazy” ruled for 11 frames beginning March 2. The
last such leader before that, pop artist Bebe Rexha (in her country debut) and
Florida Georgia Line’s “Meant to Be,” set the record for the most time
dominating the tally, having begun its 50-week domination on Dec. 16, 2017.
Brown
joins FGL as the only acts since October 2012 to top Hot Country Songs for at
least 10 weeks with a career-opening hit: The pair’s “Cruise” totaled 24 weeks
at No. 1 beginning that December.
“Git”
is the debut single from Brown’s first full-length, Honeysuckle & Lightning
Bugs, due Oct. 11.
Dierks
Bentley notched his 24th Hot Country
Songs top
10 as “Living” (Capitol
Nashville) lifted 11-8. The track climbed 3-2 on Country Airplay, up 5%
to 35.1 million in audience, and gets a 23% hike to 4.6 million U.S. streams.
Chris
Lane with "I Don’t
Know About You" entered the Hot Country Songs top five (9-5),
sparked by a 10% rise to 31.9 million in audience as it pushed 5-3 on Country
Airplay. It also boasted 6.2 million U.S. streams.
Hot County
Songs
** No.1 (10 weeks) ** “The Git Up” Blanco Brown
** Hot Shot Debut ** No.15 “homecoming queen?” Kelsea Ballerini
**
Airplay Gainer”/ Digital
Gainer / Streaming Gainer ** No.20 “Even
Though I'm Leaving” Luke Combs
Debut
No.40 “We Back” Jason Aldean
Debut
No.49 “The Father, My Son, And The Holy Ghost” Craig Morgan
Debut
No.50 “Redesigning Women” The Highwomen
Luke Bryan with “Knockin’ Boots” (Capitol
Nashville) held at No.1 on
Billboard’s Country Airplay chart on the list dated Sept. 21. The song reigned
with 38.6 audience impressions, a 3% loss in the week ending Sept. 15,
according to Nielsen Music.
Matt
Stell with debut single, “Prayed
for You” (Wide Open/ RECORDS/Good Company/Arista Nashville), hit the top 10 (11-9), gaining by
11% to 20.1 million in radio reach
Country
Airplay
***
No.1 (2 weeks) *** “Knockin' Boots” Luke Bryan 38.618 million audience (-1.231
million) / 7,560 radio plays (-507)
**
Most Increased Audience/ Hot Shot Debut/ Most Added ** No.25 “We Back” Jason
Aldean 7.048 million audience gain thanks to 78 fresh radio commitments
(ADDS)
Debut
No.58 “Thank God For You” Rodney Atkins
Debut
No.60 “She's Mine” Kip Moore
Billboard Country Digital
Singles Chart
Blanco Brown with “The
Git Up” (Trailer Trap Music/BMG/Broken Bow) held at No.1 on Country
Digital Song Sales for a twelve week (#5 non-mover Digital
Songs; 15,000 downloads sold (down 21%)).
It was four places behind Lizzo’s “Truth
Hurts” which spent
a third week atop the Digital Song Sales chart, although down 19% to 31,000 sold in the week ending
Sept. 12, according to Nielsen Music. It rose 4-2 on Radio Songs, up 6% to
110.8 million audience impressions in the week ending Sept. 15, while tumbling
3-14 on Streaming Songs.
Kelsea
Ballerini
with "homecoming
queen?" arrived at No.2 on Country Digital Song Sales (#7 New
Entry Digital Songs) with 14,000 downloads sold in its first full week. Ballerini banked her
highest start and eighth top 10. On Hot Country Songs, it entered at No. 15,
also a career-best bow.
Marshmello
& Kane Brown with “One
Thing Right” dropped 2-3 (#12-16 Digital Songs) in their 10th
frame.
Craig Morgan
with “The Father, My Son, And The Holy Ghost” (Broken Bow)
made a debut at No.4 (#19 New Entry Digital
Songs).
Luke Bryan with “Knockin' Boots” moved 6-5 (#25-27 Digital
Songs) in his 24th week.
Luke Combs with “Even Though
I'm Leaving” (River House/Columbia Nashville/Sony Music
Nashville) rose 9-6 (#42-28 Digital Songs) as “Beer
Never Broke My Heart” dropped 3-7 (#20-29 Digital
Songs) in his 19th frame.
9 non-consecutive week No1. Blake Shelton with “God’s Country” (Warner Bros./Warner
Music Nashville) fell 4-8 (#22-31
Digital Songs) in its 24th frame. Additionally, Blake
Shelton featuring Trace
Adkins with “Hell Right” (Warner
Music Nashville) climbed 13-11 (#39 Re-Entry Digital
Songs).
Old Dominion with “One
Man Band” (RCA Nashville) fell 7-9 (#30-34 Digital
Songs) in its 13th frame.
Matt Stell with “Prayed
For You” (RECORDS, Arista Nashville) fell 5-10 (#23-38 Digital
Songs) in his fifth chart frame.
Outside
the Top 10
Jason Aldean
with
“We Back” (Broken Bow, BMG, Macon) made a debut at No.12.
Dan + Shay (Dan Smyers and
Shay Mooney) with Speechless”
dropped 8-14 (#39 – off the top
50 Digital Songs) in their 64th frame.
Chris Lane with “I
Don't Know About You” (Big Loud) slipped 10-13 (#44 – off the
top 50 Digital Songs) in his 11th frame.
Miranda Lambert
with
“Pretty Bitchin'” (RCA Nashville, Vanner) made a
debut at No.18.
Brantley
Gilbert with “Fire't Up”
(Valory) made a debut at No.23.
Country Aircheck MEDIABASE
Chart
September
16, 2019
Luke
Bryan Stays At #1 For Second Week With 'Knockin' Boots'
Congratulations
to Luke Bryan, Royce Risser, Bobby
Young, David Friedman, Chris Schuler and the Capitol promotion team on
landing second consecutive week at No. 1 with “Knockin’ Boots.”
The song is the first single from Bryan’s forthcoming seventh studio album.
Songwriters are Jon Nite, Hillary Lindsey and Gordie Sampson.
“Knockin’
Boots” (Capitol) held at No.1 logging 8,470 radio spins (-100), 51.754 million audience impressions (-1.095)
with 27199 Total Points (-439) from 156 tracking stations (156 ADDS)
for the tracking week September 8 to September 14, 2019 and published chart
dated September 16, 2019.
Jason
Aldean Is Most-Added With 'We Back'
Kudos to Lee
Adams, Shelley Hargis Gaines and the Broken Bow reps on notching 75
adds for Jason Aldean’s “We Back”. The song
topped the "Most Added" board this chart week.
 |
| Broken Bow Records celebrated Jason Aldean's "We Back" being most-added at Country radio this week. Pictured (L-R): Mgr./Secondary Promotion Matthew Holmberg; cardboard Aldean; and Coord./Promotion Ashley Wojcinski |
Runaway
June’s “Buy My Own Drinks”
extended its run marking the first time a female trio has broken into the top
five on the USA's Mediabase Country chart since the Dixie Chicks in
2003. This is a thrilling triumph for the band as it also marked their first
top five hit as songwriters. This milestone is part of Country music history,
making them the highest charting female trio since the Dixie Chicks’ “Travelin’
Soldier” sixteen years ago. Along with earning this coveted accolade, the trio
have announced their upcoming performance on ABC'S Good Morning America on
October 3rd.
Not only are the members of Runaway June
tremendous performers and musicians, but they are clearly successful
songwriters; this song is the first top five song for each of the members as
writers in which they wrote alongside Hillary Lindsey and Josh Kear. As
songwriters, the members of the band wrote or cowrote a majority of the tracks
on their critically acclaimed album Blue Roses.
"There’s a very contemporary spirit of
independence and grown-ass agency that courses through these songs.” - Rolling
Stone
"This song is a rallying cry for fiercely
independent women to celebrate their own damn self-sufficiency." - CMT
Mediabase Adds (Selective)
Artist/Title
(Label) TW Total Historic Adds
JASON ALDEAN/We Back (Macon Music/Broken Bow) 75 108
LITTLE BIG
TOWN/Over Drinking (Capitol) 37 40
NOAH
SCHNACKY/I'll Be The One (Big Machine) 31 36
LUKE COMBS/Even
Though I'm Leaving (River House/Columbia) 27 138
KELSEA
BALLERINI/homecoming queen?
(Black River) 17 124
ERIC
CHURCH/Monsters (EMI Nashville) 10 88
BLAKE SHELTON
f/T. ADKINS/Hell Right (Warner/WMN) 8 139
ELI YOUNG
BAND/Break It In (Valory) 8 59
INGRID
ANDRESS/More Hearts Than
Mine (Warner/WEA) 7 99
GABBY
BARRETT/I Hope (Warner/WAR) 6 56
CAROLINE
JONES/Chasin' Me
(Mailboat/New Revolution) 4 73
MADDIE
& TAE/Die From A Broken
Heart (Mercury) 4 86
MAREN
MORRIS/The Bones (Columbia) 3 70
JESSIE
G/Whatever This Is
(Redneck) 2 4
ASHLEY
MCBRYDE/One Night Standards
(Warner/WAR) 1 2
JUSTIN
MOORE/Why We Drink (Valory) 1 2
LUKE COMBS
f/BROOKS & DUNN/1, 2 Many (River House/Columbia) 1 1
PARKER
MCCOLLUM/Pretty Heart (MCA) 1 1
RAYNE
JOHNSON/Front Seat (Legend Entertainment) 1 12
TAYLOR
SWIFT/Soon You'll Get
Better (Republic) 1 2
For
a detailed report check out Country Aircheck Weekly September 16, 2019, Issue 671
- Magazine View
Billboard Boxscores (Selective Country
concerts)
Rank
Artist: #25
Event
Venue City/State: Hootie & The Blowfish,
Barenaked Ladies Madison Square Garden New York
Dates:
Aug. 10-11, 2019 Gross Sales: $2,282,734 Attend:
21,479 / 21,479
Shows/
Sellouts: 2/2 ** SOLD OUT ** Prices: $129.50, $29.50, $93.50, $63.50, $31.50
Promoters:
Live Nation
Rank
Artist: #26
Event
Venue City/State: Florida Georgia Line Hollywood
Casino Amphitheatre Tinley Park, Ill.
Dates:
Aug. 9, 2019 Gross Sales: $1,963,973 Attend:
26,698 / 26,698
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices: $109.25, $35.25
Promoters:
Live Nation
Rank
Artist: #27
Event
Venue City/State: Florida Georgia Line Hersheypark
Stadium Hershey, Pa.
Dates: Aug. 17, 2019
Gross Sales: $1,922,843 Attend: 30,449
/ 30,449
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices: $109.25, $35.25
Promoters:
Live Nation
Rank
Artist: #30
Event
Venue City/State: Thomas Rhett XFINITY
Center Mansfield, Mass.
Dates:
Aug. 2, 2019 Gross Sales: $1,534,185 Attend:
19,714 / 19,714
Shows/
Sellouts: 1/1 ** SOLD OUT ** Prices: $109.25, $35.25
Promoters: Live Nation
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