Thursday 2 May 2019

Country Billboard Chart News April 29, 2019


Country Billboard Chart News April 29, 2019

In Brief: Billboard Country Charts (Chart issue week of May 4, 2019)

Country Album Chart ** No.1 (32 non-consecutive weeks) ** THIS ONE’S FOR YOU Luke Combs
Hot Country Songs ** No.1 (10 weeks) ** “Beautiful Crazy” Luke Combs
Country Airplay ** No.1 (1 week) ** “Make It Sweet” Old Dominion
Country Digital Songs ** No.1 (4 weeks) ** “God’s Country” Blake Shelton

Billboard Top 200 / Country Album Chart News (Chart issue week of May 4, 2019)

The Billboard 200 chart measures multi-metric album consumption, which includes traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

Billie Eilish’s WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? jumped back to No.1 on the Billboard Top 200 Album Chart (BB200), rising 2-1 in its fourth week on the tally and collecting its second total week at No. 1. The effort earned 88,000 equivalent album units in the week ending April 25 in the U.S. according to Nielsen Music (up 10%).
When We All Fall Asleep debuted at No. 1 on the April 13-dated list with 313,000 equivalent album units earned in its first week, according to Nielsen Music. The set then slipped to No. 2 for the next two weeks.

Billboard Top Country Albums (Chart issue week of May 4, 2019)
Top Country Albums now ranks the most popular country albums of the week, as compiled by Nielsen Music, based on multi-metric consumption (blending traditional album sales, track equivalent albums (TEA), and streaming equivalent albums (SEA)).
10 digital track sales from an album = 1 track equivalent album (TEA) “sale”
1,500 on demand song streams from an album to one streaming equivalent album (SEA) “sale”.
Nielsen Music compiles the sales and streaming data. Billboard continues to publish pure album sales charts (subscription to billboard biz ), exclusively comprising Nielsen’s sales data.

Luke Combs with his debut LP, THIS ONE’S FOR YOU (River House/Columbia Nashville/Sony Music Nashville), logged a 32nd week at No.1 on Top Country Albums (27,000 equivalent album units earned, up 2%).

The set breaks out of a tie for the ninth-longest reign in the chart’s history, which dates to 1964. It has surpassed Lady Antebellum’s 2010 album NEED YOU NOW and Clint Black’s 1989 debut set, KILLIN’ TIME, each of which ruled for 31 frames.

This One’s for You is the fifth-longest leading No.1 by a solo male. It’s a week from matching Garth Brooks’ 1991 album Ropin’ the Wind for fourth place. Among solo men, Randy Travis’ 1987 set Always & Forever holds the mark, with 43 weeks at No.1. In overall artists, he’s second only to Shania Twain’s 1997 LP Come on Over, which dominated for 50 weeks.

Dan + Shay with their self-titled album (Warner Bros./Warner Music Nashville) rose 3-2 (#32-38 BB200) in their 44th frame.
Chris Stapleton with the 208-week TRAVELLER (MERCURY/ UMGN) rose 8-3 (#48-49 BB200) as his set From A Room: Volume 1 (Mercury/Universal Music Group Nashville) fell 25-26. 

Former No.1 Kacey Musgraves with GOLDEN HOUR (MCA Nashville) rose 5-4 (#43-51 BB200) in her 51st week.  
Former No.1 Maren Morris with GIRL (Columbia Nashville/ Sony Music Nashville [SMN]) rose 6-5 (#44-52 Billboard 200) in her 7th week.  

Florida Georgia Line with CAN’T SAY I AIN’T COUNTRY (Big Machine Label Group) climbed 9-6 (#61-63 BB200) in their 10th week.

Hick-hop country-rocker Upchurch debuted at No.7 on Top Country Albums (#66 Billboard 200) with CREEKER 2 (Redneck Nation | Amazon UK), which started with 11,000 equivalent album units.
Upchurch, aka 27-year-old Nashville native Ryan Edward Church, scores his fourth top 10 on the chart among 12 appearances.
He previously reached the region with King of Dixie (No. 10; Dec 2017; 8,100 sales), Creeker (No. 5; May 2018; 11,900 sales) and Supernatural (No. 6; September 2018; selling 9,200). With 10,000 copies sold, Creeker 2 opened at No.1 on the Country Album Sales chart. It’s his second No. 1 on the retail list, after Supernatural.

Former No.1 Kane Brown with sophomore album, entitled EXPERIMENT rose 10-8 (#68-71 BB200; 24 chart weeks) as his self-titled album held at No.11 (#71-76 BB200; 125 weeks).

Former No.1 Brooks & Dunn with REBOOT (Arista Nashville/Sony Music Nashville) fell 4-9 (#41-72 Billboard 200) in their third frame.
Former 6-week non-consecutive week No.1 Jason Aldean with REARVIEW TOWN (Macon/Broken Bow Records) rose 12-10 (#78-75 BB200) in his 54th week.

Outside the Top 10
Morgan Wallen with IF I KNOW ME (Big Loud Digital EX) rose 13-12 (#99-96 BB200) in his 47th frame.

Former No.1 George Strait with HONKY TONK TIME MACHINE (MCA Nashville | UMGN) fell 7-13 (#46-85 BB200) in his 4th week.
Former No.1 Carrie Underwood with CRY PRETTY advanced 29-16 (#110 Re-Entry BB200).
Former No.1 Brett Young with Ticket to L.A. held at No.20 (#147-158) in his 20th week.
Kelsea Ballerini with UNAPOLOGETICALLY rose 22-21 (#188-169 BB200) in her 65th week.

Outside the Top 25
In her third week Reba McEntire with STRONGER THAN THE TRUTH (Rockin R/Big Machine/BMLG) fell 19-47 on (#146 – off the BB200).

Aaron Lewis with his third country LP, 10-track STATE I’M IN (Valory/BMLG | Amazon UK - UK iTunes - Amazon.com) fell off the top 50 (#1-11 Country Sales) after previous week debut at No.2

FALLING SHORT of Top 50:
On the Country Album Sales list (pure sales; old methodology)

The Cole Trains with LUCKY STARS (Pony Rock Records | Amazon UK - UK iTunes ) made a debut at No.42.

Rita Wilson with 11 track HALFWAY TO HOME (Sing It Loud, LLC | iTunes) made a debut at No.48.
With her new album, the second in a series of three new records—Rita Wilson continues to establish herself as a significant, rising singer-songwriter. This latest chapter, and her ongoing creative development, is a manifestation of her view that all of us keep growing and changing, whether we intend to or not. Most of Halfway to Home was recorded in Nashville and co-produced by Wilson and Nathan Chapman (Taylor Swift, Keith Urban, Shania Twain), who she calls “an incredible creative partner.”

Year-To-Date Albums
3,592,000 (Physical sales 2,488,000 (down -27.8%) + Digital sales 1,104,000 (down -20.9%) which is 25.8% down at the same point in 2018 (4,838,000 sales) 

Year-To-Date Digital Tracks
11,263,000 down 27.3% at the same point in 2018 (15,483,000)

Billboard Hot Country Songs (Chart issue week of May 4, 2019)
On Billboard’s Hot Country Songs chart - which blends:
a) All-format airplay, as monitored by BDS
b) Sales, as tracked by Nielsen SoundScan and
c) Streaming, (tracked by Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) according to BDS it results in:

Luke Combs with “Beautiful Crazy’’ (River House/ Columbia Nashville) stayed fixed at the summit of Hot Country) for a tenth week.

Hot County Songs
** No.1 (10 weeks) ** “Beautiful Crazy” Luke Combs  
** Digital Gainer / Airplay Gainer” No.4 “Whiskey Glasses” Morgan Wallen  
** Streaming Gainer ** No.21 “Rearview Town” Jason Aldean  
** Hot Shot Debut ** No.27 “Remember You Young” Thomas Rhett  
Debut No.49 “Day Drunk” Morgan Evans

Billboard Country Airplay (Chart issue week of May 4, 2019)

Old Dominion with “Make It Sweet” (RCA Nashville) became the group’s sixth Country Airplay No.1 and fifth in succession as it ascended 3-1 on the chart dated May 4. The song hit the summit with an 8% increase to 38 million audience impressions in the week ending April 28, according to Nielsen Music.

All five members of the band wrote the launch track from their upcoming third full-length studio album with the song’s producer, Shane McAnally. Old Dominion consists of Matthew Ramsey, Trevor Rosen, Whit Sellers, Geoff Sprung and Brad Tursi.
From the moment we wrote it, we’ve always felt ‘Make It Sweet’ was a special song,” Ramsey told Billboard. “We wrote and recorded it all in the same day. We feel that the song captured the spirit of this band in a way we hadn’t been able to do in the past. 

The guys and I didn’t know it at the time, but it would set the tone for the entire third album. Having ‘Make It Sweet’ go all the way to No. 1 will go down as one of our proudest moments.”

Old Dominion scored its first Country Airplay No. 1 in November 2015 when “Break Up With Him” led for two weeks. Its next single, “Snapback,” peaked at No. 2 in June 2016, followed by five straight leaders: “Song for Another Time” (December 2016; one week), “No Such Thing As a Broken Heart” (September 2017; one), “Written in the Sand” (February 2018; one), “Hotel Key” (September 2018; two) and “Sweet.” The quintet, which was crowned group of the year at the 54th annual Academy of Country Music Awards on April 7, owns the second-longest active run of Country Airplay leaders. Thomas Rhett has the current longest streak, with six.
On the Hot Country Songs chart, which blends airplay, streaming and sales data, “Sweet” hits a new high, lifting 9-8.

 Brett Eldredge banked his eighth Country Airplay top 10 as “Love Someone” (Atlantic/Warner Music Nashville) strolled 12-10 in its 43rd frame, up 14% to 22.2 million in audience. On Hot Country Songs, it climbed 19-17. It’s Eldredge’s first such hit since “The Long Way” reached No. 3 in April 2018. He has tallied five No.1s.

Country Airplay
*** No.1 (1 week) *** No.1 “Make It Sweet” Old Dominion 37.970 million audience (+2.793 million) / 7,851 radio plays (+459)
** Most Increased Audience ** No.7 “Whiskey Glasses” Morgan Wallen +4.042 million audience gain
** Most Added ** No.23 “Knockin' Boots” Luke Bryan
** Hot Shot Debut ** No.51 “Slow Dance In A Parking Lot” Jordan Davis  
Debut No.56 “Slower” Filmore
Debut No.57 “Heartbreak” Hunter Hayes
Debut No.60 “Southbound” Carrie Underwood

Billboard Country Digital Singles Chart 
(Chart issue week of May 4, 2019)

Blake Shelton with God’s Country” (Warner Bros./Warner Music Nashville) held at No.1 on Country Digital Song Sales (#4-2 Digital Songs) to head the summit for a fourth week.
It was one place behind Lil Nas X with "Old Town Road" "which topped the Digital Song Sales chart for a third week with 89,000 downloads sold (down 2%) in the week ending April 25. It continues to surge in radio airplay, bounding 18-12 on the Radio Songs chart (55.4 million audience impressions, up 23%, in the week ending April 28), as it won the Hot 100's top Airplay Gainer award for a third week.

Morgan Wallen with “Whiskey Glasses” lifted 4-2 (#18-15 Digital Songs) in his 22nd frame.
Previous No.1 Thomas Rhett with “Look What God Gave Her” fell 2-3 (#15-18 Digital Songs) in its 8th week as new track “Remember You Young” made a debut at No.4 (#21 New Entry Digital Songs).
Former 7 non-consecutive week No1 Luke Combs with Beautiful Crazy” fell 3-5 (#16-23 Digital Songs) in its 51st frame.

Kane Brown with “Good As You” fell 5-6 (#25-28 Digital Songs) in his 14th week.
Luke Bryan with “Knockin' Boots” fell 6-7 (#35-33 Digital Songs) in his 4th week.
Lee Brice with “Rumor” slipped 7-8 (#43-39 Digital Songs) in his 19th week.
Kelsea Ballerini with “Miss Me More” rose 10-9 (#50-46 Digital Songs) in her 25th week.
Chase Rice with “Eyes On You” rose 11-10 (#47 New Entry Digital Songs) in his 10th frame.

Outside the Top 10
Dan + Shay (Dan Smyers and Shay Mooney) with hit single “Tequila” fell 8-13 as Speechless” rose 12-11.
Brantley Gilbert featuring Colt Fold, Lukas Nelson & Willie Nelson with “Welcome To Hazeville” made a debut at No.21.

Country Aircheck MEDIABASE Chart

April 29, 2019

Old Dominion ‘Makes It Sweet’ By Reaching #1
Congrats to Old Dominion, Steve Hodges, Dennis Reese and the RCA promotion staff on landing this week’s No.1 with “Make It Sweet.” The song is their sixth chart-topper. Writers are Matthew Ramsey, Trevor Rosen, Whit Sellers, Geoff Sprung, Brad Tursi and Shane McAnally.

Make It Sweet” (RCA) climbed 2-1 logging 8,452 radio spins (+742), 52.643 million audience impressions (+3.926) with 27488 Total Points (+2325) from 156 tracking stations (156 ADDS) for the tracking week April 21 to April 27, 2019 and published chart dated April 29, 2019.

Carrie Underwood Is Most-Added With 'Southbound'
Kudos to Bobby Young and the Capitol reps for notching 51 adds on Carrie Underwood’s Southbound”. The song topped the "Most Added" board this chart week.
Her last and second single '"Love Wins" from her sixth studio album, CRY PRETTY peaked at No.11 on Billboard Country Airplay and No.10 on the Mediabase chart (26.977 million audience; 155 station ADDS)
 Staff at Capitol Nashville celebrate Carrie Underwood being most-added at Country radio this week. Pictured Front Row (L-R): UMG’s Kaileen Mangan; Capitol Nashville’s Katelyn Lester, Bobby Young and Ashley Laws. Back row (L-R): UMG’s David Friedman; Capitol Nashville’s Brent Jones and UMG’s Chris Schuler

Mediabase Adds (Selective)

Artist/Title (Label)        TW       Total Historic Adds
CARRIE UNDERWOOD/Southbound (Capitol)    51         51        
RILEY GREEN/In Love By Now (BMLGR)           34         35        
HIGH VALLEY/Single Man (Atlantic/WEA)          30         32        
BRANDON RATCLIFF/Rules Of Breaking Up (Monument/Columbia)        20         21        
LUKE BRYAN/Knockin' Boots (Capitol)  20         146      
MIDLAND/Mr. Lonely (Big Machine)        14         96        
ADAM CRAIG/If You're Lucky (Stoney Creek)     13         13        
HARDY/Rednecker (TVM/Big Loud)       10         112      
JORDAN DAVIS/Slow Dance In A Parking Lot (MCA)      9          67        
BROTHERS OSBORNE/I Don't Remember Me (Before..) (EMI Nashville) 7          116      
SCOTTY MCCREERY/In Between (Triple Tigers)            7          68        
TIM MCGRAW/Thought About You (Columbia)   7          137      
FILMORE/Slower (Curb)            6          51        
JUSTIN MOORE/The Ones That Didn't Make It.. (Valory)            6          131      
JASON ALDEAN/Rearview Town (Macon Music/Broken Bow)     5          149      
ABBY ANDERSON/Good Lord (Black River)      4          46        
CAYLEE HAMMACK/Family Tree (Capitol)        4          50        
CHRIS LANE/I Don't Know About You (Big Loud)            4          88        
COLE SWINDELL/Love You Too Late (Warner Bros./WMN)        4          130      
DUSTIN LYNCH/Ridin' Roads (Broken Bow)       4          81        
CAROLINE JONES/Chasing Me (Mailboat/New Revolution)        3          23        
TENILLE TOWNES/Somebody's Daughter (Columbia)    2          101      
STEPHANIE QUAYLE/If I Was A Cowboy (Rebel Engine)           1          19

Country Aircheck Top Point Gainers:
Here are the top point gainers for April 28-30 compared with the same days last week, according to Mediabase 24/7.
1. CHASE RICE/Eyes On You (Broken Bow) +955 points
2. MORGAN WALLEN/Whiskey Glasses (Big Loud) +860 points
3. ELI YOUNG BAND/Love Ain't (Valory) +846 points
4. BLAKE SHELTON/God's Country (Warner Bros./WMN) +684 points
5. THOMAS RHETT/Look What God Gave Her (Valory) +581 points
           
For a detailed report check out Country Aircheck Weekly April 29, 2019, Issue 650  - Magazine View

For the very latest up to the minute Mediabase Chart (Past 7 Days) go here - www.mediabase.com

Billboard Boxscores (Selective Country concerts)

Rank Artist: #2
Event Venue City/State: Eric Church Bon Secours Wellness Arena Greenville, S.C.
Dates: April 26-27, 2019 Gross Sales: $2,613,373 Attend: 26,962/ 26,962
Shows/ Sellouts: 2/2 ** SOLD OUT ** Prices: $139, $36
Promoters: Messina Touring Group/AEG Presents

Rank Artist: #16
Event Venue City/State: Kenny Chesney, Caroline Jones, David Lee Murphy Volvo Car Stadium Charleston, S.C.
Dates: April 25, 2019 Gross Sales: $876,831 Attend: 7,547/ 7,547
Shows/ Sellouts: 1/1 ** SOLD OUT ** Prices: $150, $54.50
Promoters: Messina Touring Group/AEG Presents

Rank Artist: #46
Event Venue City/State: Luke Combs Resch Center Green Bay, Wis.
Dates: April 25, 2019 Gross Sales: $318,255 Attend: 7,517/ 7,517
Shows/ Sellouts: 1/1 ** SOLD OUT ** Prices: $60, $35
Promoters: FPC Live/NS2
Latest Billboard Boxscore Chart

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