Little Big Town’s new album THE
BREAKER drops
The collection,
which features their now Hot Country Songs and Billboard Country Airplay No.1 single “Better Man,” was written
and recorded during one of their busiest and most successful years to-date, so
they were apparently not able to devote the time to write as many songs for it
as they have for previous albums.
“We had an incredibly like creative year last
year. I mean, we went from starting this record to making the Pharrell record,
which was unexpected but such a joy and so creative in a different way than the
records that we make with Jay [Joyce],” said LBT’s Karen Fairchild. “And so, we
were writing, and then we were writing with Pharrell and then that ended up
being a record. And then we were planning the tour and we went out on the road
with Luke for 70 shows, and it just never stopped. And it was like all year
long output, output, output of creative. And so yeah, the writing scenarios on
the record might not look like they have on past records, but it was just the
way it was going to happen. I mean, when you’re that busy it’s like the success
also makes it difficult to like write all the time, because writing on the road
is not the easiest thing in the world. You have a million distractions, and so
there’s all kinds of things like getting focused. But we had also the blessing
of having all of these incredible songs sent to us and they seemed to be
piecing themselves together.”
The reigning ACM
and CMA Vocal Group of the Year will begin their residency at the Ryman on Friday (February 24th).
They’re expected to perform every song on their new album.
Busy week! #TheBreaker pic.twitter.com/icbd2JsQts— Little Big Town (@littlebigtown) 23 February 2017
Promoting the new
project Little Big Town were set to perform on NBC’s The Tonight Show Starring
Jimmy Fallon on Thursday (February 23rd). Watch it here
Little Big Town’s Karen Fairchild Explains Why They Didn’t
Write As Much For The Breaker, As They Have For Previous Albums.
LBT (songs for the
album) Transcript: “We had an incredibly like creative year last year. I mean,
we went from starting this record to making the Pharrell record, which was
unexpected but such a joy and so creative in a different way than the records
that we make with Jay [Joyce]. And so, we were writing, and then we were
writing with Pharrell and then that ended up being a record. And then we were
planning the tour and we went out on the road with Luke for 70 shows, and it
just never stopped. And it was like all year long output, output, output of
creative. And so yeah, the writing scenarios on the record might not look like
they have on past records, but it was just the way it was going to happen. I
mean, when you’re that busy it’s like the success also makes it difficult to
like write all the time, because writing on the road is not the easiest thing
in the world. You have a million distractions, and so there’s all kinds of
things like getting focused. But we had also the blessing of having all of
these incredible songs sent to us and they seemed to be piecing themselves
together.”
Little Big Town - The Breaker
(Album Review)
Title:
The Breaker
Label:
Decca / Liberty Records)
12
Tracks/ Time: 41:43
The Breaker track listing and credits:
1.
"Happy People" (Lori McKenna, Hailey Whitters)
2.
"Night on Our Side" (Jay Joyce, Jeremy Spillman, Phillip Sweet, Ryan
Tyndell, Jimi Westbrook)
3.
"Lost in California" (Hillary Lindsey, Lori McKenna, Liz Rose)
4.
"Free" (Barry Dean, Natalie Hemby, Luke Laird, Lori McKenna)
5.
"Drivin' Around" (Kameron Alexander, David Embree, Audra Mae, Todd
Spadafore)
6.
"We Went to the Beach" (Matt Jenkins, Chase McGill, Laura Veltz)
7.
"Better Man" (Taylor Swift)
8.
"Rollin'" (Natalie Hemby, Phillip Sweet, Jimi Westbrook)
9.
"Don't Die Young, Don't Get Old" (Karen Fairchild, Hillary Lindsey,
Lori McKenna, Liz Rose, Kimberly Schlapman)
10.
"Beat Up Bible" (Cary Barlowe, Hillary Lindsey, Shane Stevens)
11.
"When Someone Stops Loving You" (Hillary Lindsey, Chase McGill, Lori
McKenna)
12.
"The Breaker" (Connie Harrington, TJ Osborne)
4 pregrat-tracks were
made available with pre-orders of ‘The Breaker’: ‘Better Man’, ‘Happy People’,
‘We Went To The Beach’ and ‘When Someone Stops Loving You’.
Musicians:
Jay
Joyce: Bass, Composer, Drums, Engineer, Guitar (Electric), Keyboards, Mixing,
Percussion, Producer, Programming
Jedd
Hughes: Guitar
John
Osborne: Guitar
Hubert
Payne: Drums, Percussion
Phillip
Sweet: Composer, Keyboards
John
Thomasson: Bass
Evan
Weatherford: Guitar
Last year the
chart managers quite rightly deemed Little Big Town’s electronic diversion set WANDERLUST (Capitol Nashville) not to
be classed as “country”. It arrived at No.105 on the Billboard 200 and #50 Top
Albums with 5,700 pure sales. Instead of releasing a straight-up
country/rock record, LBT dropped the collaborative project with Pharrell Williams. Little Big Town’s Karen Fairchild
said “The music feels like our worlds have collided in the best possible way -
his infectious grooves paired with our layered vocals and harmonies. This music
is meant to be danced to, sung along with and turned up loud. It's uplifting
and hopeful”.
Previously to
that their last “country” album PAIN
KILLER (Capitol Nashville/UMGN) made a bow and peaked at No.7 on
the Billboard 200 and #3 on Top
Country albums Country) with 42,000 copies sold on its debut week. This was
well short of the September 11, 2012
release of TORNADO which
bowed with 112,800 copies sold. Painkiller was fuelled by the lead-off single “Day Drinking” becoming the group’s sixth top 10 (#4 Billboard
Country Airplay) and then the #1 smash hit “Girl
Crush” (writers Lori McKenna, Hillary Lindsey and Liz Rose) which snagged
CMA Song and Single of the year in 2015 propelling the 4-piece group to stardom.
So, is THE BREAKER a genuine return
to country? Well, there is little for the traditional country music fan to grab
onto with the 12-track offering mostly reaching out to millennials.
The album kicks off with the chug-along bouncy
opener “Happy People” written by top singer songwriters Lori
McKenna and Hailey Whitters. The track with its purring Hammond interspersed
with some faint steel smoothly rolls out some golden
rules, as to how to put smiles on faces and finding true happiness. An art
which is something to be cherished, learned and embraced in an ever-cruel and
hurtful world: Here's to whatever what
puts a smile on your face, Whatever makes you happy, people
“Night on Our Side" co-written by LBT members Phillip Sweet and Jimi Westbrook is something which forestalls that “we might live forever for a little while tonight” whilst bending the rules till dawn breaks.
The Pop/Rock number is something like a hark back to the “Rumours”-era Fleetwood Mac underpinned with acoustic vibes of Christopher Cross’ “Sailing”
The wild abandon of the dreamy “Lost in California" penned by A-list hit songwriters Hillary Lindsey, Lori McKenna and Liz Rose paints some pretty colours and highlights Little Big Town’s key strength – those close harmonies.
Those skills are magnified on the nostalgic driven “Free” which celebrates that the best things in life can’t be bought and are hard won.
Pointing its compass to a stadium rock crowd "Drivin' Around" penned by four outside writers, is rather muddied production wise laced with very modern digital sweetening and editing enrichment techniques.
What others are saying:
“Night on Our Side" co-written by LBT members Phillip Sweet and Jimi Westbrook is something which forestalls that “we might live forever for a little while tonight” whilst bending the rules till dawn breaks.
The Pop/Rock number is something like a hark back to the “Rumours”-era Fleetwood Mac underpinned with acoustic vibes of Christopher Cross’ “Sailing”
The wild abandon of the dreamy “Lost in California" penned by A-list hit songwriters Hillary Lindsey, Lori McKenna and Liz Rose paints some pretty colours and highlights Little Big Town’s key strength – those close harmonies.
Those skills are magnified on the nostalgic driven “Free” which celebrates that the best things in life can’t be bought and are hard won.
Pointing its compass to a stadium rock crowd "Drivin' Around" penned by four outside writers, is rather muddied production wise laced with very modern digital sweetening and editing enrichment techniques.
CMA 2016 Backstage: Little Big Town & Taylor Swift 50th Annual CMA Awards 2 Nov 2016Source: Taylor Swift/Instagram |
The reflective “We
Went to the Beach” has a pleasant laid back breezy feel recalling happy
summer days. Lead-off single "Better Man" penned by Taylor
Swift remains the album go-to standout and landed them a No.1 straight out of the
blocks. A song which at first I had some reservations on, perfectly suits Karen
Fairchild's vocal and just grows and grows on you – I just love it!
The guitar-driven
“Rollin’
is a very rocky affair and musically hardly recalls a roadblock paradise, though stars in the sky shine brightly on
another wistful number "Don't Die Young, Don't Get Old".
It’s not until the
journey to track 10 when you feel the multi-award winning group truly begin to get
back to their country roots. Kimberly Schlapman takes the lead vocal baton on
the gentle acoustic driven “Beat Up Bible” where every line in
the worn and dusty manuscript offers comfort and recalls precious memories.
Jimi
Westbrook’s vocals take centre stage on the heart-breaking “When
Someone Stops Loving You,” which rocks some soulful vibes where no
switch can be flicked when struggling to get over a deep relationship and move
on from a man’s perspective. In a reversal of roles on title cut and gentle
paced album closer "The Breaker" (Jimi Westbrook
lead vocal) is full of honest regret where no words can paper over those
hurtful cracks depicting a sad tale of love gone wrong:
I wish I could give you
what you needed, But you can't tell a heart how to feel, but I've tried to
Whilst Breaker offers those trademark classy LBT vocal harmonies
and radio-friendly modern-country cuts it perhaps overall embraces a little too
many elements of pop and rock.
Country Routes News
What others are saying:
Sounds
Like Nashville (Rating: Positive)..
All the while, Little Big Town’s ability
as vocalists is showcased and the songs selected leave a lasting mark on the
listener.
Mark Kennedy Associated
Press The band
— Karen Fairchild, Kimberly Schlapman, Jimi Westbrook and Phillip Sweet — do
sound great. But to lift a line from one of their new songs, they seem to be
“killing time when time won’t die”.
EW.com (Rating: A-) Although the rest of The Breaker may not be
blessed with the T-Swizzle magic, there are some more strong contenders for
your next breakup playlist.
Allmusic (Rating: 4 STARS) Little Big Town get back to basics on The
Breaker, the de facto sequel to their 2014 blockbuster Pain Killer.
..Smoothness is a selling point with Little Big Town: their melodies slide,
their harmonies glide, their music seems utterly at peace with the moment...
the appeal of The Breaker: it's a confident pop record, one that celebrates
sound as much as song.
Paste
Magazine The group quickly settles into the tried and true, and they sound great
doing it.
Rollingstone (Rating: 3 STARS) a
back-to-basics country record that returns the spotlight to the group's
unmatched ability to transform subtle Nashville lyricism into major pop drama –
this time with no small assist from songwriters like Taylor Swift and industry
scribes like Lori McKenna and Natalie Hemby....but The Breaker is the group's
first record since their rise to stardom in which downtempo, more contemplative
material completely outweighs the muscular, radio fodder like "Night on
Our Side" and "Drivin' Around," songs that feel too vague in
their worry-free escapism to sound convincing.
Newsday.com
(Rating: B+) But when you have the pick of Nashville’s
best collaborators for your project, it’s no wonder that Little Big Town makes
the most of it.
Nashville
Over Here (Rating:
Positive) the
closing ballads pull back on the instrumentation throttle in favour of an
adult-contemporary ambience, planting focus directly on applaudable lyrical
content....Little Big Town are a commodity whose wide appeal has yet to
translate to the transatlantic success they deserve. Especially given their
attention towards UK audiences, it is a shock that their legions of edible
material have not resulted in a radio hit here thus far. I like to think it’s
only a matter of time. Their music is ageless, and it’s always easy to tell
when you’re listening to Little Big Town.
Little Big Town plus Seth Ennis
Multi
Award Winning Little Big Town have announced an Autumn UK tour:
Thu
28th September 2017 - Albert Hall, Manchester (Peter Street, M2 5QR)
£30.25 (£27.50 Ticket + £2.75 Fees)
Fri
29th Sept 2017 - O2 Institute, Birmingham
(78 Digbeth High Street, B5 6DY) £30.80 (£27.50 Ticket + £3.30 Fees)
Sun
1st October 2017 - Royal Concert
Hall/ Strathclyde Suite, Glasgow (Renfrew
Street, G2 3NY)
Mon
2nd Oct 2017 - The Sage, Gateshead
(St Mary's Square, Gateshead Quays, NE8 2JR) £30.25 (£27.50 Ticket + £2.75
Fees)
Tues
3rd Oct 2017 - Colston Hall/ Lantern,
Bristol (Colston Street, BS1 5AR) Standing £30.25 (£27.50 Ticket + £2.75
Fees)
Thu
5th Oct 2017 - Royal Albert Hall, Kensington
(Kensington Gore, SW7 2AP) Standing/Seating (£27.50/ £43.45 incl Fees)
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