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“CHAPTER ONE: TONIGHT I DON’T GIVE A DAMN”
Partners with CMT to Premiere Music Videos for the 3-Song EP
Shared Passion for Storytelling with The Tennessean in
Advance of Fifth Visit to the Grand Ole Opry stage on April 23
Partners with CMT to Premiere Music Videos for the 3-Song EP
Shared Passion for Storytelling with The Tennessean in
Advance of Fifth Visit to the Grand Ole Opry stage on April 23
NASHVILLE, Tenn. — Fresh off the SiriusXM
Outlaw Country presents Jamey Johnson Tour, country music’s ultimate
storyteller Erin Enderlin adds yet another page to
her budding success story with the release today of her EP Chapter
One: Tonight I Don’t Give a Damn.
The EP, which takes listeners on a journey
through the exquisite and often raw songwriting of Enderlin, is now available
for download:
3 Tracks
Time: 10:46
Gene Watson singing "Farewell Party"
Single barrel double shot on ice
Sitting here talking to a stranger
'Cause I don't want to be alone tonight
I shouldn't be in this bar room, but I am
Tomorrow I'll wake up feeling guilty
But tonight I don't give a damn
Enderlin shines throughout Chapter One: Tonight I Don’t Give a Damn on the heartbreakingly beautiful “Broken,” the incredibly honest “Till It’s Gone” and the soul-bearing title track. A trilogy of music videos, which follow a singular character through the powerful narrative of the three songs contained on the EP which premiered on CMT (April 26).
Enderlin shines throughout Chapter One: Tonight I Don’t Give a Damn on the heartbreakingly beautiful “Broken,” the incredibly honest “Till It’s Gone” and the soul-bearing title track. A trilogy of music videos, which follow a singular character through the powerful narrative of the three songs contained on the EP which premiered on CMT (April 26).
“I love storytelling and developing characters,” Enderlin recently told The Tennessean shortly before taking the Grand Ole Opry stage for a fifth time on April 23. “I’ve been told I slant to the dark side of life.”
Of course, this unique slant to the Arkansas native’s songwriting is what makes Chapter One: Tonight I Don’t Give a Damn downright irresistible, and continues to follow Enderlin’s drive to create characters that materialize within the lyrics of each of her songs. Chapter One: Tonight I Don’t Give a Damn tells the continuing story of the hurting woman featured in the song “Broken” from her most recent project WHISKEYTOWN CRIER (Amazon UK; Sept 1, 2017).
“For me, it was interesting to think about how her situation was going to affect the rest of her life,” says Enderlin, who will quickly follow the EP with Chapter Two this June as well as both Chapter Three and Chapter Four before the end of the year. The project is a collaboration between Enderlin’s Black Crow Productions and label partner Blaster Records, with management by music industry veteran Marty Winsch.
CONNECT with Erin Enderlin:
About Erin Enderlin
The last few years have been especially busy for singer-songwriter Erin Enderlin. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier cemented her as something even more: a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Named a member of the 2018 CMT Next Women of Country class and recipient of the Arkansas Country Music Awards Songwriter and Album of the Year trophies, she has surged to the forefront of new artists rooted in the genre’s rich history. Enderlin is also a go-to writer for stars looking for heavyweight country with classic panache––Alan Jackson’s “Monday Morning Church,” Lee Ann Womack’s “Last Call,” Luke Bryan’s “You Don’t Know Jack” and a host of other songs recorded by Randy Travis, Joey + Rory, Reba McEntire, Terri Clark, Whisperin’ Bill Anderson, and more are all Enderlin-penned.
The last few years have been especially busy for singer-songwriter Erin Enderlin. While she first turned heads as a godsend to those aching for an artist with some golden-era country backbone, Enderlin’s acclaimed 2017 record Whiskeytown Crier cemented her as something even more: a literary songwriter and superb vocal stylist with a knack for sharply drawn––and often sad––characters. Named a member of the 2018 CMT Next Women of Country class and recipient of the Arkansas Country Music Awards Songwriter and Album of the Year trophies, she has surged to the forefront of new artists rooted in the genre’s rich history. Enderlin is also a go-to writer for stars looking for heavyweight country with classic panache––Alan Jackson’s “Monday Morning Church,” Lee Ann Womack’s “Last Call,” Luke Bryan’s “You Don’t Know Jack” and a host of other songs recorded by Randy Travis, Joey + Rory, Reba McEntire, Terri Clark, Whisperin’ Bill Anderson, and more are all Enderlin-penned.
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