Wednesday, 21 November 2018

Country Billboard Chart News November 12, 2018


In Brief: Billboard Country Charts (Chart issue week of November 17, 2018)

Country Album Chart ** No.1 (1 week) ** INTERSTATE GOSPEL Pistol Annies 
Hot Country Songs ** No.1 (50 weeks) ** “Meant To Be” Bebe Rexha feat. Florida Georgia Line
Country Airplay ** No.1 (4 weeks) ** “She Got The Best Of Me” Luke Combs
Country Digital Songs ** No.1 (4 non-consecutive weeks) “Speechless” Dan + Shay

Billboard Top 200 / Country Album Chart News (Chart issue week of November 17, 2018)

The Billboard 200 chart measures multi-metric album consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Metro Boomin's 'Not All Heroes Wear Capes' Debuts at No. 1 on Billboard 200 Albums Chart
Metro Boomin landed his first No.1 album on the Billboard 200 Top 20 Chart (BB200) as the producer’s new guest-laden album, NOT ALL HEROES WEAR CAPES, debuted in the top slot. The surprise set, which was announced Oct. 31 and released Nov. 2 via Boominati/Republic Records, earned 99,000 equivalent album units in the week ending Nov. 8, according to Nielsen Music. Of that sum, 5,000 were in album sales, as the album was largely driven by streaming activity.
Lady Gaga and Bradley Cooper’s A Star Is Born soundtrack held at No. 2 for a second week, earning 79,000 units (down 15 percent); it spent its first three weeks at No.1.

Billboard Top Country Albums (Chart issue week of November 17, 2018)
Top Country Albums now ranks the most popular country albums of the week, as compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an album = 1 track equivalent album (TEA) “sale”
1,500 on demand song streams from an album to one streaming equivalent album (SEA) “sale”.
Nielsen Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to billboard biz ), exclusively comprising Nielsen’s sales data.

Gospel Truth: Pistol Annie's Interstate Gospel debuted at No. 1 on the Country chart.
Pistol Annies with INTERSTATE GOSPEL (RCA Nashville/Sony Music Nashville) drove onto Billboard’s Top Country Albums chart (dated Nov. 17) at No.1 (#15 Billboard 200; No.3 Top Album Sales, No.1 Top Digital Albums) , marking the supergroup’s second leader. The set starts with 30,000 equivalent album units earned (26,500 in traditional album sales) in its first week ending Nov. 8, according to Nielsen Music.

Gospel simultaneously entered as the act’s first No. 1 on the Americana/Folk Albums chart.

The 14-track Gospel is the third studio album from the trio of singer-songwriters Miranda Lambert, Ashley Monroe and Angaleena Presley. 

It was produced by Frank Liddell, Glenn Worf and Eric Masse. It’s the trio’s second top five album in a row

CHART HISTORY:
Gospel marked the first set from the group in over five years
ANNIE UP (Columbia) released May 7, 2013 arrived and peaked at No.2 on the Top Country Albums and No.5 on all-genre Billboard 200 chart dated May 25, 2013 selling 83,460 copies sold and remains Pistol Annies’ biggest sales week to date. As of the Chart week August 24, 2013 it had sold 211,500 copies.

HELL ON HEELS (Columbia, released August 23, 2011) became the threesome’s first No.1 on Top Country Albums (reached #5 Billboard 200) when it debuted atop the tally on Sept. 10, 2011 with 44,000 sold which at the time was a digital only release. After 23-weeks on the chart it was at No.119 on the Billboard 200 and had scanned GOLD (1/2 million) at retail with a total of 503,313.

As soloists, Lambert boasts six No.1s on Top Country Albums (encompassing her entire output on the chart), Monroe has notched two top 10s and Presley reached the top 30 with American Middle Class in 2014.

Critical reception for Pistol Annies’ Interstate Gospel:
14 Tracks/ Time: 46:42 Amazon UK - UK iTunes - Amazon.com

The Guardian (4 STARS) ….There’s so little light here that the cheeky Sugar Daddy is forgivable – plus there’s a forthrightness to their exhortations to “saddle up and ride” that adds to their theme of women without time to waste.

Rollingstone (Rating: 4 STARS)…Much of the success of LP 3 can be chalked up to the songwriting, which is sharper, deeper and funnier than ever. Songs like “When I Was His Wife” and “Commissary” follow the crying-while-laughing pathos of John Prine, telling stories
of bleak misfortune with a shrugging smirk…. But the most affecting element of Interstate Gospel may be the group’s more sharpened focus on ancestry and lineage, the ways in which familial traditions, traumas and patriarchal practices get passed on from generation to the next. “Milkman” is a moving sketch of a mother-daughter relationship delivered with profound empathy, and the album’s centerpiece is “5 Acres of Turnips,” a bluegrass blues steeped in Sixties girl-group pop that employs one family’s ambiguously troubled past as a subtle metaphor, perhaps, for the haunted legacy of the American South….. The 14 songs on Interstate Gospel tell a tightly-woven story about adult restlessness, bittersweet farewells and hard-won independence. Several albums into their own individual and collective career, the Pistol Annies are less interested in singing about burning down their ex-husbands’ houses than in burning up their own dull lives in order to start anew. “Living wild and exhausted,” as the Pistol Annies put it. “Paying what it cost to feel so free.”

AllMusic (Rating: 4.1/2 STARS) …What makes Interstate Gospel so invigorating is hearing how Lambert, Monroe, and Presley mesh as both songwriters and singers. Their time apart has only strengthened their bond, resulting in a fully realized and resonant record that is their best to date.

17 non-consecutive week No.1 from 2018 CMA New Artist of the Year Luke Combs with THIS ONE’S FOR YOU (River House/ Columbia Nashville/Sony Music Nashville) slipped 1-2 (#23-27 Billboard 200; 3,300 sales; 75-week total 353,900).

Former No1 Dan + Shay with their self-titled album (Warner Bros./Warner Music Nashville) held at No.3 (#50-46 BB200; 1,400 sales; 19-week total 64,000).

Chris Stapleton with the 184-week TRAVELLER (MERCURY/ UMGN) held at No.4 (#58-52 BB200; 3,400 sales; 184-week total 2,377,800) as his set From A Room: Volume 1 (Mercury/Universal Music Group Nashville) fell 12-15 (#164-157 BB200) and From A Room: Volume 2 fell 21-23 in its 48th frame (2,200 sales; 49-week total 451,800).

Kane Brown with his 10 non-consecutive week No.1 SELF-TITLED held at No.5 (#68-63 BB200; 2,200 sales; 101-week total 471,900).

Former No.1 Carrie Underwood with CRY PRETTY rose 7-6 (76-75 BB200; 6,600 sales; 8-week total 337,500) in her 7th frame.

Former 6-week non-consecutive week No.1 Jason Aldean with REARVIEW TOWN (Macon/Broken Bow Records) rose 8-7 (#80-84 BB200; 1,700 sales; 29-week total 442,800).

In his second week Josh Turner with first faith-based set, I SERVE A SAVIOR (MCA Nashville/ Universal Music Group Nashville | Amazon UK - UK iTunes - Amazon.com), fell 2-8 (#41-91 Billboard 200; 8,300 sales; down 40%; 2-week total 22,200).

2-week No.1 Eric Church with his DESPERATE MAN (EMI Nashville/Universal Music Group Nashville) fell 6-9 (69-94 Billboard 200; 4,700 sales; 5-week total 138,000).

Former No.1 Thomas Rhett with LIFE CHANGES (Valory/Big Machine Label Group) slipped 9-10 (#90-98 BB200; 700 sales; 61-week total 301,200).

Outside the Top 10
Brett Young with self- titled BRETT YOUNG (BMLG) fell 10-11 (#119-106 BB200; 1,100 sales; 91-week total 241,500).

Dierks Bentley with THE MOUNTAIN moved 40-13 (#119 Re-Entry BB200; 4,300 sales; 22-week total 171,200).

Rosanne Cash with SHE REMEMBERS EVERYTHING (Blue Note Records), the singer-songwriter’s first LP since 2014’s The River & The Thread, debuted at No.1 on Americana/Folk Albums and No.16 on Top Country Albums (#172 Billboard 200; #4 Country Album Sales), with 6,000 equivalent album units (5,600 in paid-for sales).

The new project, her 16th album includes some influence from her husband and singer/songwriter/producer John Leventhal. On their last project, Leventhal’s virtuoso acoustic guitar provided the perfect complement to his wife’s voice, which seems to have become even more soulful over the years.
Cash recently signed with ICM Partners which hopefully alludes to an upcoming tour to support the new project.
Among Cash’s other accolades: She was awarded the SAG/AFTRA Lifetime Achievement award for Sound Recordings in 2012, received the Smithsonian Ingenuity Award in the Performing Arts in 2014, was inducted into the Nashville Songwriters’ Hall of Fame in 2015 and to the Austin City Limits Hall of Fame in 2017. Cash, who has authored four books, is also set to receive an honorary doctorate from Boston’s Berklee School of Music.

CHART HISTORY:
THE RIVER & THE THREAD (Blue Note/Capitol) released on January 14, 2014, entered No.2 on Top Country Albums with sales of 18,566. It marked her highest SoundScan-era debut (her previous best was a No.5 start with THE LIST (Manhattan) in 2009 released October 6, 2009 (#22 Billboard 200) selling 25,940 copies which was her best overall rank in more than 28 years; she had not charted so loftily since Rhythm & Romance topped the Dec. 7, 1985, chart. "Seven Year Ache" reached #26 in 1981.

Critical reception for Rosanne Cash’s She Remembers Everything:
13 Tracks/ Time: 48:22 Amazon UK - UK iTunes - Amazon.com

AllMusic (Rating: 4 STARS) ..She Remembers Everything is a challenging and rewarding set from an artist who is at the peak of her abilities, and if anyone needs to be reminded that Rosanne Cash is one of America's best and smartest songwriters, all they need to do is spend some time with these songs.

Rolling Stone (Rating: 4 STARS) ...She remains hard to categorize, refracting country alongside rock, folk, and other elements befitting a longtime resident of New York City’s melting pot. And her most beautiful work can lean into the abstract.

Uncut (Rating: 7/10)…Too often the music from both sessions provides little more than gauzy atmosphere, lacking the drive and purpose of previous albums. But Cash is a deft singer and evocative songwriter.

Adam Calhoun with his 13 track Hip-Hop & Rap set THE THRONE (2018 Adam Calhoun | Amazon UK) made a debut at No.21 selling 4,000 copies.

FALLING SHORT of Top 50:
On the Country Album Sales list (pure sales; old methodology)

The Mavericks with their first-ever 10-track holiday set HEY! MERRY CHRISTMAS! (Mono Mundo | Amazon UK - UK iTunes - Amazon.com) made a debut at No.14 selling 1,900 copies.
Always a group to forge their own path, The Mavericks wrote eight original songs for Hey! Merry Christmas! featuring the group’s distinctive blend of rockabilly Latino, folk, swing, blues, jazz and more. The new songs inject a fresh style and sound into the holiday season while seamlessly fitting into any rotation of Christmas classics. The new collection includes The Mavericks’ renditions of two yuletide favorites “Christmas (Baby Please Come Home)” and “Happy Holiday”.
Led by the incomparable vocals of Raul Malo, drummer Paul Deakin, guitarist Eddie Perez and keyboardist Jerry Dale McFadden, The Mavericks will embark on their 30th Anniversary in 2019, but not before establishing some new holiday music traditions. From the rollicking opening tracks “Christmas Time Is Coming ‘Round” and "Santa Does” to the gorgeous, jazzy ballad “Christmas For Me Is You” to the sultry blues of “Santa Wants To Take You For A Ride” The Mavericks are said to help redefine what the sounds of Christmas can be.

Carter Winter with his 7-track set TEMPTATION (Average Joes | Amazon UK - UK iTunes - Amazon.com) made a debut at No.24 selling 900 copies.
Produced by Chad Carlson (Taylor Swift, Chase Rice, Cole Swindell), Winter co-wrote all seven tracks on his sophomore album with songwriters including Taylor Phillips, John Gurney and Matt Roy on “Temptation,”
Tommy Cecil, Jared Mullins and Matt Alderman on “Hands” and Vicky McGehee on “I Got Me.” Soundtrack (Dolly Records/RCA).

Rodney Crowell with his 12-track holiday set CHRISTMAS EVERYWHERE (New West | Amazon UK - UK iTunes - Amazon.com) made a debut at No.28 selling 800 copies.

The 12-song set of all original songs was produced by Dan Knobler and features guest appearances from Vince Gill, Lera Lynn, the poet Mary Karr, Brennen Leigh, and more. Christmas Everywhere exhibits a unique and masterful approach to the traditional Christmas album from the legendary songwriter. While many selections exhibit the joy of the season, the collection also explores crass commercialization & loneliness exacerbated by the holidays, as well as songs co-written with his daughters and granddaughters.



Charlie Daniels with Let's All Make The Day Count made a debut at No.42 selling 600 copies.

Year-To-Date Albums
13,139,000 (Physical sales 9,341,000 (down -19.9%) + Digital sales 3,809,000 (down -32.9%) which is 24.2% down at the same point in 2018 (17,334,000 sales) 

Billboard Hot Country Songs (Chart issue week of November 17, 2018)

On Billboard’s Hot Country Songs chart - which blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) according to BDS it results in:

Florida Georgia Line and Bebe Rexha’s Meant to Be” (Warner Bros./Big Machine Label Group) stretched its record domination on Hot Country Songs to 50 weeks.

Hot County Songs
** No.1 (50 weeks)/ Streaming Gainer ** “Meant To Be” Bebe Rexha & Florida Georgia Line
** Digital Gainer/ Airplay Gainer ** No.4 “Speechless” Dan + Shay
** Streaming Gainer ** No.5 “Best Shot” Jimmie Allen  
** Hot Shot Debut ** No.48 “Got My Name Changed Back” Pistol Annies  

Billboard Country Airplay (Chart issue week of November 17, 2018)

Luke Combs with “She Got the Best of Me” (River House/Columbia Nashville) became the first four-week Country Airplay No.1 of 2018 while extending his longest reign on the survey.
The song holds in the penthouse with 42.9 million audience impressions, down 5 percent, in the week ending Nov. 11.
Combs first reached No. 1 with his debut hit, “Hurricane,” which led for two weeks starting on the chart dated May 27, 2017. He followed with “When It Rains It Pours,” which also dominated for two frames beginning Nov. 4, 2017, and “One Number Away,” which led on June 9, 2018.
“Best” becomes the longest-leading Country Airplay No. 1 since Dustin Lynch’s “Small Town Boy,” the only song to dominate the list for four weeks in 2017. “Boy” began its No. 1 run atop the chart dated Sept. 16, 2017.
The last title to control Country Airplay for over four weeks? Thomas Rhett’s “Die a Happy Man,” for six weeks beginning Jan. 2, 2016. Since the chart launched in January 1990, two songs share the record for the longest stay at No. 1: Alan Jackson and Jimmy Buffett’s “It’s Five O’Clock Somewhere” (eight weeks in 2003) and Lonestar’s “Amazed” (eight, 1999).

Kip Moore with “Last Shot” (MCA Nashville) became his fifth top 10 on Country Airplay as it increased by 5 percent to 20.7 million impressions in its 46th week and pushed 13-9. “Shot” is Moore’s first top 10 since “More Girls Like You,” which reached No. 4 last November. Moore’s sum of five top 10s includes his lone leader to date, “Somethin’ ’Bout a Truck,” in 2012.

Blake Shelton earned his 31st Country Airplay top10 as “Turnin’ Me On” (Warner Bros./Warner Music Nashville) lifted 11-10 (20.6 million, up 1 percent). Shelton keeps in ninth place for most top10s among solo males in the history of the Country Airplay chart and ties Rascal Flatts for the 11th-best total among all artists. George Strait leads all acts with 61 top 10s.

Country Airplay
*** No.1 (4 weeks) *** “She Got The Best Of Me” Luke Combs 44.941 million audience (+0.967 million) / 8,207 radio plays (+4)
** Most Increased Audience ** No.8 “Speechless” Dan + Shay 3.885 million audience gain
** Most Added ** No.41 “Miss Me More” Kelsea Ballerini
** Hot Shot Debut ** No.53 “The Ones That Didn't Make It Back Home” Justin Moore  
Debut No.58 “Beautiful Crazy” Luke Combs
Debut No.60 “I Don't Remember Me” (Before You) Brothers Osborne

Billboard Country Digital Singles Chart 
(Chart issue week of November 17, 2018)

Dan + Shay (Dan Smyers and Shay Mooney) with “Speechless” held at No.1 (#20 Non-mover Digital Songs; 11,000 sales; 20-week total 171,000) as their 42-week “Tequila” held at No.7 (5,000 sales; 41-week total 442,000).
Speechless” was 19-places behind Ariana Grande who scored her first No.1 on the Billboard Hot 100 (dated Nov. 17), as "Thank U, Next" rocketed onto the chart at No.1, arriving as the top-streamed (55.5 million U.S. streams) and top-selling song of the week (81,000 downloads sold in the week ending Nov. 8, according to Nielsen Music). With "Next," Grande likewise earned her first No.1 on the Streaming Songs chart and her fourth leader on Digital Song Sales, after "Problem," for three weeks in 2014; "Bang Bang," with Jessie J and Nicki Minaj (one week, 2014); and "No Tears Left to Cry" (one, this May).
No. 1 in streams & sales: "Next" launches with and

Jimmie Allen with ballad “Best Shot” rose 3-2 in his seventh frame (#40-37 Digital Songs; 7,000 sales; 7-week total 80,000).
Luke Combs with “She Got The Best Of Me” fell 2-3 (#31-38 Digital Songs; 7,000 sales; 14-week total 254,000).
Chris Stapleton with “Tennessee Whiskey” climbed 5-4 in its 148th week (#42 Re-Entry Digital Songs; 7,000 sales; 148-week total 1,700,000) as his 5-week “Millionaire” held at No.14 (4,000 sales; 6-week total 153,000).

Brett Young with “In Case You Didn't Know” made a re-entry at No.5 (#47 Re-Entry Digital Songs; 7,000 sales; total 1,172,000)

Mitchell Tenpenny withDrunk Mefell at 4-6 (7,000 sales; 16-week total 137,000).
Jake Owen with “Down To The Honkytonk” fell 6-8 (6,000 sales; 11-week total 64,000).
Kane Brown with Lose It” held at No.9 (5,000 sales; 21-week total 155,000) as the 50-week “Heaven” slipped 16-17 in its 51st week (4,000 sales; 51-week total 656,000).
Their former 22 non-consecutive week No1 Bebe Rexha and Florida Georgia Line with “Meant to Be" (Warner Bros. | BMLG) held at No.10 (5,000 sales; 50-week total 1,335,000).

Outside the Top 10
Dierks Bentley feat. Brothers Osborne with “Burning Man” climbed 13-11 (5,000 sales; 13-week total 79,000).
Florida Georgia Line with “Simple” (BMLG) fell 8-12 (4,000 sales; 23-week total 336,000).

Chris Lane with “I Don’t Know About You”, the second single from Laps Around the Sun made a re-entry at No.22 (3,000 sales). It follows “Take Back Home Girl” (featuring Tori Kelly), which reached No.12 on Hot Country Songs in April. “Know” rose 45-35, powered by bursts of 54 percent to 3,000 sold and 14 percent to 1.8 million U.S. streams.

Country Aircheck MEDIABASE Chart

November 12, 2018

Chris Young Earns 11th #1 Hit With 'Hangin' On'
Congrats to Chris Young, Steve Hodges, Dennis Reese and the RCA promotion staff on landing the week’s No.1 with “Hangin’ On.” The song is the second chart-topper from LOSING SLEEP (the namesake for his 2018 arena headlining tour). Writers are Corey Crowder, Josh Hoge and Young.

The tune marks YOUNG's 11th hit single as “Hangin’ On” took the top spot on the Mediabase Country Radio Chart. The song, which “finds Young revving up his rich country baritone” (Rolling Stone), is the Opry member’s 9th No. 1 as a songwriter. 
“Hangin’ On” is also Young’s fifth consecutive No.1, topping a list that includes the three-week No. 1 and 2x platinum certified “I’m Comin’ Over,” the ACM, CMA, Grammy and RDMA nominated, platinum single “Think Of You” with Cassadee Pope, the BBMA nominated Gold single “Sober Saturday Night” featuring Vince Gill, and platinum certified and title of his sold-out arena headlining tour, “Losing Sleep.”
 “Making music is all I’ve ever wanted to do, so to be celebrating my 11th #1 really is a dream come true,” said Young.
Over the weekend, Young took his “Losing Sleep World Tour” to packed houses at Giant Center in Hershey, PA and Onecenter War Memorial Auditorium in Syracuse, NY. He is coming back to the UK with dates in May 2019

Hangin’ On” (RCA) moved 2-1 logging 8,520 radio spins (+346), 53.093 million audience impressions (+1.68 million) with 27620 Total Points (+1091) from 156 tracking stations (156 ADDS) for the tracking week November 4 to November 10, 2018

And kudos to Matthew Hargis, Bobby Young and the BMLG Records and Capitol promo crews for tying atop the add board at 21 with Florida Georgia Line’s Talk You Out Of It” and Luke Bryan’s What Makes You Country,” respectively.

The song topped the "Most Added" board this chart week.

Mediabase Adds (Selective)

Artist/Title (Label) TW Total Historic Adds
FLORIDA GEORGIA LINE/Talk You Out Of It (BMLGR)  21         61        
LUKE BRYAN/What Makes You Country (Capitol)          21         142      
OLD DOMINION/Make It Sweet (RCA)    20         92        
KELSEA BALLERINI/Miss Me More (Black River)            19         89        
JUSTIN MOORE/The Ones That Didn't Make It.. (Valory)            9          55        
CARRIE UNDERWOOD/Love Wins (Capitol)      8          126      
COLE SWINDELL/Love You Too Late (Warner Bros./WMN)        8          8         
BRETT YOUNG/Here Tonight (BMLGR) 7          105      
CODY JOHNSON/On My Way To You (CoJo Music/WMN)          6          103      
WALKER HAYES/90's Country (Monument/Arista)          6          38        
           
RUNAWAY JUNE/Buy My Own Drinks (Wheelhouse)      5          84        
LAUREN ALAINA/Ladies In The '90s (19/Mercury)           4          53        
CARLY PEARCE/Closer To You (Big Machine)   3          5         
TENILLE TOWNES/Somebody's Daughter (Columbia)    3          41        
PISTOL ANNIES/Got My Name Changed Back (RCA)     2          15        
RACHEL WAMMACK/Damage (RCA)     2          47        
COLT FORD/How You Lose A Woman (Average Joes)   1          1         
FLORIDA GEORGIA LINE/Sittin' Pretty (BMLGR)            1          1         
LUKE COMBS/Beautiful Crazy (River House/Columbia)   1          11        
MADDIE & TAE/Friends Don't (Mercury) 1          97        
RAELYNN/Tailgate (Warner Bros./WMN)            1          14        
ALKER MCGUIRE/Growin' Up (Stoney Creek)    1          28        
WATERLOO REVIVAL/Wonder Woman (Show Dog)      1          32

For a detailed report check out Country Aircheck Weekly October 29, 2018, Issue 625 Magazine View  

For the very latest up to the minute Mediabase Chart (Past 7 Days) go here - www.mediabase.com

Billboard Boxscores (Selective Country concerts)

Rank Artist: #11
Event Venue City/State: Eagles Madison Square Garden New York
Dates: Oct. 9-10, 2018 Gross Sales: $4,389,379 Attend: 26,375/  26,375
Shows/ Sellouts: 2/2 ** SOLD OUT ** Prices: $393.50, $223.50, $143.50, $93.50, $63.50
Promoters: Live Nation 
Latest Billboard Boxscore Chart 


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